Kristian Bezuidenhout,贝多芬：第二、第五钢琴协奏曲“皇帝” Nos. 2 & 5 (2020) [Hi-Res]24-96
Beethoven Piano Concertos Nos. 2 & 5 Emperor (2020)
贝多芬：第二、第五钢琴协奏曲“皇帝”
Beethoven: Piano Concertos Nos. 2 & 5 "Emperor"
Kristian Bezuidenhout, Freiburger Barockorchester, Pablo Heras-Casado
Released on 31/01/2020 by harmonia mundi
Main artists: Kristian Bezuidenhout Freiburger Barockorchester Pablo Heras-Casado
Genre: Concertos
Digital booklet
Available in
24-Bit/96 kHz
Stereo
5
01. Piano Concerto No. 5 in E-Flat Major, Op. 73, 'Emperor' I. Allegro.flac
02. Piano Concerto No. 5 in E-Flat Major, Op. 73, 'Emperor' II. Adagio un poco mosso.flac
03. Piano Concerto No. 5 in E-Flat Major, Op. 73, 'Emperor' III. Rondo. Allegro.flac
04. Piano Concerto No. 2 in B-Flat Major, Op. 19 I. Allegro con brio.flac
05. Piano Concerto No. 2 in B-Flat Major, Op. 19 II. Adagio.flac
06. Piano Concerto No. 2 in B-Flat Major, Op. 19 III. Rondo. Molto allegro.flac
专辑评论
我们中的许多人可能都为新的一年设定了目标，但 harmonia mundi 的目标特别高。这家独立唱片公司打算一举两得，推出一个涵盖从 2020 年（贝多芬诞辰 150 周年）到 2027 年（贝多芬逝世 200 周年）的贝多芬全集，其中包含该厂牌下新音乐家的一系列新唱片。在未来的几年里，这个非详尽的版本将反映 21 世纪的诠释趋势。这本用古典乐器演奏的《钢琴协奏曲全集》的第一卷（还会有一本用现代乐器演奏的）汇集了贝多芬曲目的两个极端，即第 2 号协奏曲和第 5 号协奏曲，前者是最早创作的。Kristian
Bezuidenhout 非凡的音乐才能使得乐器制造之争显得人为且毫无意义，因为他可以轻松地演奏早期和现代钢琴。在对莫扎特全套奏鸣曲进行精彩演绎之后，我们跟随他演绎贝多芬协奏曲，他与弗莱堡巴洛克管弦乐团密切合作，贝祖登豪特和戈特弗里德·冯·德·戈尔茨自 2017 年至 2018 年一直负责该乐团的艺术指导。这可能不是一项开创性的努力，但让它与众不同的是克里斯蒂安·贝祖登豪特和指挥家帕布罗·埃拉斯-卡萨多对发音和力度细节的一丝不苟。他们对华彩乐段的选择也是如此，钢琴家经常使用同一件乐器对整部作品进行重新诠释，最终在 1824 年的维也纳康拉德·格拉夫钢琴上演奏出现代演绎。面对 18 世纪末的音乐实践，年轻贝多芬的音乐比以往任何时候都更加生动。 © François Hudry/Qobuz
关于专辑
1 张光盘 - 6 首曲目
总时长： 01:03:24
1 本电子小册子
主要艺术家：
克里斯蒂安·贝祖登豪特
弗莱堡巴洛克管弦乐团
巴勃罗·埃拉斯-卡萨多
作曲家： 路德维希·凡·贝多芬
标签： harmonia mundi
类型：
古典
协奏曲
可用
24 位/96 kHz
立体声
数字小册子
2020 年世界和谐 2017 年世界和谐
Album review
Many of us may have set goals for the new year, but harmonia mundi set theirs particularly high. The independent record label intends on killing two birds with one stone by launching an extensive Beethoven edition that spans from 2020 (one hundred and fifty years since his birth) to 2027 (the bicentenary of his death), in a series of new recordings by new musicians under the label. For years to come, this non-exhaustive edition will be a reflection of the interpretative trends from the 21st century. This first volume of the Complete Piano Concertos on period instruments (there will be another on modern instruments) brings together the two extremes of Beethoven’s repertoire, namely Concertos No. 2 and No. 5, the former of which was composed first.
Kristian Bezuidenhout’s exceptional musicality renders the dispute over instrument manufacturing seemingly artificial and fruitless, as he is at ease playing both early and modern pianos. After an inspired performance of Mozart’s complete Sonatas, we follow him as he journeys through the Beethoven Concertos, working closely with the Freiburg Barockorchester ensemble, for whom Bezuidenhout and Gottfried von der Goltz have been in charge of artistic direction since 2017-2018. This may not be a ground-breaking endeavour but what sets it apart is the meticulous attention to detail from Kristian Bezuidenhout and conductor Pablo Heras-Casado with regards to articulations and dynamics. The same can also be said for their choice of cadenzas, which the pianist often reinterprets using the same instrument for the complete work, resulting in a modern rendition played on a Viennese Conrad Graf piano dating from 1824. Confronted with musical practices from the end of the 18th century, the music of young Beethoven comes alive as never before. © François Hudry/Qobuz
About the album
1 disc(s) - 6 track(s)
Total length: 01:03:24
1 Digital booklet
Main artists: Kristian Bezuidenhout Freiburger Barockorchester Pablo Heras-Casado
Composer: Ludwig van Beethoven
Label: harmonia mundi
Genre: Classical Concertos
Available in
24-Bit/96 kHz
Stereo
Digital booklet
2020 harmonia mundi 2017 harmonia mundi
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