14-维陶塔斯·斯梅托纳 - 勃拉姆斯肖邦斯梅托纳钢琴作品2020年Hi-Res24B - 96.0kHz
Artist: Vytautas Smetona
Title: Brahms, Chopin & Smetona: Piano Works
Year Of Release: 2020
Label: Navona
Genre: Classical Piano
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:09:21
Total Size: 250 mb / 1.03 gb
WebSite: Album Preview
Tracklist
01. Piano Sonata No. 3 in F Minor, Op. 5: I. Allegro maestoso
02. Piano Sonata No. 3 in F Minor, Op. 5: II. Andante espressivo
03. Piano Sonata No. 3 in F Minor, Op. 5: III. Scherzo. Allegro energico-Trio
04. Piano Sonata No. 3 in F Minor, Op. 5: IV. Intermezzo. Andante molto
05. Piano Sonata No. 3 in F Minor, Op. 5: V. Finale. Allegro moderato ma rubato
06. Fantasy in F Minor
07. Waltzes, Op. 34, B. 64: No. 2 in A Minor
08. Mazurkas, Op. 59, B. 157: No. 3 in F-Sharp Minor
09. Etudes, Op. 10, B. 42: No. 8 in F Major "Sunshine"
10. Ballade No. 4 in F Minor, Op. 52, B. 146
Exalted and expressive to just the right degree, Ohio-born pianist Vytautas Smetona fuses his American upbringing with his Lithuanian heritage in his recordings of Brahms, Chopin and his own work. His second release on Navona exhibits technical command of the highest order, profound musical understanding and a clarity of interpretation which is seldom heard. No wonder, perhaps, considering that Smetona's recording debut in 1979 already boasted the ambitious combination of Chopin, Liszt, and Rachmaninoff; and what was an extraordinary musical feat already then has since ripened and mature into a sensible, sensitive approach to piano literature which has few equals. Where most concert pianists are afraid to fully dive into the depths of dynamic and expressive range, Smetona does so with bravura. This benefits him immensely: for example, there is a furor in Brahms' fortissimi which is a refreshingly far cry from the rather coddled, mannered pianistic style so common today. Smetona strives against the stream, thunderously and energetically; it's how Beethoven would have played Brahms – and it's fantastic. But there's more, namely an entirely different quality when it comes to lyrical passages, particularly those abundant in Chopin's dances. Smetona plays them with a soft rationality, a logical kind of tenderness. This classical playing style applied to Romantic piano literature brings out every detail with elevated contrast. Nestled between Brahms and Chopin is Smetona's own work, Fantasy in F minor (2015). It fits perfectly with the program, at times reminiscent of the former and other times of the latter, with echoes of Rachmaninoff here and there. The tonal language is late-Romantic, with the improvisatory element firmly reigning over this composition. It's easy to imagine it as a modern cadenza to a concerto by Brahms (or, if one were to be audacious, one by Kalkbrenner or Norbert Burgmüller).
艺术家：维陶塔斯·斯梅托纳（Vytautas Smetona）
作品名称：《勃拉姆斯、肖邦与斯梅托纳：钢琴作品》
发行年份：2020年
厂牌：纳沃纳（Navona）
音乐类型：古典钢琴音乐
音质：FLAC无损格式 / FLAC 24比特 - 96.0千赫兹 + 小册子
总时长：1小时09分21秒
总大小：250兆字节 / 1.03吉字节
网站：专辑预览
曲目列表
01. f小调第三钢琴奏鸣曲，作品5号：第一乐章，庄严的快板
02. f小调第三钢琴奏鸣曲，作品5号：第二乐章，富有表现力的行板
03. f小调第三钢琴奏鸣曲，作品5号：第三乐章，谐谑曲。充满活力的快板 - 三声中部
04. f小调第三钢琴奏鸣曲，作品5号：第四乐章，间奏曲。很慢的行板
05. f小调第三钢琴奏鸣曲，作品5号：第五乐章，终曲。中板但节奏自由的快板
06. f小调幻想曲
07. 圆舞曲，作品34号，作品编号B. 64：a小调第二首
08. 玛祖卡舞曲，作品59号，作品编号B. 157：升f小调第三首
09. 练习曲，作品10号，作品编号B. 42：F大调第八首 “阳光”
10. f小调第四叙事曲，作品52号，作品编号B. 146
俄亥俄州出生的钢琴家维陶塔斯·斯梅托纳在他录制的勃拉姆斯、肖邦以及他自己的作品中，恰到好处地融合了其在美国的成长经历和立陶宛的文化传承。他在纳沃纳厂牌发行的第二张唱片展现出了极高水准的技术掌控能力、深刻的音乐理解以及难得一见的清晰诠释。这或许并不奇怪，毕竟斯梅托纳在1979年的录音首秀中就大胆地选择了肖邦、李斯特和拉赫玛尼诺夫的作品组合；当时这一非凡的音乐壮举如今已发展成熟，成为一种在钢琴作品演绎方面明智且细腻的方式，几乎无人能及。当大多数音乐会钢琴家不敢充分探索力度和表现力的极限时，斯梅托纳却能以精湛的技艺做到这一点。这对他极为有利：例如，在勃拉姆斯作品的最强音部分中所展现出的激情，与如今常见的那种过于娇弱、矫揉造作的钢琴演奏风格截然不同，令人耳目一新。斯梅托纳逆流而上，演奏得气势磅礴、充满活力；这就如同贝多芬演奏勃拉姆斯的作品一样——实在是太棒了。但还有更多亮点，尤其是在处理抒情段落时展现出了完全不同的特质，特别是肖邦舞曲中那些丰富的抒情片段。斯梅托纳以一种温和的理性、一种合乎逻辑的温柔来演奏这些片段。这种将古典演奏风格应用于浪漫主义钢琴作品的方式，以强烈的对比突出了每一个细节。在勃拉姆斯和肖邦的作品之间，是斯梅托纳自己的作品《f小调幻想曲》（2015年创作）。它与整个曲目完美契合，时而让人联想到前者，时而又让人联想到后者，还不时能听到拉赫玛尼诺夫的影子。其调性语言属于晚期浪漫主义风格，即兴元素在这首作品中占据主导地位。很容易将它想象成勃拉姆斯协奏曲（或者，如果大胆一点，卡尔克布雷纳或诺伯特·布尔格缪勒的协奏曲）的现代华彩乐段。
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