11-奥斯陆弦乐四重奏组合 - 《档案》2020年 Hi-Res 24B - 96.0kHz
艺术家：奥斯陆弦乐四重奏组合（Oslo String Quartet）
专辑名称：《档案》
发行年份：2020年
厂牌：法布拉（Fabra）
音乐类型：古典音乐
音质：无损FLAC格式 / 24比特-96.0千赫兹FLAC格式
总时长：0小时48分52秒
总大小：221兆字节 / 870兆字节
网站：专辑预览
曲目列表
01. 第三弦乐四重奏
02. 为四人而作的五个阶段：分离
03. 为四人而作的五个阶段：宁静
04. 为四人而作的五个阶段：交换
05. 为四人而作的五个阶段：基础
06. 为四人而作的五个阶段：聚合
07. 珍奇柜
08. 我们亦被承载
奥斯陆弦乐四重奏组合于1991年由小提琴手盖尔·英格·洛茨贝格（Geir Inge Lotsberg）和佩尔·克里斯蒂安·斯卡尔斯塔德（Per Kristian Skalstad）、中提琴手阿雷·桑德巴肯（Are Sandbakken）以及大提琴手奥伊斯坦·松斯塔德（Øystein Sonstad）创立。这四位成员各自都有着与国内外其他乐团和管弦乐队合作演奏的丰富经验，他们汇聚在一起，组成了一个精英团体，对室内乐曲目进行精细的研习。
起初，这促成了在奥斯陆大学礼堂举办的一系列广泛的音乐会，贝多芬的弦乐四重奏作品是他们演出曲目的核心。除了其他重要的弦乐四重奏作品外，这一系列音乐会还包括了挪威作曲家的几部作品的首演。1994年，该组合在伦敦国际弦乐比赛中进入决赛，从而在国际上崭露头角。
与此同时，他们录制的爱德华·格里格（Edvard Grieg）的弦乐四重奏全集在国外引起了关注。1999年，该组合录制的卡尔·尼尔森（Carl Nielsen）的弦乐四重奏全集被著名的《留声机》杂志选为“编辑之选”。在此之后，他们录制了许多重要作品，如阿尔班·贝尔格（Alban Berg）的《抒情组曲》和让·西贝柳斯（Jean Sibelius）的《内心之声》，还有一些较新的作品，由拿索斯（Naxos）、CPO、法布拉（Fabra）和奥罗拉（Aurora）等厂牌发行。奥斯陆弦乐四重奏组合在2006/2007年录制了威廉·斯滕哈马尔（Wilhelm Stenhammar）的第三至第六弦乐四重奏，并于2011年由CPO发行。
该组合的最新录音作品是《重温格里格》，以及由奥伊斯坦·松斯塔德为四重奏改编的热门曲调的第二辑，这两个项目均由法布拉厂牌发行。从一开始，奥斯陆弦乐四重奏组合就对新音乐表现出了特别的兴趣，他们定期委托在世的作曲家创作作品并进行演奏。由于他们对当代音乐的贡献，1998年他们被挪威作曲家协会提名为“年度演奏家”，并在1999/2000年获得了音乐评论奖。他们还致力于挖掘挪威四重奏曲目中的“隐藏珍宝”；多亏了奥斯陆弦乐四重奏组合，如今我们才能欣赏到法特因·瓦伦（Fartein Valen）、克劳斯·埃格（Klaus Egge）、约翰·克万达尔（Johan Kvandal）、大卫·蒙拉德·约翰森（David Monrad Johansen）和克努特·尼斯特德（Knut Nystedt）等人作品的优秀录音。
注重演出呈现以及尝试接触新的、不同的观众群体一直是该四重奏组合活动的一个重要方面。学校音乐会和根据特别改编的曲目举办的小型音乐节，为与观众交流提供了有益的经验。“贝多芬密码”音乐节期间，奥斯陆弦乐四重奏组合第二次演奏了贝多芬的弦乐四重奏全集，事实证明这是一个重大突破，吸引了来自各种不同背景的新观众。这一成功的关键可能在于该四重奏组合与一些讲师和演讲者的密切合作，他们在每场音乐会上都为贝多芬的作品提供了新的视角。
2007年，小提琴手利夫·希尔德·克洛科（Liv Hilde Klokk）接任了第二小提琴手的职位。该四重奏组合举办了两个新的小型音乐节：在爱德华·格里格逝世一百周年之际举办的“G-力量”音乐节，以及“舒伯特之谜”音乐节。除了继续以演讲和朗诵的形式提供文字方面的解读外，后一个音乐节还邀请了各种音乐嘉宾。最近，该四重奏组合与斯塔万格国际室内音乐节、2008年的斯塔万格文化之城以及挪威国家芭蕾舞团在一个名为“在私人空间（På kammerset）”的演出项目中进行了卓有成效的合作。他们与编舞家约玛·埃洛（Jorma Elo）合作，为舞台创作了一部作品，其中包括舒伯特的《D小调弦乐四重奏“死神与少女”》。该作品已在斯塔万格、克里斯蒂安桑以及奥斯陆的新歌剧院上演。
多年来，奥斯陆弦乐四重奏组合一直是挪威所有主要室内音乐节的常客，同时他们也受邀参加了一些重要的国际活动，包括石勒苏益格-荷尔斯泰因音乐节。该四重奏组合曾在德国和欧洲其他地区巡回演出，并定期在伦敦的威格莫尔音乐厅演出。2005年，他们在美国纽约的卡内基音乐厅的首演，是他们迄今为止国际职业生涯的亮点。
Artist: Oslo String Quartet
Title: Archive
Year Of Release: 2020
Label: Fabra
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 00:48:52
Total Size: 221 / 870 mb
WebSite: Album Preview
Tracklist
01. String Quartet no. 3
02. Five Stages for four: Split
03. Five Stages for four: Tranquil
04. Five Stages for four: Exchange
05. Five Stages for four: Basis
06. Five Stages for four: Assembling
07. Curiosity Cabinet
08. are also we carried
Oslo String Quartet was founded in 1991 by violinists Geir Inge Lotsberg and Per Kristian Skalstad, viola player Are Sandbakken, and cellist Øystein Sonstad. The four members each had wide experience from playing with other ensembles and orchestras at home and abroad, coming together to form an élite group for refined studies of the chamber music repertoire.
To begin with this resulted in an extensive series of concerts at the University Aula in Oslo, where Beethoven’s string quartets comprised the core of their programmes. In addition to other major works for string quartet, the series included several premier performances of works by Norwegian composers. The group made their mark internationally when they achieved a place in the finals of the London International String Competition in 1994.
At the same time their recording of Edvard Grieg’s complete string quartets was attracting attention abroad, and in 1999 the group’s recording of the complete string quartets of Carl Nielsen was selected as Editor’s Choice in the prestigious Gramophone magazine. After this came numerous recordings of important works such as Alban Berg’s Lyric Suite and Jean Sibelius’ Voces Intimae, and several newer works on labels including Naxos, CPO, Fabra and Aurora. Wilhelm Stenhammar's string quartets no. 3-6 were recorded by the OSQ 2006/2007, was released by CPO in 2011.
The groups latest recordings are Grieg Revisited and a second volume with popular tunes arranged for the Quartet by Øystein Sonstad, both projects for the Fabra label. From the very beginning Oslo String Quartet revealed a particular interest in new music, and they regularly commission and perform works by living composers. For their contribution to contemporary music they were nominated “Performer of the Year” in 1998 by the Norwegian Society of Composers, and in 1999/2000 they were awarded the Music Critics’ Prize. They have also been responsible for uncovering “hidden treasures” of the Norwegian quartet repertoire; it is thanks to Oslo String Quartet that we can today enjoy excellent recordings of works by Fartein Valen, Klaus Egge, Johan Kvandal, David Monrad Johansen and Knut Nystedt, among others.
Focus on presentation and experimenting with new and different audiences has always been an important aspect of the quartet’s activities. School concerts and mini-festivals with specially adapted programmes have provided useful insight into communicating with audiences. The “Beethoven Code” festival, during which Oslo String Quartet performed Beethoven’s complete string quartets for the second time, proved to be a major breakthrough, attracting new audience members from a great variety of backgrounds. The key to this success lay perhaps in the quartet’s close collaboration with a number of lecturers and speakers who at each concert offered a new perspective on Beethoven’s work.
In 2007 violinist Liv Hilde Klokk took over the position of second violin. The quartet arranged two new mini-festivals: “G-force” in conjunction with the hundredth anniversary of Edvard Grieg’s death, and “Schubert Mysteries”. As well as continuing the concept of a verbal perspective in the form of talks and readings, the latter festival also introduced various musical guests. The quartet has recently enjoyed a fruitful collaboration with the Stavanger International Chamber Music Festival, Stavanger City of Culture 2008, and the Norwegian National Ballet in a production called “På kammerset” (In private). Together with choreographer Jorma Elo they have developed a work for the stage which includes Schubert’s String Quartet in D minor, “Death and the Maiden”. The production has been staged in Stavanger and Kristiansand, and at Oslo’s new opera house.
As well as having been regular guests at all the major chamber music festivals in Norway for many years, Oslo String Quartet has been invited to major international events, including the Schleswig Holstein festival. The quartet has toured Germany and the rest of Europe, and given regular performances at London’s Wigmore Hall. Their USA début in 2005, at Carnegie Hall in New York, is the highlight of their international career to date.
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