08 - 奈杰尔·肯尼迪 - 独奏会（2015年）Hi-Res 24B - 96.0kHz
艺术家：奈杰尔·肯尼迪
作品名称：《独奏会》
发行年份：2015年
厂牌：巨匠唱片（Masterworks）
音乐类型：古典音乐、爵士乐
音质：24比特-96.0千赫兹FLAC格式 + 小册子
总时长：58分28秒
总大小：1.13吉字节
网站：专辑预览
曲目单
01. 《甜蜜且舒缓》
02. 《五拍》
03. 《我为我的宝贝疯狂（而我的宝贝也为我疯狂）》
04. 《日落时分》
05. 《毒蛇之舞》
06. 《新的黎明》
07. 《在海洋之上》
08. 《你如今怎敢面对我？》
09. 《快板（灵感源自巴赫第二号无伴奏小提琴奏鸣曲，BWV 1003）》
10. 《活泼的快板（灵感源自巴赫双小提琴与管弦乐队协奏曲，BWV 1043）》
11. 《海伦娜的金银花》
12. 《黄昏》
长期以来，古典音乐爱好者们乐于就英国小提琴家奈杰尔·肯尼迪的演奏展开激烈的争论。毫无疑问，他具备吸引大众的魅力，还录制了一些有史以来最畅销的古典音乐唱片。他也会为了标新立异而做出惊人之举，对特定时期的音乐风格满不在乎，而且总的来说，他更在意吸引人们对他个人的关注，而非对音乐本身的关注。当然，有人会说这些特质正是古典音乐目前迫切需要的，而且很明显许多买家也认同这一观点。无论如何，现在爵士乐爱好者们也可以参与到同样的争论中来。肯尼迪对爵士乐并不陌生，他在青少年时期就对爵士乐产生了兴趣，但却被茱莉亚音乐学院的老师们要求放弃（这或许能说明很多问题）。这张专辑平淡无奇的标题《独奏会》着实有些讽刺，因为肯尼迪演奏的并非他人的作品：全都是他自己的创作。其中有两首巴赫的作品，仅标注为《快板》和《活泼的快板》，熟悉的巴赫作品分别融入了巴西和非洲的节奏元素。由胖子沃勒、戴夫·布鲁贝克以及其他爵士音乐家创作的作品（其中也有几首肯尼迪的原创作品）听起来并不像传统的爵士乐；肯尼迪赋予它们华丽且紧张不安的特质，这与爵士乐通常冷静的风格相去甚远，而且这些作品在很大程度上偏离了原作，甚至超出了“爵士乐”这个词本身合理的范畴。除了那些坚决不喜欢肯尼迪的人之外，对于其他人来说，这些作品会带来很多乐趣。而且值得注意的是，这么多年过去了，这位艺术家依然保持着如此强烈的个性。钱在你手中，选择权也在你手中。
Artist: Nigel Kennedy
Title: Recital
Year Of Release: 2015
Label: Masterworks
Genre: Classical, Jazz
Quality: flac 24bits - 96.0kHz +Booklet
Total Time: 00:58:28
Total Size: 1.13 gb
WebSite: Album Preview
Tracklist
01. Sweet & Slow
02. Take Five
03. I'm Crazy 'Bout My Baby (And My Baby's Crazy 'Bout Me)
04. Por Do Sol
05. Viper's Drag
06. New Dawn
07. Out in the Ocean
08. How Can You Face Me Now?
09. Allegro (Inspired by Bach's Sonata No. 2 for Solo Violin, BWV 1003)
10. Vivace (Inspired by Bach's Concerto for 2 Violins and Orchestra, BWV 1043)
11. Helena's Honeysuckle
12. Dusk
Classical music fans have long had the pleasure of indulging in spirited disagreements about the playing of British violinist Nigel Kennedy. He doubtless has the popular touch and has made some of the best-selling classical recordings of all time. He is also outrageous for the sake of being outrageous, gleefully insensitive to period styles, and all in all more interested in drawing attention to himself than to the music. One could, of course, make the argument that these are qualities classical music desperately needs right now, and plenty have buyers have clearly drawn that conclusion. At any rate, jazz lovers can now enjoy the same disagreements. Kennedy's no stranger to jazz, having become interested in the music as a teen and been forced to give it up by his teachers at the Juilliard School (which may explain a lot). The bland title Recital is ironic indeed, for Kennedy is not reciting anybody else's music: it's all his. There are a couple of Bach pieces marked simply "Allegro" and "Vivace," with familiar Bach pieces bumping up against, respectively, Brazilian and African rhythms. The works by Fats Waller, Dave Brubeck, and other jazz players (there are a couple of Kennedy originals too) don't feel like jazz; Kennedy gives them a showy, jittery quality that is miles from the generally cool ethos of jazz, and they depart even more than the word "jazz" might reasonably imply from the originals. They will also, except for Kennedy's confirmed detractors, be a great deal of fun, and it's remarkable how edgy this artist has continued to be after all these years. You pay your money, and you take your choice.
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