07-周五学院乐团 - 维也纳古典乐派：不寻常的乐器编配（2016年）Hi-Res 24B - 96.0kHz
艺术家：周五学院乐团（Die Freitagsakademie）
专辑名称：《维也纳古典乐派：不寻常的乐器编制》
发行年份：2016年
厂牌：温特与温特唱片公司（Winter & Winter）
音乐类型：古典音乐
音质：无损FLAC格式 / 24比特、96.0千赫兹的FLAC格式 / 24比特、192.0千赫兹的FLAC格式，附小册子
总时长：0小时48分50秒
总大小：204 / 828兆字节 / 1.51吉字节
网站：专辑预览
曲目列表
01. 降E大调钢琴与管乐五重奏，作品16号：第一乐章，庄板 - 不过分的快板
02. 降E大调钢琴与管乐五重奏，作品16号：第二乐章，如歌的行板
03. 降E大调钢琴与管乐五重奏，作品16号：第三乐章，回旋曲。不过分的快板
04. 降E大调钢琴与管乐五重奏，K452：第一乐章，广板 - 中板的快板
05. 降E大调钢琴与管乐五重奏，K452：第二乐章，小广板
06. 降E大调钢琴与管乐五重奏，K452：第三乐章，小快板
周五学院乐团 - 《维也纳古典乐派：不寻常的乐器编制》（2016年）[高解析度]
莫扎特的钢琴与管乐五重奏的首演，对于18世纪的听众来说，想必既令人震惊，又让人欣喜不已。其丰富无比的音色和声响完全超乎寻常。莫扎特一直在寻求新的挑战，而他也得到了回报。1784年4月1日首演之后，莫扎特写信给他的父亲：“……获得了巨大的成功……我自己认为这是我一生中所创作的最出色的作品。” 莫扎特迎来了他职业生涯中最伟大的胜利之一。那种近乎管弦乐般丰富的音响效果、高超的和声技巧，以及双簧管、单簧管、圆号和大管与钢琴之间持续而热烈的对话，都是首次被人们听到。仅仅十三年后，贝多芬开始采用这种不寻常的乐器编制和音色进行创作。他的钢琴与管乐五重奏也于1797年4月6日在维也纳首演。贝多芬以最少的乐器编制，创造出了一种由简单元素构成的迷人的音响艺术，这部作品预示了他后来交响乐作品的风格。
凯瑟琳娜·苏斯克（Katharina Suske）以 “周五学院乐团” 的名义，汇聚了一些最优秀的国际艺术家：爱德华多·托尔比亚内利（Edoardo Torbianelli，古钢琴）、凯瑟琳娜·苏斯克（双簧管）、皮埃尔 - 安德烈·泰亚尔（Pierre-André Taillard，单簧管）、林登·瓦茨（Lyndon Watts，大管）和奥利维耶·达贝莱（Olivier Darbellay，圆号）。这五位音乐家，各有其独特的个性，他们相互融合、相互影响，创造出了一种流畅统一的音响整体，并以其全新且充满活力的演绎令人印象深刻。
Artist: Die Freitagsakademie
Title: Wiener Klassik: The Unusual Instrumentation
Year Of Release: 2016
Label: Winter & Winter
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz / flac 24bits - 192.0kHz +Booklet
Total Time: 00:48:50
Total Size: 204 / 828 mb / 1.51 gb
WebSite: Album Preview
Tracklist
01. Quintet for Piano & Winds in E-Flat Major, Op. 16: I. Grave - Allegro, ma non troppo
02. Quintet for Piano & Winds in E-Flat Major, Op. 16: II. Andante cantabile
03. Quintet for Piano & Winds in E-Flat Major, Op. 16: III. Rondo. Allegro ma non troppo
04. Quintet for Piano & Winds in E-Flat Major, KV 452: I. Largo - Allegro moderato
05. Quintet for Piano & Winds in E-Flat Major, KV 452: II. Larghetto
06. Quintet for Piano & Winds in E-Flat Major, KV 452: III. Allegretto
Die Freitagsakademie - Wiener Klassik: The Unusual Instrumentation (2016)
The premiere of Mozart’s Quintet for piano and winds must of been a shock and at the same time a delight for the audience of the 18th century. The immense richness of colors and sounds were entirely unusual. Mozart had been searching for new challenges and was rewarded. After the premier on April 1st, 1784 Mozart wrote to his father: "... had a very great success ... I myself consider it to be the best work I have ever written in my life." Mozart celebrated one of the greatest triumphs of his career. The near-orchestral rich sonorities, the masterful harmony, the continuing and vigorous dialogue of the oboe, clarinet, horn and bassoon with the piano was heard for the first time. Only thirteen years later Beethoven started to work with this unusual instrumentation and tonal colors. His quintet for piano and winds was also premiered in Vienna on April 6, 1797. Beethoven created with the minimal instrumentation a fascinating sound art of simple things, a composition which was prophetic of his later symphonic works. Under the group name “Die Freitagsakademie“ Katharina Suske has gathered some of the finest international artists: Edoardo Torbianelli (fortepiano),
Katharina Suske (oboe), Pierre-André Taillard (clarinet), Lyndon Watts (bassoon) and Olivier Darbellay (horn). These five musicians, each with their own unique character, blend together and reciprocally influence each other to create a single flowing sound body and impresses with their entirely new, dynamic interpretation.
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