03-德沃夏克：寂静的森林：大提琴与钢琴作品 (2012) Hi-Res
艺术家：克里斯蒂安·波尔特拉（Christian Poltéra）、凯瑟琳·斯托特（Kathryn Stott）
标题：德沃夏克：寂静的森林：大提琴与钢琴作品
发行年份：2012年
厂牌：BIS
类型：古典音乐
音质：24位-44.1kHz FLAC格式 / FLAC镜像文件（含.cue、.log文件及扫描件）
总时长：64分35秒
总大小：625兆字节 / 290兆字节
网站：专辑预览
曲目列表
安东宁·德沃夏克（1841–1904）
为大提琴与钢琴而作的原作及改编曲
1.-4. G大调小奏鸣曲，作品100号 19分51秒
5. g小调回旋曲，作品94号 7分24秒
6. 寂静的森林，作品68号第5首 5分23秒
7. 母亲教我的歌，作品55号第4首 2分20秒
8. 晚安，作品73号第1首 3分09秒
9. A大调波兰舞曲（遗作）8分12秒
10. g小调小广板，作品75a号第4首 5分51秒
11. 歌剧《水仙女》选段“对月歌唱”，作品114号 5分51秒
12. 让我独处，作品82号第1首 4分34秒
演奏者：
克里斯蒂安·波尔特拉（大提琴）
凯瑟琳·斯托特（钢琴）
安东宁·德沃夏克曾直言不讳地表达过对大提琴音色的不满，但倘若他能听到瑞士籍大提琴家克里斯蒂安·波尔特拉与极富默契的英国钢琴伴奏凯瑟琳·斯托特的这张专辑，或许会为该乐器创作更多作品。专辑中大部分曲目由波尔特拉亲自改编为大提琴与钢琴版本，另有少量德沃夏克原作及两首作曲家本人的改编曲作为补充。波尔特拉对德沃夏克的旋律处理独具匠心，赋予其一种独特的速度弹性：并非完全意义上的自由速度，而是近似咖啡馆歌手般的轻抚式演绎。开篇的G大调小奏鸣曲（作品100号，原为小提琴与钢琴而作）仅凭自身便已值回票价，波尔特拉与斯托特从中挖掘出德沃夏克将e小调第九交响曲（作品95号“自新大陆”）及其他美国题材作品的语言凝练为简洁形式的巧妙构思。德沃夏克为其未成年子女创作了这部作品，同时也建议成年人“自娱自乐”——它堪称一颗小巧的宝石，在此获得了尽善尽美的演绎。专辑其余部分包含较短的原创作品、精彩的歌曲改编曲，以及波尔特拉改编的两首颇具分量的作品：歌剧《水仙女》中的“对月歌唱”和标题曲《寂静的森林》（改编自《来自波西米亚森林》套曲中的四手联弹作品，作品68号）。这些作品虽非完全不为人知，却也不常出现在演出曲目中，每一首都展现了德沃夏克在遇到富有共鸣的诠释者时所能迸发的光彩。再加上BIS录制的优质超音频音效（尽管某些段落或许过于私密），这无疑是一小时奢华的晚期浪漫主义音乐盛宴。
Artist: Christian Poltéra, Kathryn Stott
Title: Dvořák: Silent Woods: Music for Cello and Piano
Year Of Release: 2012
Label: BIS
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (image+.cue,log,scans)
Total Time: 64:35
Total Size: 625 Mb / 290 mb
WebSite: Album Preview
Tracklist:
Antonín Dvořák (1841–1904)
Original works and transcriptions for cello and piano
1.-4. Sonatina in G major, Op.100 19'51
5. Rondo in G minor, Op. 94 7'24
6. Silent Woods, Op. 68 No. 5 5'23
7. Songs My Mother Taught Me, Op. 55 No. 4 2'20
8. Good Night, Op. 73 No. 1 3'09
9. Polonaise in A major, Op. posth. 8'12
10. Larghetto in G minor, Op. 75a No. 4 5'51
11. Song to the Moon from Rusalka, Op. 114 5'51
12. Lasst mich allein, Op. 82 No. 1 4'34
Performers:
Christian Poltéra, cello
Kathryn Stott, piano
Antonín Dvorák famously complained about the sound of the cello, but if he had heard this album by Swiss-born cellist Christian Poltéra and his wonderfully sympathetic British accompanist Kathryn Stott, he might have written more for the instrument. Most of the music here was transcribed for cello and piano by Poltéra himself, with a couple of small Dvorák originals and two transcriptions by the composer rounding out the program. Poltéra has an extraordinary way with Dvorák's melodies, which require a distinctive kind of tempo flexibility: not full-fledged tempo rubato, but something of the caressing delivery of the café singer. The opening Sonatina in G major, Op. 100, originally for violin and piano, is worth the price of admission on its own, as Poltéra and Stott bring out the ingenious ways Dvorák boils down the language of the Symphony No. 9 in E minor, Op. 95 ("From the New World"), and his other American works to a very concise format. Dvorák wrote this work for his teenage children but also suggested that adults "amuse themselves" with it; it's truly a small gem, and it receives the finest possible performance here. The balance of the album contains shorter original pieces, some fabulous song transcriptions, and two more substantial piece in Poltéra's renderings: the "Song to the Moon" from the opera Rusalka, and the title track, from a set of four-hand piano pieces from a set called From the Bohemian Woods, Op. 68. None of these pieces are exactly obscure, but they're not in common circulation, and each one shows what can be done when Dvorák gets a sympathetic interpreter. Add in fine (if perhaps in spots a bit too intimate) Super Audio sound from BIS, and it has an absolutely luxuriant hour of late Romantic music.
**** Hidden Message *****
页:
[1]