09-约翰内斯·勃拉姆斯：第二钢琴奏鸣曲 2013 Hi-Res 24bits - 96.0kHz
艺术家：乔纳森·普洛赖特
标题：约翰内斯·勃拉姆斯：第二钢琴奏鸣曲，作品2号 - 变奏曲，作品21号第1首
发行年份：2014年
厂牌：BIS
类型：古典钢琴音乐
音质：无损FLAC格式 / 24位-96kHz FLAC格式（含小册子）
总时长：1小时16分23秒
总大小：234兆字节 / 1.07吉字节
网站：专辑预览
曲目列表
01. 升F小调第二钢琴奏鸣曲，作品2号：I. 不过分的快板，但充满活力
02. 升F小调第二钢琴奏鸣曲，作品2号：II. 有表现力的行板
03. 升F小调第二钢琴奏鸣曲，作品2号：III. 谐谑曲，快板
04. 升F小调第二钢琴奏鸣曲，作品2号：IV. 终曲，绵延的 - 不过分的快板与自由速度
05. D大调原创主题变奏曲，作品21号第1首：主题
06. D大调原创主题变奏曲，作品21号第1首：变奏1
07. D大调原创主题变奏曲，作品21号第1首：变奏2
08. D大调原创主题变奏曲，作品21号第1首：变奏3
09. D大调原创主题变奏曲，作品21号第1首：变奏4
10. D大调原创主题变奏曲，作品21号第1首：变奏5
11. D大调原创主题变奏曲，作品21号第1首：变奏6
12. D大调原创主题变奏曲，作品21号第1首：变奏7
13. D大调原创主题变奏曲，作品21号第1首：变奏8
14. D大调原创主题变奏曲，作品21号第1首：变奏9
15. D大调原创主题变奏曲，作品21号第1首：变奏10
16. D大调原创主题变奏曲，作品21号第1首：变奏11
17. 三首间奏曲，作品117号：第1首，降E大调
18. 三首间奏曲，作品117号：第2首，降B小调
19. 三首间奏曲，作品117号：第3首，升C小调
20. 降E小调谐谑曲，作品4号
《钢琴新闻》评价：“一场卓越的录音……演奏技巧堪称顶级。”《国际唱片评论》称：“勃拉姆斯的乐迷会希望聆听这部诠释其钢琴音乐的最新里程碑之作。其他听众也将欣赏这张精彩的专辑，它展现了一位处于成熟巅峰的艺术家的独到思考与专业演奏。强烈推荐。”
在乔纳森·普洛赖特首张专注于约翰内斯·勃拉姆斯钢琴独奏作品的专辑（2012年12月发行）中，他演绎了两部鸿篇巨制：《亨德尔主题变奏曲》与《第三钢琴奏鸣曲》。本次专辑开篇的《第二钢琴奏鸣曲》时长近30分钟，同样令人瞩目。这部作品出自一位渴望以钢琴家与作曲家双重身份崭露头角的青年之手：技巧精湛、激情澎湃，且常带有非典型的“勃拉姆斯”特质。但第二乐章慢板已预示了他后来的创作方向——受中世纪游吟诗人歌词启发，采用勃拉姆斯钟爱的变奏形式，印证了他对传统音乐的持久兴趣。
专辑中的其他作品里，谐谑曲实际创作于奏鸣曲之前的1851年，而作品21号变奏曲可能紧随其后，约在1855年前后问世。这些变奏曲部分是勃拉姆斯为完善自身对变奏形式的掌控而作的练习，同时也是充满诗意的探索性创作。作品21号中内省的特质，在勃拉姆斯最后的钢琴作品（包括1892年出版的《三首间奏曲》，其创作时间可能与此相近）中再次浮现。作为勃拉姆斯晚期钢琴作品中最阴郁却又最动人的篇章之一，这套间奏曲对他而言似乎具有特殊的个人意义，他曾称之为“我所有悲伤的摇篮曲”。
德国不来梅广播电台的乐评人在推荐普洛赖特的前作时，将其与勃拉姆斯的组合称为“英德梦幻团队”。《BBC音乐杂志》的评论则认为其演奏“充满炽热情感与私密氛围”——这些特质在本系列的第二张专辑中依然尤为突出。
Artist: Jonathan Plowright
Title: Johannes Brahms: Piano Sonata No. 2, Op.2 - Variations, Op. 21 No. 1
Year Of Release: 2014
Label: BIS
Genre: Classical Piano
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:16:23
Total Size: 234 mb / 1.07 gb
WebSite: Album Preview
Tracklist
01. Piano Sonata No. 2 in F-Sharp Minor, Op. 2: I. Allegro non troppo, ma energico
02. Piano Sonata No. 2 in F-Sharp Minor, Op. 2: II. Andante con espressione
03. Piano Sonata No. 2 in F-Sharp Minor, Op. 2: III. Scherzo. Allegro
04. Piano Sonata No. 2 in F-Sharp Minor, Op. 2: IV. Finale. Sostenuto - Allegro non troppo e rubato
05. Variations on an Original Theme in D Major, Op. 21 No. 1: Theme
06. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 1
07. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 2
08. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 3
09. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 4
10. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 5
11. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 6
12. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 7
13. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 8
14. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 9
15. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 10
16. Variations on an Original Theme in D Major, Op. 21 No. 1: Variation 11
17. 3 Intermezzi, Op. 117: No. 1 in E-Flat Major
18. 3 Intermezzi, Op. 117: No. 2 in B-Flat Minor
19. 3 Intermezzi, Op. 117: No. 3 in C-Sharp Minor
20. Scherzo in E-Flat Minor, Op. 4
“Eine vorzügliche Aufnahme… Spieltechnisch allererster Klasse.” Pianonews; “Brahmsians will want to hear this latest milestone in interpretation of his piano music. Others will also relish this superb disc, representing the original thinking and expert playing of an artist in the full blossom of maturity. Highly recommended.” International Record Review
On a first disc dedicated to Johannes Brahms’s solo piano music (released in December 2012), Jonathan Plowright performed two monumental works: the Handel Variations and Piano Sonata No.3. In terms of duration, the Second Piano Sonata which opens the current disc is scarcely less impressive, with a playing time of almost 30 minutes. It is the work of a young man eager to make his mark both as pianist and composer: virtuosic, tempestuous and often not especially Brahmsian. But there are signs of what was to come, for instance in the slow second movement; inspired by the text of a medieval troubadour song and cast in Brahm’s much-loved variation form, it testifies to his enduring interest in the musical traditions of the past. Of the remaining works on the disc, the Scherzo was actually composed before the Sonata, in 1851, while the Op.21 Variations probably saw the light of day not much later, possibly around 1855. The Variations seems in part to have been an exercise which Brahms set himself in order to perfect his command of the form, but is at the same time a searching creation of considerable poetry. The introspective quality in Op.21 is one that returns in Brahms’s last works for the piano, including the Three Intermezzi, published in 1892, and probably composed not long before that date. At once one of the darkest and most beautiful of Brahms’s late piano works, the set seems to have had an especially personal significance for him, and he once referred to it as ‘The lullaby of all my griefs’. Recommending the previous instalment, a critic on the German public radio broadcaster Radio Bremen described the combination of Jonathan Plowright and Johannes Brahms as ‘a British-German dream team’. His counterpart in BBC Music Magazine found ‘tremendous warmth, plus an intimate atmosphere’ in the performances, qualities that certainly come to the fore on this second disc in the series.
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