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03-纽约复调合唱团 终结伊始 2012 Hi-Res 24bits - 96.0kHz





艺术家:纽约复调合唱团终结伊始
标题:endBeginning(终结伊始)
发行年份:2012年
厂牌:BIS
类型:古典音乐
音质:无损FLAC格式/24位-96.0千赫兹FLAC格式+小册子
总时长:01小时08分00秒
总大小:317兆字节/1.19千兆字节
网站:专辑预览

曲目列表
01. 安魂弥撒曲:进台经
02. 安魂弥撒曲:垂怜经
03. 安魂弥撒曲:继叙咏
04. 安魂弥撒曲:圣哉经
05. 安魂弥撒曲:羔羊经
06. 安魂弥撒曲:领圣体经
07. 安魂弥撒曲:主,求你释放我
08. 耶利米哀歌:第五首(Vau)
09. 耶利米哀歌:第六首(Zain)
10. 耶利米哀歌:第十二首(Lamed)
11. 耶利米哀歌:第十三首(Mem)
12. 悲伤笼罩着我 - 不幸的我
13. 押沙龙,我的儿
14. 安魂弥撒曲:进乐园经
15. 我的终结即是我的开端

纽约复调合唱团精心编排了一套主要由活跃于16世纪上半叶的佛兰芒作曲家创作的宗教声乐作品,从多个视角探讨悲伤、失去与死亡的主题。
这些音乐诞生于欧洲历史上动荡不安的时期,宗教迫害、毁灭性战争以及反复爆发的瘟疫和饥荒贯穿其间。即便对社会中最具特权的阶层而言,死亡也是一个始终存在、无法逃避的伴侣。
音乐在帮助人们应对因死亡带来的悲伤、失落和愤怒等情感方面发挥了至关重要的作用,无论是通过灵修哀歌中个人悲痛的直白表达,还是通过伴随正式礼仪仪式的音乐所呈现的集体悲痛的含蓄表达。

Artist: New York Polyphony
Title: endBeginning
Year Of Release: 2012
Label: BIS
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:08:00
Total Size: 317 mb / 1.19 gb
WebSite: Album Preview

Tracklist

01. Missa pro defunctis: Introit
02. Missa pro defunctis: Kyrie
03. Missa pro defunctis: Sequence
04. Missa pro defunctis: Sanctus
05. Missa pro defunctis: Agnus Dei
06. Missa pro defunctis: Communio
07. Missa pro defunctis: Libera me, Domine
08. Lamentationes Jeremiae: Vau
09. Lamentationes Jeremiae: Zain
10. Lamentationes Jeremiae: Lamed
11. Lamentationes Jeremiae: Mem
12. Tristitia obsedit me - Infelix ego
13. Absalon, Fili Mi
14. Missa pro defunctis: In paradisum
15. Ma fin est mon commencement


New York Polyphony has assembled a programme of sacred vocal music composed largely by Franco-Flemish composers active in the first half of the 16th century, exploring from a number of perspectives the themes of grief, loss and mortality.
This music was produced during a volatile period in European history, a time punctuated by religious persecution, destructive war-fare, and repeated outbreaks of plague and famine. Death was an ever-present and inescapable companion even for the most privileged members of society.
Music played a vital role in helping people cope with the feelings of sadness, loss and anger over death, whether through the raw expression of personal grief in a devotional lament, or the more reserved expression of collective grief found in music intended to accompany a formal liturgical ceremony.

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