14-拉赫玛尼诺夫：第三交响曲 - 帕格尼尼主题狂想曲2012 Hi-Res 24bits - 96.0kHz
艺术家：叶夫根尼·苏德金（注：应为苏德宾Yevgeny Sudbin）、新加坡交响乐团、水蓝
标题：拉赫玛尼诺夫：第三交响曲 - 帕格尼尼主题狂想曲
发行年份：2012年
厂牌：BIS
类型：古典音乐
音质：无损FLAC格式/24位-96.0千赫兹FLAC格式+小册子
总时长：01小时08分34秒
总大小：273兆字节/1.03千兆字节
网站：专辑预览
曲目列表
01. 帕格尼尼主题狂想曲，作品43号：引子：活泼的快板
02. 帕格尼尼主题狂想曲，作品43号：变奏1：前置段
03. 帕格尼尼主题狂想曲，作品43号：主题：原速
04. 帕格尼尼主题狂想曲，作品43号：变奏2：原速
05. 帕格尼尼主题狂想曲，作品43号：变奏3：原速
06. 帕格尼尼主题狂想曲，作品43号：变奏4：更活泼地
07. 帕格尼尼主题狂想曲，作品43号：变奏5：先前的速度
08. 帕格尼尼主题狂想曲，作品43号：变奏6：原速
09. 帕格尼尼主题狂想曲，作品43号：变奏7：稍慢，中速
10. 帕格尼尼主题狂想曲，作品43号：变奏8：原速
11. 帕格尼尼主题狂想曲，作品43号：变奏9：原速
12. 帕格尼尼主题狂想曲，作品43号：变奏10：稍突出地
13. 帕格尼尼主题狂想曲，作品43号：变奏11：中速
14. 帕格尼尼主题狂想曲，作品43号：变奏12：小步舞曲速度
15. 帕格尼尼主题狂想曲，作品43号：变奏13：快板
16. 帕格尼尼主题狂想曲，作品43号：变奏14：原速
17. 帕格尼尼主题狂想曲，作品43号：变奏15：更活泼的诙谐地
18. 帕格尼尼主题狂想曲，作品43号：变奏16：小快板
19. 帕格尼尼主题狂想曲，作品43号：变奏17：（小快板）
20. 帕格尼尼主题狂想曲，作品43号：变奏18：如歌的行板
21. 帕格尼尼主题狂想曲，作品43号：变奏19：活泼的速度
22. 帕格尼尼主题狂想曲，作品43号：变奏20：稍更活泼地
23. 帕格尼尼主题狂想曲，作品43号：变奏21：稍更活泼地
24. 帕格尼尼主题狂想曲，作品43号：变奏22：稍更活泼地（二二拍）
25. 帕格尼尼主题狂想曲，作品43号：变奏23：原速
26. 帕格尼尼主题狂想曲，作品43号：变奏24：速度稍慢
27. a小调第三交响曲，作品44号：I. 慢板 - 中板
28. a小调第三交响曲，作品44号：II. 不过分的柔板
29. a小调第三交响曲，作品44号：III. 快板
《古典音乐》杂志（Klassik Com）2012年4月给予五星评价；《聚光灯》杂志称："这两部拉赫玛尼诺夫晚年的重要作品构成了丰富多样的曲目，演出精彩绝伦，以生动的超级音频格式录制。三十多岁的俄罗斯 virtuoso（ virtuoso： virtuoso：演奏大师）叶夫根尼·苏德宾对《帕格尼尼主题狂想曲》的演绎充满活力，赋予作品所需的所有戏剧性、色彩与智慧。"
谢尔盖·拉赫玛尼诺夫于1934年创作《帕格尼尼主题狂想曲》时，已几乎完全沉寂七年——外界甚至认为他已放弃作曲。然而，这部狂想曲仅用七周便完成，其速度可能源于帕格尼尼主题本身的激发；该主题取自小提琴独奏《第24随想曲》，此前已被舒曼、李斯特、勃拉姆斯和席曼诺夫斯基使用，非常适合变奏。拉赫玛尼诺夫的狂想曲由24个连续变奏组成，其中第18变奏广受欢迎，常被单独收录于"古典名曲"合集中。这些变奏分为若干大段落，其结构使作品被称为"拉赫玛尼诺夫的第五钢琴协奏曲"。本录音的独奏家叶夫根尼·苏德宾，其备受赞誉的唱片包括拉赫玛尼诺夫独奏会，以及被《BBC音乐杂志》描述为"令人振奋、激情澎湃、 spine-tingling（ spine-tingling：震撼人心）的演绎"的第四钢琴协奏曲录音。
《狂想曲》的热烈反响无疑激励拉赫玛尼诺夫创作了第三交响曲。作为一位不情愿的俄罗斯流亡者的作品，其主题常带有鲜明的俄罗斯特征，但处理方式充满 ambiguity（ ambiguity：不确定性）。例如交响曲开篇的" motto主题"（ motto theme： motto主题：核心主题），直到终曲才揭示其真实面目——且只是 fleetingly（ fleetingly：短暂地）——它是作曲家常用的"末日经"主题的变体，如在《狂想曲》中作为死亡的象征。通过这张专辑，水蓝与新加坡交响乐团延续了他们2008年拉赫玛尼诺夫第二交响曲的录音，该录音令全球评论家赞叹，如《今日古典》网站所言："水蓝让音乐本身引领方向，跟随其起伏、迂回、突然的冲动、忧郁与 triumphs（ triumphs： triumphs：胜利乐章）……同时推动他出色的乐团达到音乐的高度，从那里可以俯瞰这部作品的全景。"
Artist: Yevgeny Sudkin, Singapore Symphony Orchestra, Lan Shui
Title: Rachmaninov: Symphony No. 3 - Rhapsody on a theme of Paganini
Year Of Release: 2012
Label: BIS
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:08:34
Total Size: 273 mb / 1.03 gb
WebSite: Album Preview
Tracklist
01. Rhapsody On a Theme of Paganini, Op. 43: Introduction: Allegro vivace
02. Rhapsody On a Theme of Paganini, Op. 43: Variation 1: Precedente
03. Rhapsody On a Theme of Paganini, Op. 43: Theme: L'istesso tempo
04. Rhapsody On a Theme of Paganini, Op. 43: Variation 2: L'istesso tempo
05. Rhapsody On a Theme of Paganini, Op. 43: Variation 3: L'istesso tempo
06. Rhapsody On a Theme of Paganini, Op. 43: Variation 4: Piu vivo
07. Rhapsody On a Theme of Paganini, Op. 43: Variation 5: Tempo precedente
08. Rhapsody On a Theme of Paganini, Op. 43: Variation 6: L'istesso tempo
09. Rhapsody On a Theme of Paganini, Op. 43: Variation 7: Meno mosso, a tempo moderato
10. Rhapsody On a Theme of Paganini, Op. 43: Variation 8: Tempo I
11. Rhapsody On a Theme of Paganini, Op. 43: Variation 9: L'istesso tempo
12. Rhapsody On a Theme of Paganini, Op. 43: Variation 10: Poco marcato
13. Rhapsody On a Theme of Paganini, Op. 43: Variation 11: Moderato
14. Rhapsody On a Theme of Paganini, Op. 43: Variation 12: Tempo di minuetto
15. Rhapsody On a Theme of Paganini, Op. 43: Variation 13: Allegro
16. Rhapsody On a Theme of Paganini, Op. 43: Variation 14: L'istesso tempo
17. Rhapsody On a Theme of Paganini, Op. 43: Variation 15: Piu vivo scherzando
18. Rhapsody On a Theme of Paganini, Op. 43: Variation 16. Allegretto
19. Rhapsody On a Theme of Paganini, Op. 43: Variation 17: (Allegretto)
20. Rhapsody On a Theme of Paganini, Op. 43: Variation 18: Andante cantabile
21. Rhapsody On a Theme of Paganini, Op. 43: Variation 19: A tempo vivace
22. Rhapsody On a Theme of Paganini, Op. 43: Variation 20: Un poco piu vivo
23. Rhapsody On a Theme of Paganini, Op. 43: Variation 21: Un poco piu vivo
24. Rhapsody On a Theme of Paganini, Op. 43: Variation 22: Un poco piu vivo (Alla breve)
25. Rhapsody On a Theme of Paganini, Op. 43: Variation 23: L'istesso tempo
26. Rhapsody On a Theme of Paganini, Op. 43: Variation 24: A tempo un poco meno mosso
27. Symphony No. 3 in A Minor, Op. 44: I. Lento - Allegro moderato
28. Symphony No. 3 in A Minor, Op. 44: II. Adagio ma non troppo
29. Symphony No. 3 in A Minor, Op. 44: III. Allegro
Klassik Com: Triple 5 Stars April 2012; Limelight Magazine: "These two major works from Rachmaninov’s last decade form a substantial and varied program, given here in excellent performances and recorded in very vivid Super Audio format. Thirty-something Russian virtuoso Yevgeny Sudbin gives a dashing account of the Rhapsody on a Theme of Paganini, investing the work with all the requisite drama, colour and wit.".
When Sergei Rachmaninov composed his Rhapsody on a Theme of Paganini in 1934, it was after an almost complete seven-year silence - so complete that he was thought to have renounced composing. Nevertheless, the Rhapsody was finished in only seven weeks, with a speed that was possibly stimulated by Paganini's theme itself; taken from the 24th Caprice for solo violin it had already been used by Schumann, Liszt, Brahms and Szymanowski and is ideal for variation. Rachmaninov's Rhapsody consists of twenty-four continuous variations, of which the 18th has become so popular that it is often included separately in compilations of 'classical favourites'. The variations fall into larger sections, forming a structure which has caused the work to be called 'Rachmaninov's Fifth Piano Concerto'. The soloist on the present recording is Yevgeny Sudbin, whose highly acclaimed discography includes a Rachmaninov solo recital, as well as a recording of the Fourth Piano Concerto described in BBC Music Magazine as an ' exhilarating, barnstorming, spine-tingling performance'. The warm reception that the Rhapsody received no doubt spurred Rachmaninov on to the composition of his Third Symphony. The work of a reluctant exile from his native Russia, its themes often have a marked Russian character, but are treated with great ambiguity. One example is the 'motto theme' which is heard at the very opening of the symphony, but which cannot be heard for what it really is
until the finale (and then only fleetingly): a variant of the Dies iræ theme, which the composer used so often - for instance in the Rhapsody - as a symbol of mortality. With this disc, Lan Shui and his Singapore Symphony Orchestra follow up on their 2008 recording of the composer's Symphony No.2, which impressed critics around the world, for instance on the website Klassik Heute: 'Lan Shui allows
himself to be guided by the music itself, by its arcs, meanderings, sudden impulses, melancholies and triumphs . and at the same time propels his marvellous orchestra to musical heights from which the entire panorama of this work can be perceived.'
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