05-布鲁赫：第三小提琴协奏曲与苏格兰幻想曲
艺术家：杰克·利贝克
标题：布鲁赫：第三小提琴协奏曲与苏格兰幻想曲
发行年份：2014年
厂牌：Hyperion
类型：古典音乐
音质：FLAC（分轨）/24位-96千赫兹FLAC（分轨+小册子）
总时长：01小时09分31秒
总大小：290兆字节/1.19千兆字节
网站：专辑预览
曲目列表
d小调第三小提琴协奏曲，作品58号
01. 有力的快板 18:09
02. 柔板 10:49
03. 很快的快板 09:37
降E大调苏格兰幻想曲，作品46号
04. 引子：庄板 – 03:41
05. 如歌的柔板 05:18
06. 快板 – 06:40
07. 绵延的行板 06:42
08. 勇士般的快板 08:39
获奖小提琴家杰克·利贝克将他充满激情的音色、充沛的情感表达和精湛的技巧带到马克斯·布鲁赫作品三部曲的首张专辑中。
该专辑呈现了布鲁赫最受欢迎的小提琴与管弦乐作品之一《苏格兰幻想曲》，以及他鲜为人知的d小调第三小提琴协奏曲（作品58号）。任何聆听杰克·利贝克演奏的人都可能会疑惑，为何这首协奏曲长期被束之高阁——例如，它从未在英国广播公司逍遥音乐会上演出过。这部作品是为约瑟夫·约阿希姆而作，约阿希姆在杜塞尔多夫首演了该曲，随后又在汉堡、柏林、法兰克福、斯特拉斯堡、布雷斯劳、莱比锡、科隆和伦敦（为爱乐协会）演奏了这首协奏曲。
降E大调《苏格兰幻想曲》（作品46号，更准确地说应为“自由运用苏格兰民谣旋律的小提琴与管弦乐及竖琴幻想曲”）于1879至1880年冬季在柏林为萨拉萨蒂而作，反映了这位西班牙演奏家更为丰富多彩的个性。尽管布鲁赫从未到访过苏格兰，但他如同典型的德国浪漫主义者，对沃尔特·斯科特等作家笔下描绘的苏格兰景象充满向往。为创作《苏格兰幻想曲》，他借鉴了詹姆斯·约翰逊的大量民谣集《苏格兰音乐博物馆》。
Artist: Jack Liebeck
Title: Bruch: Violin Concerto No.3 & Scottish Fantasy
Year Of Release: 2014
Label: Hyperion
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:09:31
Total Size: 290 MB / 1.19 GB
WebSite: Album Preview
Tracklist:
Violin Concerto No 3 in D minor Op 58
01. Allegro energico 18:09
02. Adagio 10:49
03. Allegro molto 09:37
Scottish Fantasy in E flat major Op 46
04. Introduction: Grave – 03:41
05. Adagio cantabile 05:18
06. Allegro – 06:40
07. Andante sostenuto 06:42
08. Allegro guerriero 08:39
Award-winning violinist Jack Liebeck brings his impassioned tones, fulsome emotional display and formidable technique to the first of three albums of music by Max Bruch.
This programme presents one of Bruch’s most popular pieces for violin and orchestra, the Scottish Fantasy, alongside one of his least known, the Violin Concerto No 3 in D minor, Op 58. Anyone hearing Jack Liebeck’s performance may well wonder why this concerto has languished in the lumber room for so long—it has never been heard at the BBC Proms, for example. It was written for Joseph Joachim who gave the premiere in Düsseldorf and subsequently played the concerto in Hamburg, Berlin, Frankfurt, Strasbourg, Breslau, Leipzig, Cologne and London (for the Philharmonic Society).
The Scottish Fantasy in E flat major, Op 46 (or more correctly ‘Fantasia for the violin with orchestra and harp, freely using Scottish folk melodies’), was written in Berlin during the winter of 1879–80 for Sarasate and reflected the Spaniard’s more colourful personality. Although Bruch never visited Scotland, he was typical of German Romantics in having a fascination with the picture of the country painted by such writers as Walter Scott. For the Scottish Fantasy he drew on James Johnson’s voluminous folk-song collection The Scots Musical Museum.
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