12-唯有在你身边！舒伯特艺术歌曲2012 Hi-Res 24bits - 88.2kHz
艺术家：卡米拉·蒂林，保罗·里维尼乌斯
标题：唯有在你身边！——舒伯特艺术歌曲
发行年份：2012年
厂牌：BIS唱片公司
音乐类型：古典音乐
音质：无损FLAC/24位-88.2千赫兹FLAC+小册子
总时长：1小时01分40秒
总大小：243兆字节/909兆字节
网站：专辑预览
曲目列表
01. 四首叠句艺术歌曲，作品95号，D.866：第二首. 唯有在你身边
02. 戏剧《泪》中的两个场景，作品124号，D.857：第一首. 德尔菲娜之歌
03. 戏剧《泪》中的两个场景，作品124号，D.857：第二首. 弗洛里奥之歌
04. 苏莱卡其一（这波动意味着什么），作品14号第1首，D.720
05. 苏莱卡其二（啊，愿你湿润的翅膀），作品31号，D.717
06. 歌曲，作品106号第4首，D.891，“致西尔维娅”（西尔维娅是谁）
07. 侏儒，作品22号第1首，D.771
08. 秘密，作品14号第2首，D.719
09. 隐秘的爱，D.922
10. 纺车旁的格蕾琴，作品2号，D.118
11. 春天的信念，作品20号第2首，D.686
12. 在春天里，作品101号第1首，D.882
13. 岩石上的歌手，D.482
14. 掘墓人的思乡情，D.842
15. 万灵节，D.343，“万灵节连祷文”
弗朗茨·舒伯特在艺术歌曲领域的重要性可与莎士比亚在戏剧领域相提并论——同样是本能且难以言喻的天赋，毫无预兆地降临，在其所处时代无人能及，后世亦从未被超越。17岁时，他创作了《纺车旁的格蕾琴》，这首常被称为声乐史上里程碑的作品，而其后600多首歌曲则构成了一个涵盖情感、氛围与心境的完整宇宙——从《唯有在你身边》和《弗洛里奥之歌》中对年轻爱情的喜悦与绝望令人动容、无比真切的描绘，到《侏儒》中近乎哥特式的戏剧性，以及《掘墓人的思乡情》里彻骨的绝望。这张专辑还收录了舒伯特的一些经典歌曲，如无忧无虑的《致西尔维娅》、宁静的《连祷文》，以及被约翰内斯·勃拉姆斯视为所有艺术歌曲中最优美的《苏莱卡》第一首。
瑞典女高音卡米拉·蒂林除了在歌剧领域成就斐然，还在音乐会和独唱会中崭露头角。她此前为BIS录制的施特劳斯独唱专辑《红玫瑰》在2010年发行时广受好评：《音响论坛》的评论家写道：“卡米拉·蒂林明亮抒情的女高音，即使在高音区也能保持优美的音色，听来纯粹是一种听觉享受。”《国际唱片评论》的同行则称赞她“圆润如金的音色”和“让声线仿佛 effortless 悬浮于空中、令时光驻足的能力”。与那张专辑一样，此次她的搭档是杰出的钢琴家与室内乐演奏家保罗·里维尼乌斯。
Artist: Camilla Tilling, Paul Rivinius
Title: Bei dir allein! - Schubert Songs
Year Of Release: 2012
Label: BIS
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
Total Time: 01:01:40
Total Size: 243 / 909 mb
WebSite: Album Preview
Tracklist
01. 4 Refrainlieder, Op. 95, D. 866: No. 2. Bei Dir allein
02. 2 Szenen aus dem Schauspiel Lacrimas, Op. 124, D. 857: I. Lied der Delphine
03. 2 Szenen aus dem Schauspiel Lacrimas, Op. 124, D. 857: II. Lied das Florio
04. Suleika I (Was bedeutet die Bewegung), Op. 14, No. 1, D. 720
05. Suleika II (Ach um deine feuchten Schwingen), Op. 31, D. 717
06. Gesang, Op. 106, No. 4, D. 891, "An Sylvia" (Who is Sylvia)
07. Der Zwerg, Op. 22, No. 1, D. 771
08. Geheimes, Op. 14, No. 2, D. 719
09. Heimliches Lieben, D. 922
10. Gretchen am Spinnrade, Op. 2, D. 118
11. Fruhlingsglaube, Op. 20, No. 2, D. 686
12. Im Fruhling, Op. 101, No. 1, D. 882
13. Der Sanger am Felsen, D. 482
14. Totengrabers Heimweh, D. 842
15. Am Tage aller Seelen, D. 343, "Litanei auf das Fest aller Seelen"
The momentous importance of Franz Schubert for the Lied genre has been compared to that of Shakespeare for the theatre – the same kind of instinctive and inexplicable genius, appearing without forewarning, unparalleled in its own era and never surpassed by later exponents. At the age of 17 he composed Gretchen am Spinnrade, often described as a milestone in the history of vocal music, and the more than 600 songs that followed it form an entire universe of emotions, atmospheres and moods – from the touching, utterly convincing portrayals of the joy and despair of young love in Bei dir allein! and Lied des Florio, to the almost Gothic drama of Der Zwerg and the utter despondency of Totengräbers Heimweh. This programme also includes some of Schubert's best-known songs, such as the carefree An Silvia, the serene Litanei, and the first Suleika song, regarded by Johannes Brahms as the most beautiful of all Lieder. Besides having a highly successful career in opera, the Swedish soprano Camilla Tilling has made a name for herself in concert and recital, and her previous recording for BIS – the Strauss recital Rote Rosen – was highly regarded on its release in 2010: 'The luminous and lyrical soprano of Camilla Tilling, which keeps its beautiful bloom even in the top register, is a pure joy for the ear' wrote the critic in Fono Forum, while his colleague in International Record Review praised her 'rounded golden tone' and her 'ability to float a vocal line that seems to hang effortlessly on the air demanding that time itself should stop.’ As on that disc, she is supported by the eminent pianist and chamber musician Paul Rivinius.
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