14-普罗科菲耶夫：第2、3钢琴协奏曲，第2钢琴奏鸣曲 (2010) Hi-Res
艺术家：弗雷迪·肯普夫，安德鲁·利顿
标题：普罗科菲耶夫：第2、3钢琴协奏曲，第2钢琴奏鸣曲
发行年份：2010年
厂牌：BIS
音乐类型：古典音乐
音质：24位-44.1千赫兹FLAC
总时长：1小时20分44秒
总大小：717兆字节
网站：专辑预览
曲目列表
g小调第2钢琴协奏曲，作品16号 31分28秒
01. 第一乐章 小行板——小快板 11分56秒
02. 第二乐章 谐谑曲 活泼地 2分26秒
03. 第三乐章 间奏曲 中板快板 5分54秒
04. 第四乐章 终曲 暴风雨般的快板 11分12秒
d小调第2钢琴奏鸣曲，作品14号 18分07秒
05. 第一乐章 快板，但不过分 6分47秒
06. 第二乐章 谐谑曲 清晰的快板 2分06秒
07. 第三乐章 行板 4分40秒
08. 第四乐章 活泼地 4分34秒
C大调第3钢琴协奏曲，作品26号 29分05秒
09. 第一乐章 行板——快板 9分37秒
10. 第二乐章 主题与变奏曲 9分36秒
11. 第三乐章 快板，但不过分 9分52秒
演奏者：
弗雷迪·肯普夫，钢琴
卑尔根爱乐乐团
安德鲁·利顿，指挥
弗雷迪·肯普夫与安德鲁·利顿执棒的卑尔根爱乐乐团曾分别为BIS录制普罗科菲耶夫作品，均获高度评价。肯普夫2003年的普罗科菲耶夫独奏会专辑被《留声机》称为“卓越的唱片”，乐评人写道：“肯普夫的演奏充满喜悦与活力，以天生炫技家的自信与直觉，轻松驾驭每一个激烈挑战。”四年后，卑尔根乐团与利顿合作录制了作曲家三部《罗密欧与朱丽叶》组曲的二十个乐章，按芭蕾舞剧乐谱顺序演绎，这一创新尝试广受赞誉，如德国网站《今日古典》评论：“一支欧洲顶尖乐团与一位对俄罗斯作品有深刻见解的美国指挥家合作，结果是火花四溅、色彩斑斓、热情洋溢且极具感染力。”
此次肯普夫、利顿与卑尔根爱乐乐团联手带来全普罗科菲耶夫专辑，收录其五首钢琴协奏曲中最受欢迎的第三号——这部作品灵感迸发，兼具活力与旋律性，以普罗科菲耶夫典型风格呈现诸多精彩素材。同时收录的第二钢琴协奏曲由普罗科菲耶夫本人于1913年首演，其现代主义音响与锯齿状节奏震惊听众。原版总谱在俄国革命期间遗失，作曲家1923年于巴黎重新构建此曲，据他所言，新版本几乎完全重写，堪称一部新作品。两首协奏曲之间，肯普夫演绎第二钢琴奏鸣曲，这部作品是普罗科菲耶夫创作发展的关键，充满鲜明独特的音乐构思。
Artist: Freddy Kempf, Andrew Litton
Title: Prokofiev: Piano Concertos 2 & 3, Piano Sonata No. 2
Year Of Release: 2010
Label: BIS
Genre: Classical
Quality: FLAC 24bit-44.1kHz
Total Time: 01:20:44
Total Size: 717 Mb
WebSite: Album Preview
Tracklist:
Piano Concerto No.2 in G minor, Op.16 31'28
01. I. Andantino – Allegretto 11'56
02. II. Scherzo. Vivace 2'26
03. III. Intermezzo. Allegro moderato 5'54
04. IV. Finale. Allegro tempestoso 11'12
Piano Sonata No.2 in D minor, Op.14 18'07
05. I. Allegro, ma non troppo 6'47
06. II. Scherzo. Allegro marcato 2'06
07. III. Andante 4'40
08. IV. Vivace 4'34
Piano Concerto No.3 in C major, Op.26 29'05
09. I. Andante – Allegro 9'37
10. II. Tema con variazioni 9'36
11. III. Allegro ma non troppo 9'52
Performers:
Freddy Kempf, piano
Bergen Philharmonic Orchestra
Andrew Litton, conductor
Separately, both Freddy Kempf and the team of Bergen Philharmonic Orchestra under Andrew Litton have recorded music by Prokofiev for BIS, resulting in highly acclaimed releases. Freddy Kempf's 2003 Prokofiev solo recital was described as 'a superb disc' in Gramophone, whose critic went on to write: 'Kempf is joyfully exuberant, flashing through every savage challenge with the assurance and instinct of a born virtuoso.' Four years later, the Bergen orchestra and Litton recorded the twenty movements from the composer's three Romeo and Juliet suites, performed in the order the music appears in the ballet score. The outcome of this original approach was widely praised, for instance by the reviewer on the German website Klassik Heute: "a European top orchestra and an American conductor with great insights into the Russian repertoire meet up, and the result is sparkling, colourful, ardent and with great presence." Kempf, Litton and the Bergen PO now join forces in an all-Prokofiev programme that includes the most popular of his five piano concertos, namely the Third, a spontaneous work, vigorous and melodic in turns and full of striking material presented in a typical Prokofiev manner. This is coupled with the Second Piano Concerto, which Prokofiev himself premièred in 1913, shocking the audience with its modernistic sounds and jagged rhythms. The original score was lost during the Russian Revolution and Prokofiev reconstructed the work in Paris in 1923. According to the composer himself, the new version was so completely rewritten that it almost constituted a new work. Between the two concertos Freddy Kempf performs the Second Piano Sonata, a key work in Prokofiev's development and full of striking and individual ideas.
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