04- 德沃夏克：第八交响曲 - 金纺车 - 随想谐谑曲(2012) [Hi-Res]
艺术家：马来西亚爱乐乐团，克劳斯·彼得·弗洛尔
标题：德沃夏克：第八交响曲 - 金纺车 - 随想谐谑曲
发行年份：2012年
厂牌：BIS
类型：古典音乐
音质：无损FLAC/24位-96.0kHz FLAC+小册子
总时长：1小时19分27秒
总大小：362/784兆字节
网站：专辑预览
曲目单
01. g大调第八交响曲，作品88，B.163：I. 生气勃勃的快板
02. g大调第八交响曲，作品88，B.163：II. 柔板
03. g大调第八交响曲，作品88，B.163：III. 优雅的小快板 - 十分活泼
04. g大调第八交响曲，作品88，B.163：IV. 不过分的快板
05. 金纺车，作品109，B.197
06. 随想谐谑曲，作品66，B.131
安东宁·德沃夏克的g大调第八交响曲（作品88）以其充满活力、带有捷克特色的终曲主题和嘹亮的圆号声，通常被视为他最亲切宜人的作品之一。但作曲家本人却不这么认为，他表示自己的意图是“创作一部有别于其他交响曲的作品，以新的方式构思独特的乐思”。当时的乐评人对此有褒有贬，而在这张BIS发行的专辑中，指挥克劳斯·彼得·弗洛尔聚焦于作品的形式多样性。BIS在录制西方主流之外的东南亚乐团时一向成果斐然，此次与弗洛尔执棒的马来西亚爱乐乐团（成立于1997年）合作，再次延续了这一势头——对于任何关注古典核心曲目录音未来的人而言，这支乐团都带来了希望。其演奏毫无破绽，听来与欧洲主要城市的乐团并无二致。
但真正值得关注的是弗洛尔敏捷而锐利的演绎风格：自德沃夏克在英美崭露头角以来，其音乐中常被附会的模糊民族主义情感被一概剔除。这一处理印证了注释者让-帕斯卡尔·瓦雄将这部作品与马勒《第一交响曲》（“泰坦”）的比较：德沃夏克的音乐在此呈现为一幅略带疏离感的场景全景。这种对作品的诠释引人入胜。你或许会怀念传统演绎中的温暖感，而在聆听更具明确标题性的音诗《金纺车》（作品109）时，也可能觉得少了些画面唤起感。但这部作品的录音本就不少，如此真正新颖的诠释显然值得一听。另一个亮点是相对罕见的《随想谐谑曲》（作品66），为专辑画上句号。
录音地点选在乐团的主场——吉隆坡的德万爱乐石油大厅（“泥泞汇流处”），音效出色。
Artist: Malaysian Philharmonic Orchestra, Claus Peter Flor
Title: Dvorák: Symphony No. 8 - The Golden Spinning Wheel - Scherzo Capriccioso
Year Of Release: 2012
Label: BIS
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:19:27
Total Size: 362 / 784 mb
WebSite: Album Preview
Tracklist
01. Symphony No. 8 in G Major, Op. 88, B. 163: I. Allegro con brio
02. Symphony No. 8 in G Major, Op. 88, B. 163: II. Adagio
03. Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace
04. Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo
05. The Golden Spinning-Wheel, Op. 109, B. 197
06. Scherzo capriccioso, Op. 66, B. 131
Antonín Dvorák's Symphony No. 8 in G major, Op. 88, with its peppy, very Czech finale theme with the blaring horns, is generally taken to be among his most genial works. But that's not how the composer himself saw it. He said his intention was "to write a work different from my other symphonies, with individual ideas worked out in a new manner." Critics at the time got this, positively or negatively, and it's the work's formal variety that comes under the scrutiny of conductor Claus Peter Flor in this BIS release. BIS has had good luck recording out-of-the-Western-mainstream Southeast Asian orchestras, and they continue the streak here with Flor's Malaysian Philharmonic Orchestra, a group that was founded in 1997 and provides hope for the future of the core classical repertory to anyone who is looking for it. There is nothing in the playing to indicate that you are not listening to an orchestra from a major European city. But it's Flor's quick, astringent readings that are the real news. The fuzzy nationalist sentiment that has been attached to Dvorák's music ever since the beginnings of his popularity in England and America is generally weeded out. The result confirms the comparison of the work by annotator Jean-Pascal Vachon to Mahler's Symphony No. 1 ("Titan"): Dvorák's work comes across as a panorama of scenes slightly distantly observed. It's a fascinating take on the work. You may miss the warmth, and when you listen to the more explicitly programmatic tone poem Zlaty Kolovrat (The Golden Spinning Wheel), Op. 109, you may miss some evocativeness. But there's no shortage of recordings of this work, and a really fresh one certainly deserves a hearing. Another bonus is the comparatively rare Scherzo capriccioso, Op. 66, which rings down the curtain. The music was well recorded at the orchestra's home, the Dewan Philharmonic PETRONAS hall in Kuala Lumpur (Muddy Confluence).
**** Hidden Message *****
页:
[1]