12-李斯特与瓦格纳：奏鸣曲与变形曲 2007 Hi-Res 24bits - 96.0kHz
艺术家：托马斯·希茨尔贝格尔
标题：李斯特与瓦格纳：奏鸣曲与变形曲
发行年份：2007年
厂牌：Ambronay Éditions
类型：古典钢琴
音质：无损FLAC / 24位-96kHz FLAC
总时长：1小时17分19秒
总大小：264兆字节 / 1.15千兆字节
网站：专辑预览
曲目单
01. 理查德·瓦格纳墓前，S.202
02. b小调奏鸣曲，S.178：I. 甚缓板
03. b小调奏鸣曲，S.178：II. 有力的快板
04. b小调奏鸣曲，S.178：III. 宏伟地，优雅温柔地
05. b小调奏鸣曲，S.178：IV. 绵延的行板 - 近似柔板
06. b小调奏鸣曲，S.178：V. 有力的快板
07. b小调奏鸣曲，S.178：VI. 快板 - 稍快 - 加速
08. b小调奏鸣曲，S.178：VII. 突强突弱
09. b小调奏鸣曲，S.178：VIII. 绵延的行板 - 快板
10. 阴郁的贡多拉，S.200/1
11. 伊索尔德的爱之死，S.447
12. 阴郁的贡多拉，S.200/2
13. 为M.W.夫人纪念册而作的奏鸣曲，WWV 85
14. R.W. - 威尼斯，S.201
15. b小调奏鸣曲，S.178（原始结尾）
两位杰出作曲家——弗朗茨·李斯特与他的女婿理查德·瓦格纳；一部伟大作品——李斯特的《b小调奏鸣曲》；一件独特乐器——李斯特在去世前一个月曾弹奏过的施坦格列泊“李斯特”钢琴；一张承载纪念、致敬与变形的独特录音。
“这张充满开拓精神的唱片重现了李斯特对瓦格纳的致敬。李斯特毫不吝啬地盛赞瓦格纳的才华，却遭到女婿及当时显赫人物的冷漠回应。谨慎的克拉拉·舒曼称他寄来的作品‘可怕’，乐评家爱德华·汉斯利克将这部音乐史上的巅峰之作《b小调奏鸣曲》贬为‘应噤声的作曲家’之产物，瓦格纳更认为李斯特晚年深沉的预言‘完全无意义’。
如今回望，当李斯特勇敢的实验被充耳不闻、视为迟暮之作时，这般全面的不解令人警醒。托马斯·希茨尔贝格尔使用李斯特1873年的施坦格列泊钢琴演奏，动人地诠释了李斯特的绝望与苍凉——换作内心稍弱之人，或许早已走向毁灭。
他的演绎兼具非凡的广度与深度。在阴郁的《贡多拉》第一、二首中，每个音符都饱含深意；而在 elusive 的《b小调奏鸣曲》中，他更是直抵核心。作为一位追求本真而非炫技的李斯特诠释者，他定会认同豪尔赫·博莱特‘速度是激情之敌’的箴言。所有演绎皆饱含赤诚，录音亦细腻入微。”（《留声机》杂志）
Artist: Thomas Hitzlberger
Title: Liszt & Wagner: Sonatas & Metamorphoses
Year Of Release: 2007
Label: Ambronay Éditions
Genre: Classical Piano
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:17:19
Total Size: 264 mb / 1.15 gb
WebSite: Album Preview
Tracklist
01. Am Grabe Richard Wagners, S. 202
02. Sonate in B Minor, S. 178: I. Lento assai
03. Sonate in B Minor, S. 178: II. Allegro energico
04. Sonate in B Minor, S. 178: III. Grandioso, dolce con grazia
05. Sonate in B Minor, S. 178: IV. Andante sostenuto - Quasi adagio
06. Sonate in B Minor, S. 178: V. Allegro energico
07. Sonate in B Minor, S. 178: VI. Allegro - Più mosso - Stringendo
08. Sonate in B Minor, S. 178: VII. Ritenuto accentuato
09. Sonate in B Minor, S. 178: VIII. Andante sostenuto - Allegro
10. La lugubre gondola, S. 200/1
11. Isoldens Liebestod, S. 447
12. La lugubre gondola, S. 200/2
13. Eine Sonate für das Album von Frau M.W., WWV 85
14. R.W. - Venezia, S. 201
15. Sonate in B Minor, S. 178 (Original Ending)
Two illustrious composers, Franz Liszt and his son-in-law Richard Wagner. One great work, Liszt's Sonata in B minor. One instrument, the Steingraeber 'Liszt' piano which Liszt had played a mere month before his death. One unique recording, of rememebrance, homage end metamorphosis.
"This boldly enterprising disc remembers Liszt’s homage to Wagner. Generous to a fault, Liszt basked in Wagner’s genius only to find himself coldly rebuffed by his son-in-law and by other prominent figures of his time. For cautious Clara Schumann the pieces he sent her were “dreadful”, while for the critic Eduard Hanslick the B minor Sonata, a towering masterpiece in the history of music, was the work of a composer who “should be reduced to silence”. For Wagner, the dark-hued prophecies of Liszt’s final years were “completely devoid of meaning”.
Today, it is chastening to recall such blanket incomprehension when Liszt’s courageous experiments fell on deaf ears and were viewed as the products of senility. And Thomas Hitzlberger, who plays his programme on Liszt’s own 1873 Steingraber instrument, writes movingly of Liszt’s despair and a desolation that could have reduced a less resilient man to suicide.
His performances, too, are of an exceptional breadth and seriousness. In the baleful Lugubre gondole Nos 1 and 2 he makes every note tell, and he is very much at the heart of the ever-elusive B minor Sonata. A true rather than flamboyant Lisztian, he would surely be among the first to salute Jorge Bolet’s dictum that “speed is the enemy of excitement”. All these performances are deeply committed and finely recorded." (Gramophone)
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