13-肖斯塔科维奇：室内交响曲Op.73a(2021) [Hi-Res]
艺术家：洛桑室内乐团、约书亚·韦勒斯坦
专辑名称：肖斯塔科维奇：室内交响曲Op.73a与Op.83a（鲁道夫·巴尔沙改编版）
发行年份：2021年
厂牌：Fuga Libera
音乐类型：古典音乐
音质：FLAC无损/24比特-96千赫兹FLAC+专辑手册
总时长：1小时12分34秒
总大小：349兆字节/1.35吉字节
网站：专辑预览
曲目列表
01. F大调室内交响曲，Op.73a：第一乐章 小快板“对未来灾难的盲目无知”（改编自F大调第三弦乐四重奏，Op.73）
02. F大调室内交响曲，Op.73a：第二乐章 有动感的中板“动荡与预感的低吼”（改编自F大调第三弦乐四重奏，Op.73）
03. F大调室内交响曲，Op.73a：第三乐章 不太快的快板“战争力量的释放”（改编自F大调第三弦乐四重奏，Op.73）
04. F大调室内交响曲，Op.73a：第四乐章 柔板“纪念逝者”（改编自F大调第三弦乐四重奏，Op.73）
05. F大调室内交响曲，Op.73a：第五乐章“为何？又为了什么？”（改编自F大调第三弦乐四重奏，Op.73）
06. D大调室内交响曲，Op.83a：第一乐章 小快板（改编自D大调第四弦乐四重奏，Op.83）
07. D大调室内交响曲，Op.83a：第二乐章 小行板（改编自D大调第四弦乐四重奏，Op.83）
08. D大调室内交响曲，Op.83a：第三乐章 小快板（改编自D大调第四弦乐四重奏，Op.83）
09. D大调室内交响曲，Op.83a：第四乐章 小快板（改编自D大调第四弦乐四重奏，Op.83）
10. F大调室内交响曲Op.73a解析
11. D大调室内交响曲Op.83a解析
洛桑室内乐团与约书亚·韦勒斯坦演绎的肖斯塔科维奇《室内交响曲Op.73a与Op.83a》（鲁道夫·巴尔沙改编版，2021年录音/高解析度）
成立近八十年的洛桑室内乐团享有极高声誉，曾邀请从克拉拉·哈斯基尔、阿尔弗雷德·科尔托到穆雷·佩拉西亚、玛莎·阿格里奇，从保罗·欣德米特到君特·旺德等众多伟大艺术家作为客座嘉宾。尽管历史悠久，乐团仅经历过六位音乐总监，包括1973至1985年任职的阿尔明·乔丹。年轻的美国指挥家约书亚·韦勒斯坦于2015年接替尼 Christian Zacharias，除了出色的指挥技巧和对稀有曲目的关注，他还致力于音乐普及——其广受欢迎的播客《便签》以通俗易懂的方式探讨音乐。
这张专辑聚焦肖斯塔科维奇的《室内交响曲Op.73a与Op.83a》，由鲁道夫·巴尔沙改编自第三、第四弦乐四重奏。作为肖斯塔科维奇的挚友，巴尔沙是当时首屈一指的中提琴家，两人曾有长期深入的合作。这些著名四重奏的室内乐团改编版为原作提供了全新视角，甚至肖斯塔科维奇本人都曾称赞其中一版“比原作听起来更出色”。作为补充，约书亚·韦勒斯坦在附赠的解说音轨中分享了他对作品的诠释。
Artist: Orchestre de Chambre de Lausanne, Joshua Weilerstein
Title: Shostakovich: Chamber Symphony Op. 73a & Op. 83a (Arr. by Rudolf Barshai)
Year Of Release: 2021
Label: Fuga Libera
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:12:34
Total Size: 349 mb / 1.35 gb
WebSite: Album Preview
Tracklist
01. Chamber Symphony in F Major, Op. 73a: I. Allegretto "Blithe Ignorance of the Future Cataclysm" (Arr. of the String Quartet No. 3 in F Major, Op. 73)
02. Chamber Symphony in F Major, Op. 73a: II. Moderato con moto "Rumblings of Unrest and Anticipation" (Arr. of the String Quartet No. 3 in F Major, Op. 73)
03. Chamber Symphony in F Major, Op. 73a: III. Allegro non troppo "Forces of War Unleashed" (Arr. of the String Quartet No. 3 in F Major, Op. 73)
04. Chamber Symphony in F Major, Op. 73a: IV. Adagio "In Memory of the Dead" (Arr. of the String Quartet No. 3 in F Major, Op. 73)
05. Chamber Symphony in F Major, Op. 73a: V. Why? and for What?" (Arr. of the String Quartet No. 3 in F Major, Op. 73)
06. Chamber Symphony in D Major, Op. 83a: I. Allegretto (Arr. of the String Quartet No. 4 in D Major, Op. 83)
07. Chamber Symphony in D Major, Op. 83a: II. Andantino (Arr. of the String Quartet No. 4 in D Major, Op. 83)
08. Chamber Symphony in D Major, Op. 83a: III. Allegretto (Arr. of the String Quartet No. 4 in D Major, Op. 83)
09. Chamber Symphony in D Major, Op. 83a: IV. Allegretto (Arr. of the String Quartet No. 4 in D Major, Op. 83)
10. Presentation of the Chamber Symphony in F Major, Op. 73a
11. Presentation of the Chamber Symphony in D Major, Op. 83a
Orchestre de Chambre de Lausanne & Joshua Weilerstein - Shostakovich: Chamber Symphony Op. 73a & Op. 83a (Arr. by Rudolf Barshai) (2021)
Founded nearly eighty years ago, the Orchestre de Chambre de Lausanne enjoys an enviable reputation and has welcomed the greatest artists as its guests, from Clara Haskil and Alfred Cortot to Murray Perahia and Martha Argerich, from Paul Hindemith to Günter Wand. Despite its long history, the orchestra has had only six musical directors, including Armin Jordan from 1973 to 1985. The young American conductor Joshua Weilerstein succeeded Christian Zacharias in 2015. In addition to his conducting skills and his interest in rare repertory, he has also brought a love of musical outreach. His very popular podcast, ‘Sticky Notes’, discusses music in an accessible way. This recording is devoted to Shostakovich’s Chamber Symphonies opp.73a and 83a, which are Rudolf Barshai’s arrangements of the String Quartets nos. 3 and 4. Barshai, one of the leading violists of his time, was a friend of Shostakovich and their collaboration was long and intensive. The chamber orchestra arrangements of these famous quartets offer a completely different perspective on the original works and were praised by Shostakovich himself, who reportedly said of one of them that it ‘sounded better than the original’. As a complement to the two works, Joshua Weilerstein shares his interpretation in a bonus spoken word track.
**** Hidden Message *****
页:
[1]