12-隔离来信 鲁伊·特拉瓦索 2021 Hi-Res 24bits - 44.1kHz
艺术家：鲁伊·特拉瓦索
标题：隔离来信 鲁伊·特拉瓦索
发行年份：2021年
厂牌：奥德拉德克唱片
流派：古典音乐
音质：无损FLAC/24位-44.1千赫兹FLAC+小册子
总时长：00小时51分59秒
总大小：227/434兆字节
网站：专辑预览
曲目列表
01. 雅典小奏鸣曲：第一乐章 嬉戏地
02. 雅典小奏鸣曲：第二乐章 慢板
03. 雅典小奏鸣曲：第三乐章 节奏鲜明的嬉戏地
04. 五首单簧管独奏曲：第一首 前奏曲
05. 五首单簧管独奏曲：第二首 圆舞曲
06. 五首单簧管独奏曲：第三首 向J.S.巴赫致敬
07. 五首单簧管独奏曲：第四首 独白
08. 五首单簧管独奏曲：第五首 谐谑曲与三声中部
09. 单簧管独奏曲奏鸣曲：第一乐章 十分宁静
10. 单簧管独奏曲奏鸣曲：第二乐章 活泼地
11. 单簧管独奏曲奏鸣曲：第三乐章 舒适地
12. 第三号独白：第一乐章 绵延的行板
13. 第三号独白：第二乐章 活跃的快板
14. 向法雅致敬
15. 第五号应答圣歌《圣母颂》
16. 单簧管小奏鸣曲：第一乐章 快板
17. 单簧管小奏鸣曲：第二乐章 不那么放松的情绪
18. 单簧管小奏鸣曲：第三乐章 快板
19. 泽塔世界
疫情迫使艺术家们寻找新的方式来释放创造力。葡萄牙单簧管演奏家鲁伊·特拉瓦索将隔离经历转化为积极的力量，在封锁期间录制了单簧管独奏音乐，成就了这张非凡而有力的专辑。
正如鲁伊·特拉瓦索在专辑小册子的艺术家陈述中所写：“这张专辑完全是在新冠疫情导致的居家隔离期间录制的。它或许不可避免地成为一张独奏专辑，因为疫情期间的生活大多是在隔离中进行的，没有陪伴或协作。这种情况就像被不公正地监禁，却要给外界的人写信；迫切需要与那些我们看不见但能感觉到他们在那里并愿意倾听的人交流。”
单簧管是一种真正多才多艺的乐器，其圆润的木质音色可灵活游走于凄切的忧郁、柔滑的抒情和轻快的幽默之间。这些特质在伴奏作品中尤为著名，尤其是协奏曲和五重奏，但单簧管独奏曲目也提供了丰富有趣的音乐——作曲家们通过利用单簧管的独特品质并突出其丰富的音色，来应对为无伴奏乐器创作的挑战。
这张专辑收录了一系列相对现代的曲目。法国作曲家亨利·托马西的《雅典小奏鸣曲》据说灵感来自雅典帕特农神庙附近希腊星空下的一个夜晚。单簧管敏捷欢快的一面与蜿蜒 haunting 的段落形成对比。我们还能听到荷兰作曲家鲁道夫·埃舍尔精心创作的《单簧管独奏曲奏鸣曲》，他受德彪西、拉威尔和马勒的影响；以及瑞典作曲家厄兰·冯·科赫看似轻松的《第三号独白》，他受巴托克、西贝柳斯、格里格和欣德米特的影响。
此外，还有更多对其他作曲家的公开致敬：戈登·雅各布的《五首单簧管独奏曲》包括一段对J.S.巴赫充满活力的深情致敬；当代匈牙利作曲家贝拉·科瓦奇以一系列向不同作曲家致敬的作品闻名，我们从中听到了耀眼的《向法雅致敬》。其他当代作品包括挪威作曲家亨里克·厄德高基于圣歌的《第五号应答圣歌〈圣母颂〉》，以及葡萄牙作曲家塞尔吉奥·阿泽维多复杂的《小奏鸣曲》。意大利人乔瓦尼·马塔利亚诺首先是一位单簧管演奏家，他的《泽塔世界》为单簧管独奏音乐会画上了完美句号：这首简洁的作品展现了惊人的技巧和不可抗拒的幽默感。
Artist: Rui Travasso
Title: Letters from Quarantine
Year Of Release: 2021
Label: Odradek Records
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 00:51:59
Total Size: 227 / 434 mb
WebSite: Album Preview
Tracklist
01. Sonatine Attique: I. Giocoso
02. Sonatine Attique: II. Lent
03. Sonatine Attique: III. Giocoso très rythmé
04. Five Pieces for Solo Clarinet: I. Preamble
05. Five Pieces for Solo Clarinet: II. Waltz
06. Five Pieces for Solo Clarinet: III. Homage to J.S.B.
07. Five Pieces for Solo Clarinet: IV. Soliloquy
08. Five Pieces for Solo Clarinet: V. Scherzo and Trio
09. Sonata for Clarinet Solo: I. Molto tranquillo
10. Sonata for Clarinet Solo: II. Vivo
11. Sonata for Clarinet Solo: III. Comodo
12. Monolog No. 3: I. Andante sostenuto
13. Monolog No. 3: II. Allegro vivace
14. Hommage à M. de Falla
15. Antiphona V, ‘Ave Maria’
16. Sonatina para clarinete solo: I. Allegro
17. Sonatina para clarinete solo: II. In a not quite so relaxed mood
18. Sonatina para clarinete solo: III. Allegro
19. Zeta World
The pandemic has compelled artists to find new ways of channelling their creativity. Portuguese clarinettist Rui Travasso turned the experience of isolation into something positive with his lockdown recording of solo clarinet music, an extraordinary and powerful achievement.
As Rui Travasso writes in his Artist Statement, a feature of the album booklet: "This album was recorded entirely in my house during the confinement caused by COVID-19. It is, perhaps inevitably, a solo album because so much of life during a pandemic is conducted in isolation, without company or collaboration. The situation is analogous with being unjustly imprisoned and writing letters to those on the outside; an urgent need to communicate with those we cannot see but whom we can sense are there and receptive to listening."
The clarinet is an instrument of real versatility, its mellow, woody timbre ranging flexibly between plangent melancholy, creamy lyricism and jaunty humour. These qualities have been most famously explored in accompanied works especially concertos and quintets but the solo clarinet repertoire offers a wealth of interesting music in which composers have sought to address the challenges of writing for an unaccompanied instrument by harnessing the clarinet's unique qualities and highlighting its rich colours.
The album features a range of relatively recent repertoire. French composer Henri Tomasi's 'Sonatine Attique' is said to have been inspired by a night under the Greek stars near the Parthenon in Athens. The clarinet's agile, jovial side is contrasted with sinuous, haunting passages. We hear a finely-crafted 'Sonata for Clarinet Solo' by Dutch composer Rudolf Escher, who was influenced by the music of Debussy, Ravel and Mahler, and the apparently effortless 'Monolog No. 3' by Swedish composer Erland von Koch, who was influenced by Bartók, Sibelius, Grieg and Hindemith.
There are more overt tributes to other composers, too: Gordon Jacob's 'Five Pieces for Solo Clarinet' include a lively, affectionate tribute to J.S. Bach, and contemporary Hungarian composer Béla Kóvacs is known for his set of 'Hommages' to an array of different composers, from which we hear the dazzling 'Hommage à M. Falla'. Other contemporary works include the chant-based 'Antiphona V, Ave Maria' by Norwegian composer Henrik Ødegaard, and the intricate 'Sonatina' by Portuguese composer Sérgio Azevedo. The Italian Giovanni Mattaliano is first and foremost a clarinettist, and his 'Zeta World' is the perfect conclusion to a recital of solo clarinet music: a succinct piece of breathtaking technique and irresistible good humour.
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