12-[2025] 挚爱咏叹调 考纳斯城市交响乐团、康斯坦丁·奥尔别良 [24B-96kHz]
艺术家：利帕里特·阿韦季相、考纳斯城市交响乐团、康斯坦丁·奥尔别良
标题：挚爱咏叹调考纳斯城市交响乐团、康斯坦丁·奥尔别良
发行年份：2025年
厂牌：Delos
流派：古典
音质：FLAC无损（分轨）/24位-96.0千赫兹FLAC+小册子
总时长：56分01秒
总大小：255兆字节/1.04吉字节
网站：专辑预览
曲目列表
01.《爱情灵药》，作品36：偷洒一滴泪
02.《拉美莫尔的露琪亚》，作品46：祖先的坟墓 - 不久我将安息
03.《茶花女》：远离她 - 我心中激情荡漾
04.《弄臣》：她被抢走了 - 见她泪水潸然
05.《弄臣》：女人善变
06.《波西米亚人》，SC 67：多么冰凉的小手
07.《浮士德》，CG 4：莫名的烦扰笼罩着我 - 圣洁居所，向你致敬
08.《曼侬》：我独自一人 - 啊！迷人幻影快消逝
09.《叶甫盖尼·奥涅金》，作品24，TH 5：你去了何方，去了何方
10.《约兰塔》，作品69，TH 11：不！别用美貌诱惑我
11.卡曼恰琴
作为当代最令人瞩目的抒情男高音之一，利帕里特·阿韦季相在Delos发行首张个人专辑：精选其在皇家歌剧院、维也纳国家歌剧院、苏黎世歌剧院、巴伐利亚国家歌剧院、德累斯顿森帕歌剧院、西雅图歌剧院及科隆大剧院等主流剧场演绎的经典咏叹调。在考纳斯城市交响乐团与指挥康斯坦丁·奥尔别良的协奏下，阿韦季相出色诠释了从多尼采蒂《偷洒一滴泪》、威尔第《女人善变》到普契尼《多么冰凉的小手》、古诺《圣洁居所，向你致敬》等标志性角色，兼具激情、悲情与幽邃气质。作为对祖国亚美尼亚的致敬，这张多元专辑最终以萨雅特-诺瓦的民谣风作品《卡曼恰琴》收尾。
Artist: Liparit Avetisyan, Kaunas City Symphony Orchestra, Constantine Orbelian
Title: Beloved Arias
Year Of Release: 2025
Label: Delos
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 00:56:01
Total Size: 255 mb / 1.04 gb
WebSite: Album Preview
Tracklist
01. L'elisir d'amore, A. 36: Una furtiva lagrima
02. Lucia di Lammermoor, A. 46: Tombe degli avi miei - Fra poco a me ricovero
03. La traviata: Lunge da lei - De' miei bollenti spiriti
04. Rigoletto: Ella mi fu rapita - Parmi veder le lagrime
05. Rigoletto: La donna è mobile
06. La bohème, SC 67: Che gelida manina
07. Faust, CG 4: Quel trouble inconnu me pénètre - Salut ! Demeure chaste et pure
08. Manon: Je suis seul - Ah ! Fuyez, douce image
09. Eugene Onegin, Op. 24, TH 5: Kuda, kuda, vi udalilis
10. Iolanta, Op. 69, TH 11: Net! Chary lask krasy
11. Qamancha
Acknowledged as one of the most exciting lyric tenors of his generation, Liparit Avetisyan releases his first solo album on Delos: a crowd-pleasing programme of celebrated arias which the Armenian has performed in major opera houses including the Royal Opera House, Wiener Staatsoper, Zürich Opera, Bayerische Staatsoper, Semperoper Dresden, Seattle Opera, and Teatro Colón. Accompanied by the Kaunas City Symphony Orchestra under the helm of conductor Constantine Orbelian, Liparit gives a superb account of iconic roles – in turn passionate, tragic and haunting – ranging from Donizetti’s Una furtiva lagrima to Verdi’s La donna è mobile by way of Puccini’s Che gelida manina and Gounod’s Salut ! demeure chaste et pure. As a homage to Liparit’s home country, this varied program concludes with Sayat-Nova’s folk-inspired Qamancha.
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