34-[2025] Lorde - Virgin [24B-44.1kHz]
艺术家：洛德
标题：《处女》
发行年份：2025年
厂牌：环球音乐新西兰有限公司
风格：流行音乐
音质：320千比特每秒MP3格式/分轨FLAC格式/24位-44.1千赫兹分轨FLAC格式
总时长：34分51秒
总大小：81/218/394兆字节
网站：专辑预览
曲目列表：
01. 《锤子》（3分13秒）
02. 《那是什么》（3分29秒）
03. 《变形者》（4分17秒）
04. 《年度男人》（3分00秒）
05. 《宠儿》（3分28秒）
06. 《时事》（3分18秒）
07. 《清澈蓝》（1分57秒）
08. 《准备中》（2分35秒）
09. 《碎玻璃》（3分14秒）
10. 《如果她现在能看见我》（2分56秒）
11. 《大卫》（3分24秒）
这是一幅未经修饰、毫无歉意却充满疑问的自画像。《处子》的封面艺术——一张可见宫内节育器的骨盆X光片——与洛德2021年明亮如海滩的第三张专辑《太阳能》大相径庭，后者充满阳光浸润、茉莉芬芳的歌曲，汲取了 Laurel Canyon 民谣和千禧年初软摇滚的灵感。回望过去，那张专辑自由奔放的意象有些理想化，是这位新西兰奥塔哥出生、现居纽约的歌手希望自己成为的样子的投射。正如她对苹果音乐的赞恩·洛所说，她的第四张专辑描绘了这位28岁歌手的真实模样，未经修饰也毫无歉意：“就像一张你不喜欢的自己的照片，但却捕捉到了关于你的某些真实的东西。”
这些创作于2023年至2025年间的歌曲，直率而发自肺腑，用能触动内心的节拍取代了《太阳能》中的新世纪 chill 风格。（这是她自2013年首张专辑以来，首张没有与杰克·安东诺夫共同创作和制作的专辑；相反，她与洛杉矶电子音乐人吉姆 - E ·斯塔克共同承担了制作工作。）在开场曲《锤子》中，超现实主义的内省让位于悸动的贝斯，沿着运河街的漫步因迷幻的幻象而荡漾。洛德向洛讲述这首歌的起源时说：“我刚刚停止服用避孕药，我无法相信自己的感受。一切都充满了可能性。第一个声音感觉像是从身体深处发出的。我姐姐说，‘听起来像是从你的子宫里传来的。’”
接下来是气场解读、凌晨3点的香烟、破碎的镜子、验孕棒、自我消亡。在《年度男人》和《宠儿》中，关于作为一个女人意味着什么的问题，以及更重要的是，作为一个成名已近半生的女人意味着什么的问题，引出了更多的问题。后者既是给她母亲的情书，也是对十几岁就被推向全球流行巨星地位的思考。她对洛说：“在过去10到12年里——甚至更早——一直有一种强烈的渴望，想要被爱，想要得到认可，想要成为宠儿。而让我非常感动的是，即使我在唱这首歌，关于我最崇拜的偶像，我认为世界上最了不起的人，我也在唱发生在你身上的事情有多疯狂，发生在16岁的我身上的事情有多疯狂。”
如今，这位超级巨星在自由坠落中找到了自由：“我曾站在 pedestal 上/但今晚我只想坠落，”她在节奏跳跃的《变形者》中唱道。“我仍然不知道当你发行这样一张唱片时会发生什么，”她承认《处子》所呈现的未经过滤的肖像。但在其完全的透明中，她达到了某种平静。
Artist: Lorde
Title: Virgin
Year Of Release: 2025
Label: Universal Music New Zealand Limited
Genre: Pop
Quality: 320 / FLAC (tracks) / FLAC (tracks) 24bit-44.1kHz
Total Time: 34:51
Total Size: 81 / 218 / 394 Mb
WebSite: Album Preview
Tracklist:
01. Hammer (3:13)
02. What Was That (3:29)
03. Shapeshifter (4:17)
04. Man Of The Year (3:00)
05. Favourite Daughter (3:28)
06. Current Affairs (3:18)
07. Clearblue (1:57)
08. GRWM (2:35)
09. Broken Glass (3:14)
10. If She Could See Me Now (2:56)
11. David (3:24)
A self-portrait with no edits or apologies, but plenty of questions. The cover art for Virgin—an X-ray of a pelvis with a visible IUD—was a far cry from that of Lorde’s bright, beachy third album, 2021’s Solar Power, whose sun-soaked, jasmine-scented songs drew from Laurel Canyon folk and Y2K soft rock. Looking back, that album’s free-spirited imagery was a bit idealistic—a projection of how the Aotearoa New Zealand native turned New Yorker wished she could be. Her fourth album, as she told Apple Music’s Zane Lowe, is a portrait of the 28-year-old singer as she is, without edits or apologies: “Kind of like a photo of yourself that you don’t love, but captures something true about you.”
The resulting songs, written between 2023 and 2025, are forthcoming and visceral, trading Solar Power’s New Age-chill for beats you can feel in your gut. (It’s her first album since her 2013 debut not co-written and -produced by Jack Antonoff; instead, she shared production duties with the LA-based electronic musician Jim-E Stack.) Surrealist introspection gives way to throbbing bass on opening track “Hammer”, where a walk down Canal Street ripples with psychedelic visions. “I had just come off my birth control, and I could not believe how I was feeling,” Lorde told Lowe about the song’s inception. “Everything was pure possibility. That first sound feels like it’s coming from a very guttural place in the body. My sister said, ‘It sounds like it’s coming from your womb.’”
Cue the aura readings, 3 am cigarettes, broken mirrors, pregnancy tests, ego death. On “Man of the Year” and “Favourite Daughter”, questions beget more questions on the subject of what it means to be a woman, and moreover, a woman who’s now been famous for nearly half her life. The latter is at once a love letter to her mother and a meditation on being a teenager thrust into global pop stardom. “There’s been this dynamic for the last 10 to 12 years—and then further back—of wanting so badly to be loved, and to get this approval, and to be the favourite,” she told Lowe. “And it was really moving to me how, even as I was singing this song about my foremost idol and the person who I think is the most amazing in the world, I was also singing about what a crazy thing it is to have happened to you, what happened to me at 16.”
Now the superstar finds freedom in the freefall: “I’ve been up on the pedestal/But tonight I just want to fall,” she sings on the shuffling “Shapeshifter”. “I still don’t know what happens when you put out a record that is like this,” she admitted about the unfiltered portrait Virgin presents. But in its full transparency, she arrives at something like peace.
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