36-[2025] Majid Bekkas - Jazz at Berlin Philharmonic XVII Gnawa World Blues [24B-48kHz]
艺术家：马吉德·贝卡斯、阮黎、哈米德·德雷克
标题：《柏林爱乐爵士XVII：格纳瓦世界蓝调》
发行年份：2025年
厂牌：ACT音乐
风格：爵士乐
音质：分轨FLAC格式/24位-48千赫兹FLAC格式（含小册子）
总时长：49分39秒
总大小：277/562兆字节
网站：专辑预览
曲目列表：
1. 《戈雷蓝调》（8分02秒）
2. 《姆拉巴》（5分05秒）
3. 《砰砰》（7分29秒）
4. 《升龙》（9分07秒）
5. 《紫雾》（6分10秒）
6. 《泰尔》（8分04秒）
7. 《西迪·布甘加》（5分45秒）
三位来自三大洲的音乐世界公民——摩洛哥出生的马吉德·贝卡斯、法越混血的阮黎和美国的哈米德·德雷克，将他们惊人的音乐性、文化根源与全球经历融合，打造了一场涵盖沙漠蓝调、格纳瓦迷幻音乐、中东爵士、六十年代摇滚和远东宁静氛围的迷人现场音乐会。
人声、乌德琴与古姆布里琴（贝斯鲁特琴）……拥有丰富闪烁音色的电吉他……介于细腻与力量之间的打击乐器库——这些是三位卓越的世界级音乐家运用的工具。马吉德·贝卡斯的创新为摩洛哥格纳瓦少数民族迷人的音乐与文化注入了全新视角，他还曾与约阿希姆·库恩、阿奇·希普、法老·桑德斯等爵士大师合作，最近与魔法精神四重奏合作，为ACT录制的作品在北欧与非洲的声音世界之间架起了桥梁。作为当代最伟大的吉他手之一，阮黎以其激动人心的独特个性脱颖而出，他发展出一种独特风格，让东南亚旋律、复杂的爵士和声与高难度的摇滚即兴演奏自然共存。芝加哥出生的哈米德·德雷克，凭借对世界多种打击乐传统的直觉感知，以及从唐·切里、彼得·布罗茨曼到梅尔巴·摩尔等多样合作背景，提供了极为广泛的节奏动力。
三人于2024年11月10日演绎的曲目展现了融合汇聚的丰富创意。开场曲《戈雷蓝调》中，乌德琴与人声 unison 演绎沉思的蓝调旋律，吉他则以拨奏伴奏……接着是鲁特琴、电吉他与精致镲片演奏的五音符“三重对话”。随后，《姆拉巴》带领三重奏进入传统格纳瓦音乐领域：阮黎与德雷克营造出摇滚放克氛围，而贝卡斯在起伏的贝斯即兴段上有力的咒语吟唱则创造出迷幻状态。《砰砰》——向约翰·李·胡克致敬——如同一台沉重、滚动却充满有机感的蓝调机器启动，贝卡斯在此脱离根源的演绎令人惊叹。《升龙》提供了一段冥想间奏……拇指钢琴……一段沉思哼唱的旋律，阮黎为旋律线增添了精彩装饰。作为对比，贝卡斯、阮黎与德雷克演绎的吉米·亨德里克斯《紫雾》，起初非常贴近原作，随后的新中段让人回想起1969年7月这位吉他英雄前往格纳瓦重镇索维拉的旅程。《泰尔》以乌德琴自由即兴开始，继而激发两位弦乐大师的互动。终曲《西迪·布甘加》中，三重奏以赞美诗般的欢腾音调，点燃格纳瓦音乐的欢乐面。
三位杰出音乐家汲取各自的音乐传统，创造了一场令人惊叹的人类亲缘庆典，充满鲜活生命力。
马吉德·贝卡斯 - 古姆布里琴、乌德琴与 vocals
阮黎 - 吉他与伴唱
哈米德·德雷克 - 鼓
Artist: Majid Bekkas, Nguyên Lê, Hamid Drake
Title: Jazz at Berlin Philharmonic XVII: Gnawa World Blues
Year Of Release: 2025
Label: ACT Music
Genre: Jazz
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
Total Time: 49:39
Total Size: 277 / 562 MB
WebSite: Album Preview
Tracklist:
1. Gorée Blues (8:02)
2. Mrahba (5:05)
3. Boom Boom (7:29)
4. Ascending Dragon (9:07)
5. Purple Haze (6:10)
6. Tair (8:04)
7. Sidi Bouganga (5:45)
Three continents, three musical world citizens. Morocco-born Majid Bekkas, Franco-Vietnamese Nguyên Lê and American Hamid Drake have combined their astonishing musicality, their origins and their global experiences to create a captivating live concert programme encompassing desert blues, Gnawa trance, Middle Eastern jazz, sixties rock and Far Eastern serenity.
Voice, oud and guembri (bass lute)...electric guitar with a wide spectrum of shimmering timbres...a percussion arsenal between subtlety and physicality – these are the tools deployed here by three remarkable, world-class, globe-trotting protagonists... Majid Bekkas's innovations have cast a wholly new light onto the fascinating music and culture of the Gnawa minority in Morocco, and he has also worked with jazz greats such as Joachim Kühn, Archie Shepp and Pharoah Sanders, and, most recently, with the Magic Spirit Quartet, whose recordings for ACT have built a bridge between Nordic and African sound worlds. Among the very great guitarists of our time, Nguyên Lê stands out as one of the most exciting and individual personalities, having developed a unique style in which Southeast Asian melodies, complex jazz harmonies and highly virtuoso excursions into rock naturally co-exist. Chicago-born Hamid Drake, with his intuitive feel for many of the world’s percussion traditions and his background of varied collaborations from Don Cherry over Peter Brötzmann to Melba Moore, provides an improbably wide range of rhythmic impulses.
The repertoire which the three performed so memorably on 10 November 2024 reflects a tremendous wealth of ideas which fuse and coalesce. The opening track ‘Gore Blues has a reflective blues melody played in unison by oud and voice over a strumming guitar... then we hear an animated, five-note ‘trialogue’ between lute, electric guitar and delicate cymbal work. Then, with ‘Mrahba’, the trio enters the realm of traditional Gnawa music: here are Lê and Drake creating a rocky, funky mood, while Bekkas’s powerful incantations over a rearing bass riff create a trance. ‘Boom Boom’ - in tribute to John Lee Hooker - gets going like a heavy, rolling, yet organic blues machine – the way in which Bekkas breaks away from his roots here is utterly astonishing. 'Ascending Dragon' offers a meditative interlude... thumb piano… a melody thoughtfully hummed, Nguyên Lê ornamenting the melodic line brilliantly. Then, as a high-spirited antidote to this, Bekkas, Lê and Drake interpret Jimi Hendrix's ‘Purple Haze’, initially very close to the original, before the new middle section recalls the guitar hero's journey to the Gnawa stronghold of Essaouira in July 1969. ‘Tair’ starts as a free oud improvisation, which then stimulates the interplay of the two string masters. And in the finale “Sidi Bouganga”, the trio ignites the joyful side of the Gnawa language with a hymn-like, exuberant tone.
Three stellar musicians have drawn on their musical heritages – and created a celebration of human kinship which is breathtakingly alive.
Majid Bekkas - guembri, oud & vocals
Nguyên Lê - guitar & backing vocals
Hamid Drake - drums
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