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艺人：罗伯特·格拉斯珀
曲目：《放手》
发行年份：2024年
厂牌：洛马维斯塔唱片公司
风格：爵士乐
音质：（分轨）FLAC格式/（分轨）24比特-96千赫兹FLAC格式
总时长：58分52秒
总大小：286兆字节/801兆字节
网站：专辑预览
曲目列表：
1.《水下呼吸》（与梅谢尔·恩迪戈切洛合作）（2分15秒）
2.《你的眼睛》（4分11秒）
3.《放手》（4分03秒）
4.《内心的声音》（3分30秒）
5.《围绕阳光》（2分21秒）
6.《回家》（4分17秒）
7.《那个早晨》（3分11秒）
8.《黎明觉醒》（3分34秒）
9.《露娜的摇篮曲》（与伯尼斯·特拉维斯合作）（4分02秒）
10.《在深处》（3分08秒）
11.《以诺的冥想》（8分14秒）
12.《我是》（5分46秒）
13.《真理之旅》（10分26秒）
罗伯特·格拉斯珀对苹果音乐说：“在我的整个职业生涯中，大家一直说我的音乐具有冥想性。人们说他们听着我的音乐学习、祈祷、做瑜伽，或者只是放空自己。很久以来，人们一直希望我做这样的音乐。”这位格莱美获奖钢琴家兼作曲家谈到了他最新专辑《放手》的方向，这是他与苹果音乐合作创作的项目，明确旨在帮助听众调整心理状态。格拉斯珀说：“我不会称它为‘冥想项目’或诸如此类的东西，但它是你可以播放的音乐，帮助你找到自己的中心。它只是能让世界安静下来，让你看到内心的东西。”《放手》可能是格拉斯珀第一个具有明显冥想方向的项目，但这绝不是他第一次从利他的角度进行创作。格拉斯珀说，他上一张正式发行的专辑，2022年的《黑色电台III》，是为了让一些他喜欢的音乐人崭露头角而创作的，这次尝试促成了与Q-Tip、梅谢尔·恩迪戈切洛、格雷戈里·波特、杀手麦克和埃斯佩兰萨·斯帕尔丁等艺人的合作，这些艺人活跃在爵士、嘻哈和节奏布鲁斯领域，而他经常在这些领域之间穿梭。“我原本不打算做《黑色电台III》，”格拉斯珀谈到这个深受喜爱的系列时说，之前的几期也像完美的格莱美周即兴演奏会一样。“我觉得没有必要——而且我不想在这件事上变得老生常谈。但当新冠疫情爆发后，我觉得自己像一名音乐急救员。我觉得我可以用那张专辑真正帮助人们——它也可以帮助我。它会给我一些事情做，也会给其他艺术家一些事情做。”在那个项目推出两年后，根据格拉斯珀的说法，现在世界需要的是和平，甜蜜的和平，这一使命需要一种特殊的乐器支持。在这里，这意味着格拉斯珀珍爱的合作者，如鼓手肯德里克·斯科特、贝斯手伯尼斯·特拉维斯和吉他手克里斯·肖勒，格拉斯珀知道这些音乐家会为这张专辑增添非常特殊的能量。“音乐家非常非常重要，因为他们必须有同样的流动感和同样的中心，”他说。“这里的鼓手是水象星座。他演奏的一切都是水。他感觉像水。这就是我想要的。我想要它是流动的。”巧合的是，受人尊敬的歌手兼贝斯手恩迪戈切洛在一首名为《水下呼吸》的歌曲中客串，这是专辑中为数不多的有 vocals 的时刻之一。否则，我们直接听到的是格拉斯珀的声音，进一步阐明了他为什么需要在这个时刻推出《放手》。“每年我制作一张唱片，我都更像我自己，”格拉斯珀说。“我在成长，我经历了更多的生活，我真的在讲述我的故事。找到自己声音的方法是你创作音乐——你创作的任何东西，都将是世界上独一无二的。”
Artist: Robert Glasper
Title: Let Go
Year Of Release: 2024
Label: Loma Vista Recordings
Genre: Jazz
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 58:52
Total Size: 286 / 801 MB
WebSite: Album Preview
Tracklist:
1. Breathing Underwater (feat. Meshell Ndegeocello) (2:15)
2. Your Eyes (4:11)
3. Let Go (4:03)
4. Inner Voice (3:30)
5. Round ‘bout Sunlight (2:21)
6. Going Home (4:17)
7. That One Morning (3:11)
8. Awakening Dawn (3:34)
9. Luna’s Lullaby (feat. Burniss Travis) (4:02)
10. Deep Down (3:08)
11. Enoch’s Meditation (8:14)
12. I Am (5:46)
13. Truth Journey (10:26)
“My whole career, everybody’s been saying my music is meditative,” Robert Glasper tells Apple Music. “People say they study to my music, they pray to my music, they do yoga to my music, they just zone out. People have wanted me to do this for a long time.” The Grammy Award-winning pianist and composer is talking about the direction of his latest album Let Go, a project he created in partnership with Apple Music with the express intention of helping listeners recalibrate mentally. “I wouldn't call it the ‘meditation project’ or nothing like that,” Glasper says. “But it’s something you can put on that helps you find your center. It's just something that quiets the world and allows you to see what’s within.” Let Go may be the first Glasper project with an overtly meditative direction, but it’s hardly the first time the man has approached creating from an altruistic angle. Glasper says that his last proper release, 2022’s Black Radio III, was concocted in an effort to uplift some of his favorite voices, an undertaking that yielded collaborations with names like Q-Tip, Meshell Ndegeocello, Gregory Porter, Killer Mike, and Esperanza Spalding, artists who exist across the jazz, hip-hop, and R&B spaces he so regularly traverses between. “I wasn’t going to do a Black Radio III,” Glasper says of the beloved series in which previous installments have also played out like pitch-perfect Grammy-week jam sessions. “I didn’t feel like it was needed—and then I don’t want to become a broken record with this shit. But then when COVID hit, I felt like a musical first responder. I felt like I could really help people with that record—and it could help me. It’ll give me something to do and it’ll give other artists something to do.” Two years out from that project, what the world needs now—according to Glasper—is peace, sweet peace, a mission that requires a particular kind of instrumental support. Here, that means cherished Glasper collaborators like drummer Kendrick Scott, bassist Burniss Travis, and guitarist Chris Sholar, players Glasper knew would bolster this album’s very particular energy. “The musicians are very, very important because they have to have that same flow and that same center,” he says. “The drummer that’s on here, he’s a water sign. Everything he plays is water. He feels like water. And that’s what I wanted for this. I wanted it to be liquid.” Coincidentally, esteemed singer and bassist Ndegeocello guests on a song called “Breathing Underwater,” one of the album’s few vocal moments. Otherwise, we’re hearing from Glasper directly, serving to further articulate why he needed to deliver Let Go in this moment. “Every year I make a record, I'm more of myself,” Glasper says. “I’m growing up, I’ve lived more life, I’m really telling my story. The way you find your sound is you write music—and anything you write, it’s going to be the only thing like that in the world.”
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发表于 2025-6-17 08:18:12