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Artist: Carlotta Colombo, Anima, Corpo and Gabriele Pro
Title: Arianna in Rome. Arias, Cantatas and Laments for the Seventeenth-Century Virtuose
Year Of Release: 2025
Label: Arcana
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:00:52
Total Size: 305 mb / 1.1 gb
WebSite: Album Preview
Tracklist
01. Sinfonia I
02. Giunsi pur, mai non fu più tardo
03. Lamento d’Armida. Quando Rinaldo invitto
04. Ch’io sciolga il nodo
05. Gerusalemme liberata, Canto XIX: Lamento d’Erminia. In che misero punto or qui mi mena fortuna
06. Canzon Quinta
07. Soccorretemi ch’io moro
08. Toccata
09. Felice chi vi mira
10. Lamento d'Arianna, SV 22
11. Toccata VII
12. Alla guerra d’amor
Alongside the renowned female composers of the 17th century, such as Francesca Caccini and Barbara Strozzi, and the leading singers (the prime donne) that dominated the stages of opera houses, such as Anna Renzi and Giulia Masotti, we should also appreciate the considerable number of excellent – yet largely unknown – “virtuose”. Though customarily concealed amidst the ranks of a court, serving as maids of honour to a queen, princess or noblewoman, these were extremely accomplished musicians who often provided vital inspiration for the celebrated composers of the day. This recording, which stemmed from a research project dedicated to the virtuose working in 17th-century Rome, presents a selection of compositions that may well have formed part of their repertoire. The famous Lamento d’Arianna stands out among these pieces, in a version that was preserved in a contemporary Roman manuscript that Monteverdi very likely brought with him during his visit to the papal city in the autumn of 1610. In this album, which marks her solo debut, Carlotta Colombo, one of the most highly esteemed singers in today's Italian Baroque scene, pays tribute to the creativity of these extraordinary women, thereby reinstating them to the centre of their artistic environment and restoring to them the recognition that was often denied to them during their lifetime.
艺术家：卡洛塔·科伦坡（Carlotta Colombo）、阿尼玛乐团（Anima）、科波乐团（Corpo）以及加布里埃莱·普罗（Gabriele Pro）
专辑名称：《罗马的阿丽亚娜：十七世纪女 virtuose（ virtuoso 的阴性形式，意为技艺精湛的女音乐家）的咏叹调、康塔塔与悲歌》（Arianna in Rome. Arias, Cantatas and Laments for the Seventeenth-Century Virtuose）
发行年份：2025年
厂牌：奥秘唱片公司（Arcana）
音乐类型：古典音乐
音质：FLAC无损（分轨）/ 24比特-96.0千赫兹FLAC格式 + 小册子
总时长：01:00:52
总大小：305兆字节 / 1.1吉字节
网站：专辑预览
曲目列表
01. 第一交响曲
02. 《我终于来了，可从未如此迟到》
03. 《阿尔米达的悲歌》。《当里纳尔多不情愿时》
04. 《让我解开这个结》
05. 《解放了的耶路撒冷》，第十九章：《埃尔米尼亚的悲歌》。《命运如今把我带到了何等悲惨的境地》
06. 第五坎佐纳
07. 《救救我，我快要死了》
08. 托卡塔
09. 《谁凝视着你，谁就幸福》
10. 《阿丽亚娜的悲歌》，SV 22号作品
11. 第七托卡塔
12. 《投身于爱情之战》
除了17世纪著名的女性作曲家，如弗朗切斯卡·卡奇尼（Francesca Caccini）和芭芭拉·斯特罗齐（Barbara Strozzi），以及主宰歌剧院舞台的顶尖女歌唱家（首席女高音），如安娜·伦齐（Anna Renzi）和朱利亚·马索蒂（Giulia Masotti）之外，我们也应该欣赏数量相当可观的优秀却大多不为人知的“技艺精湛的女音乐家”。尽管这些女音乐家通常隐藏在宫廷的行列之中，作为王后、公主或贵族女性的侍女，但她们都是极为有才华的音乐家，常常为当时那些著名的作曲家提供至关重要的灵感。这张唱片源于一个致力于研究17世纪在罗马工作的技艺精湛的女音乐家的研究项目，它呈现了一系列很可能曾是她们演奏曲目的作品。在这些作品中，著名的《阿丽亚娜的悲歌》格外引人注目，其版本保存在一份当时的罗马手稿中，蒙特威尔第在1610年秋天访问这座教皇之城时很可能随身携带了这份手稿。在这张标志着卡洛塔·科伦坡个人首张独奏专辑的唱片中，她作为当今意大利巴洛克音乐领域最受推崇的歌唱家之一，向这些非凡女性的创造力致敬，从而将她们重新置于其艺术环境的中心，并恢复了她们在生前常常被剥夺的认可。
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发表于 2025-3-20 08:06:03