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艺人：德米特里·库佐夫
专辑名称：肖斯塔科维奇：大提琴协奏曲
发行年份：2013年
厂牌：狄洛斯唱片公司（Delos）
音乐类型：古典音乐
音质：MP3 320千比特每秒 / FLAC无损格式 / FLAC 24比特 - 44.1千赫兹 + 小册子
总时长：0小时58分10秒
总大小：252兆字节 / 519兆字节
网站：专辑预览
德米特里·库佐夫 - 肖斯塔科维奇：大提琴协奏曲（2013年）[高解析度]
曲目单
01. 降E大调第一大提琴协奏曲，作品107号：第一乐章 小快板
02. 降E大调第一大提琴协奏曲，作品107号：第二乐章 中板
03. 降E大调第一大提琴协奏曲，作品107号：第三乐章 华彩乐段
04. 降E大调第一大提琴协奏曲，作品107号：第四乐章 稍快的快板
05. G大调第二大提琴协奏曲，作品126号：第一乐章 广板
06. G大调第二大提琴协奏曲，作品126号：第二乐章 小快板
07. G大调第二大提琴协奏曲，作品126号：第三乐章 终曲。小快板
这绝非溢美之词，它出自俄罗斯有史以来最伟大的大提琴家以及全方位的音乐偶像之口，肖斯塔科维奇将这里录制的两首美妙的协奏曲都题献给了这位偶像。此外，库佐夫有幸与罗斯特罗波维奇一同研习第一大提琴协奏曲。
在德米特里·肖斯塔科维奇的六首协奏曲中，这两首大提琴协奏曲尤为突出——这既得益于罗斯特罗波维奇的推崇，也因为它们都是肖斯塔科维奇相当晚期的作品。其中第一首（1959年创作）更为著名，也更加充满活力，并且在本质上更具直接的自传色彩，在作品的大部分篇幅中都运用了一个与他标志性的“DSCH”主题相似的旋律。那首萦绕心头的第二首协奏曲（1966年创作）则是一部更为内省且难以捉摸的作品，在其演奏过程中展现出了更为广泛多样的主题。
德米特里·库佐夫——和肖斯塔科维奇一样，是圣彼得堡本地人——是他那一代杰出的大提琴演奏家之一，作为独奏家与教师，他在国际上一直备受青睐。从他早年起，身边就围绕着与肖斯塔科维奇有直接私人交情的音乐家。对他们来说，这位作曲家的生平与作品近乎神圣，他们那富有感染力的热爱使得这位大师的音乐成为了德米特里音乐生命中不可分割的一部分。他那精湛且富有洞察力的演绎，因与弗拉基米尔·兰德大师的合作而更具权威性，兰德大师巧妙地指挥着圣彼得堡国立交响乐团。
Artist: Dmitry Kouzov
Title: Shostakovich: Cello Concertos
Year Of Release: 2013
Label: Delos
Genre: Classical
Quality: mp3 320 kbps / flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 00:58:10
Total Size: 252 / 519 mb
WebSite: Album Preview
Dmitry Kouzov - Shostakovich: Cello Concertos (2013) [Hi-Res]
Tracklist
01. Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto
02. Cello Concerto No. 1 in E-Flat Major, Op. 107: II. Moderato
03. Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza
04. Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Allegro con moto
05. Cello Concerto No. 2 in G Major, Op. 126: I. Largo
06. Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto
07. Cello Concerto No. 2 in G Major, Op. 126: III. Finale. Allegretto
No faint praise, coming as it does from Russia’s greatest-ever cellist and all-round musical icon, to whom Shostakovich dedicated both of the wonderful concertos recorded here. To boot, Kouzov was privileged to study the first concerto with Rostropovich.
Among Dmitri Shostakovich’s six concertos, the two for cello are especially prominent – thanks both to Rostropovich’s advocacy as well as the fact that they are both fairly late works. The first of them (1959) is the more famous; also the more vibrant and directly autobiographical in nature, employing a theme similar to his hallmark “DSCH” signature tune through much of the work’s course. The haunting second concerto (1966) is a more introspective and elusive work that spreads a broader array of varied themes across its course.
Dmitry Kouzov – like Shostakovich, a native of St. Petersburg – is one of his generation’s leading cello virtuosos, in constant international demand as both a soloist and teacher. From his earliest years, he was surrounded by musicians with direct personal connections to Shostakovich. The composer’s life and work were almost sacred to them, and their contagious love made the master’s music an inseparable part of Dmitry’s musical being. His masterly and insightful interpretations are made all the more authoritative by his collaboration with Maestro Vladimir Lande, who deftly leads the St. Petersburg State Symphony Orchestra.
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发表于 2025-3-21 08:20:16