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艺术家：阿隆·戈尔茨坦（Alon Goldstein）
专辑名称：《多梅尼科·斯卡拉蒂：键盘奏鸣曲全集 第24卷》
发行年份：2020年
厂牌：拿索斯（Naxos）
音乐类型：古典音乐
音质：无损FLAC格式 / 24比特-96.0千赫兹FLAC格式 + 小册子
总时长：1小时16分29秒
总大小：273兆字节 / 1.17吉字节
网站：专辑预览
阿隆·戈尔茨坦 - 《多梅尼科·斯卡拉蒂：键盘奏鸣曲全集 第24卷》（2020年）[高解析度]
曲目列表
01. C大调键盘奏鸣曲，Kk. 159
02. C小调键盘奏鸣曲，Kk. 11
03. G大调键盘奏鸣曲，Kk. 424
04. D大调键盘奏鸣曲，Kk. 299
05. G大调键盘奏鸣曲，Kk. 210
06. D小调键盘奏鸣曲，Kk. 1
07. 降B大调键盘奏鸣曲，Kk. 273
08. G小调键盘奏鸣曲，Kk. 196
09. D小调键盘奏鸣曲，Kk. 120
10. B小调键盘奏鸣曲，Kk. 498
11. E大调键盘奏鸣曲，Kk. 264
12. A小调键盘奏鸣曲，Kk. 383
13. E小调键盘奏鸣曲，Kk.198
14. G大调键盘奏鸣曲，Kk. 324
15. A大调键盘奏鸣曲，Kk. 279
16. C大调键盘奏鸣曲，Kk. 465
17. F小调键盘奏鸣曲，Kk. 187
18. G大调键盘奏鸣曲，Kk. 235
19. 降E大调键盘奏鸣曲，Kk. 508
多梅尼科·斯卡拉蒂最为人铭记的是他为学生玛丽亚·芭芭拉公主（Infanta Maria Bárbara）创作的数百首单乐章键盘奏鸣曲。1728年，玛丽亚·芭芭拉公主嫁给了西班牙王位继承人，她带着自己的音乐老师从里斯本前往马德里。斯卡拉蒂的才华和创造力在这些简洁的奏鸣曲中展露无遗，它们的精致与优雅之下隐藏着对意想不到的调式的惊人探索，以及诸如双手交叉、连续的六度和三度等技巧要求，这些对他显然才华横溢的学生来说，一定构成了一些有趣的挑战。
Artist: Alon Goldstein
Title: Domenico Scarlatti: Complete Keyboard Sonatas Vol. 24
Year Of Release: 2020
Label: Naxos
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:16:29
Total Size: 273 mb / 1.17 gb
WebSite: Album Preview
Alon Goldstein - Domenico Scarlatti: Complete Keyboard Sonatas Vol. 24 (2020) [Hi-Res]
Tracklist
01. Keyboard Sonata in C Major, Kk. 159
02. Keyboard Sonata in C Minor, Kk. 11
03. Keyboard Sonata in G Major, Kk. 424
04. Keyboard Sonata in D Major, Kk. 299
05. Keyboard Sonata in G Major, Kk. 210
06. Keyboard Sonata in D Minor, Kk. 1
07. Keyboard Sonata in B-Flat Major, Kk. 273
08. Keyboard Sonata in G Minor, Kk. 196
09. Keyboard Sonata in D Minor, Kk. 120
10. Keyboard Sonata in B Minor, Kk. 498
11. Keyboard Sonata in E Major, Kk. 264
12. Keyboard Sonata in A Minor, Kk. 383
13. Keyboard Sonata in E Minor, Kk.198
14. Keyboard Sonata in G Major, Kk. 324
15. Keyboard Sonata in A Major, Kk. 279
16. Keyboard Sonata in C Major, Kk. 465
17. Keyboard Sonata in F Minor, Kk. 187
18. Keyboard Sonata in G Major, Kk. 235
19. Keyboard Sonata in E-Flat Major, Kk. 508
Domenico Scarlatti is best remembered for the hundreds of single-movement keyboard sonatas he composed for his pupil the Infanta Maria Bárbara, who married the heir to the Spanish throne in 1728, taking her music master with her from Lisbon to Madrid. Scarlatti’s panache and inventiveness is always on show in these compact sonatas, their delicacy and refinement hiding some surprising explorations of unexpected keys, and technical demands such as hand-crossing and chains of sixths and thirds that would have posed some interesting challenges to his clearly talented pupil.
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