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艺术家：吉顿·克莱默（Gidon Kremer）、尼古拉斯·阿尔施泰特（Nicolas Altstaedt）
作品名称：《索菲亚·古拜杜丽娜：〈太阳颂歌〉》（Sofia Gubaidulina: Canticle Of The Sun）
发行年份：2012年
厂牌：ECM新系列唱片公司（ECM New Series）
音乐类型：古典音乐
音质：FLAC 24比特 - 44.1千赫兹 / FLAC（分轨 +.cue文件、日志文件、扫描文件） / Mp3 320千比特每秒
总时长：69分18秒
总大小：659兆字节 / 331兆字节 / 178兆字节
网站：专辑预览
曲目列表
01. 《俄耳甫斯的七弦琴》
02. 《太阳颂歌》
- 对造物主及其造物——太阳和月亮的赞美
- 对创造了空气、水、火和土四大元素的造物主的赞美
- 对生命的赞美
- 对死亡的赞美
演奏者：
吉顿·克莱默，小提琴
尼古拉斯·阿尔施泰特，大提琴
玛尔塔·苏德拉巴，大提琴
波罗的海克莱默室内乐团（Kremerata Baltica）
安德烈·普什卡列夫，打击乐器
里哈兹·扎卢佩，打击乐器
罗斯季斯拉夫·克里默，钢片琴
里加室内合唱团
马里斯·西尔迈斯，指挥
尽管索菲亚·古拜杜丽娜在这张唱片中的两部作品都有独奏和乐团的参与，但她并未将它们指定为协奏曲，而这种逻辑在音乐本身的音效中也很明显，音乐将独奏者有机地融入到其织体和结构之中。毫无疑问，古拜杜丽娜是一位现代主义者，她运用了广泛的当代音乐技巧，但她也是一位神秘主义者，所以她的音乐往往传达出一种对超越的追求，这种追求以明亮温暖的方式得以体现。她为吉顿·克莱默和波罗的海克莱默室内乐团创作了《俄耳甫斯的七弦琴》，该作品由小提琴、打击乐器和弦乐团演奏，他们呈现了一场光芒四射、熠熠生辉的演出。在关于这部作品的注释中，古拜杜丽娜只谈到了她那有些晦涩难懂的推导音高与和弦的方法，但音乐本身却因巧妙的音色运用和甜美感而闪耀着光芒，几乎不可避免地会让听众联想到俄耳甫斯神话的凄美之处。她在注释中并未提及，但这部作品是她为纪念自己的女儿而创作的，这无疑解释了音乐中强烈而深刻的情感。《太阳颂歌》由大提琴、室内合唱团、打击乐器和钢片琴演奏，是献给姆斯季斯拉夫·罗斯特罗波维奇的作品，罗斯特罗波维奇在1998年首演了这部作品。独特的配器赋予了它一种明亮、空灵且神秘的氛围。她想向这位以性格开朗而闻名的大提琴家致敬，这部作品中有一些部分使其成为她最为欢快的作品之一；大提琴在第一乐章中奏响了震撼人心的大和弦，在第二乐章结尾处更是爆发出一阵狂热而有力的狂喜之声。作品以大调结束，在交织的线条构成的精美细腻的装饰音中收尾。尼古拉斯·阿尔施泰特奉献了一场出色且全身心投入的演奏，里加室内合唱团“Kamer…”的演唱也音色亮丽。ECM唱片公司录制的音效极为纯净、逼真，且平衡感极佳。
Artist: Gidon Kremer, Nicolas Altstaedt
Title: Sofia Gubaidulina: Canticle Of The Sun
Year Of Release: 2012
Label: ECM New Series
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (tracks+.cue,log,scans) / Mp3 320 kbps
Total Time: 69:18
Total Size: 659 Mb / 331 Mb / 178 Mb
WebSite: Album Preview
Tracklist:
01. The Lyre Of Orpheus
02. The Canticle of the Sun
- Glorification of the Creator, and His Creations - the Sun and the Moon
- Glorification of the Creator, the Maker of the four elements: air, water, fire and earth
- Glorification of life
- Glorification of death
Performers:
Gidon Kremer, Violin
Nicolas Altstaedt, Violoncello
Marta Sudraba, Violoncello
Kremerata Baltica
Andrei Pushkarev, Percussion
Rihards Zaļupe, Percussion
Rostislav Krimer, Celesta
Riga Chamber Choir
Māris Sirmais, Conductor
Sofia Gubaidulina doesn't designate either of the pieces on this recording as concertos even though they feature a solo and ensemble, and that logic is evident in the sound of the music itself, which integrates the soloists organically into its texture and structure. Gubaidulina is unquestionably a modernist and employs a wide spectrum of contemporary techniques, but she is also a mystic, so her music tends to convey a striving for transcendence that's expressed in luminous warmth. She wrote The Lyre of Orpheus for violin, percussion, and string orchestra for Gidon Kremer and Kremerata Baltica, who deliver a radiant, shimmering performance. In her notes on the piece, Gubaidulina deals only with her somewhat arcane strategies for deriving pitches and chords, but the music itself glows with timbral ingenuity and sweetness, and almost inevitably invites the listener to call to mind the poignancy of the myth of Orpheus. She does not mention it in the notes, but she wrote the piece as a memorial to her daughter, which certainly accounts for the music's intense depth of feeling. The Canticle of the Sun for cello, chamber choir, percussion, and celesta was dedicated to Mstislav Rostropovich, who gave its premiere in 1998. The unique orchestration gives it an atmosphere of luminous, ethereal mystery. She wanted to pay tribute to the cellist's famously sunny disposition, and it has sections that make one of her most exuberant works; the cello sends major chords rocketing through the first movement and there is a furiously powerful roar of ecstasy at the end of the second movement. The piece ends in the major, in an exquisitely delicate filigree of interwoven lines. Nicolas Altstaedt gives a distinguished, deeply committed performance, and the Riga Chamber Choir "Kamer…" sings with lustrous tone. ECM's sound is perfectly clean, realistic, and beautifully balanced.
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