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艺术家：英格丽·安德斯（Ingrid Andsnes）
作品名称：《朱利安·斯卡尔：〈耗尽/重生〉》（Julian Skar: EXHAUST/RENEW）
发行年份：2018年
厂牌：奥罗拉唱片公司（Aurora）
音乐类型：古典音乐，钢琴音乐
音质：FLAC无损格式 / FLAC 24比特 - 48.0千赫兹
总时长：53分11秒
总大小：162兆字节 / 454兆字节
网站：专辑预览
英格丽·安德斯 - 《朱利安·斯卡尔：〈耗尽/重生〉》（2018年）[高解析度]
曲目列表
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01. A – 《耗尽/重生》第一部分 – 为钢琴独奏而作
02. B – 《耗尽/重生》第一部分 – 为钢琴独奏而作
03. C – 《耗尽/重生》第一部分 – 为钢琴独奏而作
04. 《耗尽/重生》第二部分 – 为钢琴三重奏而作
05. 《耗尽/重生》第三部分 – 为钢琴七重奏而作
06. 《耗尽/重生》第四部分 – 为钢琴独奏与小交响乐团而作
屡获殊荣的朱利安·斯卡尔在流行音乐和当代音乐领域都有着丰富的背景。在他作为作曲家的首张专辑中，他与恩斯特乐团（Ensemble Ernst）以及钢琴家英格丽·安德斯合作。
这张专辑有着渐次展开的戏剧结构，第一首作品是为钢琴独奏而写，第二首是钢琴三重奏，第三首是钢琴七重奏，最后第四首是钢琴与小交响乐团的作品。斯卡尔作曲作品的一个重要特点是他对计算机的运用。算法为作曲家提供了音乐问题的答案。当作曲家在直觉与形式化的冲突中剖析自己的音乐性时，音乐元素便得以产生。人与机器之间的互动——即兴演奏与乐谱——强化了混乱与秩序之间的对抗这一概念。专辑的标题也与此相关；即在毁灭或耗尽之后的重生。
斯卡尔的音乐复杂而强烈。他运用的技巧和节奏处理方式真正考验着音乐家们的能力，而且由于潜在的要求是节奏和动感，这种考验更为突出。在托马斯·里穆尔（Thomas Rimul）的带领下，恩斯特乐团在这样的条件下发挥出了最佳水平。在三重奏和七重奏的演奏中，整个乐团共同参与了长达16分钟的收尾曲目。第一首作品的主题再次出现，并在接下来的三首作品中以不同的形式呈现，伴随着变奏和偏离，始终让听众保持警觉和紧张。
朱利安·斯卡尔曾在挪威音乐学院和柏林艺术大学学习。他的艺术创作包括歌剧、音乐剧，以及与尼尔·贝赫（Nils Bech）和苏珊娜·瓦卢姆罗德（Susanna Wallumrød）等艺术家的跨界合作。作为neoN乐团的成员，他曾两次获得斯佩尔曼奖（挪威格莱美奖）。屡获殊荣的英格丽·安德斯是挪威最受欢迎的钢琴家之一。她凭借专辑《33 + 1》中录制的贝多芬《迪亚贝利变奏曲》取得了重大突破，她还在卡内基音乐厅演奏过这部作品。恩斯特乐团是北欧国家中领先的新音乐演奏团体之一。
Artist: Ingrid Andsnes
Title: Julian Skar: EXHAUST/RENEW
Year Of Release: 2018
Label: Aurora
Genre: Classical, Piano
Quality: flac lossless / flac 24bits - 48.0kHz
Total Time: 00:53:11
Total Size: 162 / 454 mb
WebSite: Album Preview
Ingrid Andsnes - Julian Skar: EXHAUST/RENEW (2018) [Hi-Res]
Tracklist
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01. A – EXHAUST/RENEW I – for piano solo
02. B – EXHAUST/RENEW I – for piano solo
03. C – EXHAUST/RENEW I – for piano solo
04. EXHAUST/RENEW II – for piano trio
05. EXHAUST/RENEW III – for piano septet
06. EXHAUST/RENEW IV – for piano solo and sinfonietta
Award-winning Julian Skar has a broad background within both pop music and in the contemporary field. For his debut album as a composer he teams up with Ensemble Ernst and pianist Ingrid Andsnes.
This album has an expanding dramaturgy, with the first composition being written for solo piano, moving to piano trio in the second, then piano septet in the third and ending with piano and sinfonietta in the fourth. An important feature in Skar's compositional work is his use of the computer. Algorithms provide the composer with answers to musical questions or problems. The musical elements are created when the composer dissects his own musicality in a conflict between intuition and formalization. The interplay between man and machine - improvisation and sheet music - amplifies the notion of a battle between chaos and order. The album title also relates to this; rebirth after destruction or exhaustion.
Skar's music is complex and intense. He utilizes techniques and rhythmic manoeuvres that really put the musicians to the test ? even more so because the underlying demand is pulse and movement. Ensemble Ernst, under the leadership of Thomas Rimul, are at their best under these conditions. Contributing to the trio and septet, the entire group joins in for the 16 minutes long closing track. Themes from the first piece return, taking on different forms throughout the next three pieces, with variations and deviations which constantly keeps the listener alert and on edge.
Julian Skar studied at The Norwegian Academy of Music and Universität der Künste in Berlin. His artistic production includes operas, musicals, and crossover collaborations with artists such as Nils Bech and Susanna Wallumrød. He has won two Spellemann awards (Norwegian Grammy) as member of Ensemble neoN. The award-winning Ingrid Ansdnes is one of Norway's most sought-after pianists. She made her definite breakthrough with her recording of Beethoven's Diabelli Variations on the album 33+1, which she also performed in Carnegie Hall. Ensemble Ernst is among the leading performers of new music in the Nordic countries.
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