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艺术家：凯伊·舒马赫
作品名称：《失眠》
发行年份：2015年
厂牌：西南广播公司古典音乐（SWR Classic）
音乐类型：古典钢琴音乐
音质：无损FLAC格式 / 24比特 - 48.0千赫兹FLAC格式 + 小册子
总时长：0小时52分11秒
总大小：201兆字节 / 487兆字节
网站：专辑预览
凯伊·舒马赫 - 《失眠》（2015年）[高解析度]
曲目列表
01. 《无眠之夜》（K. 斯威夫特改编为钢琴曲）
02. 《梦》
03. 《一点午夜音乐》：第一首，夜之主题
04. 《一点午夜音乐》：第二首，字谜游戏
05. 《一点午夜音乐》：第三首，预感
06. 《一点午夜音乐》：第四首，蛛网与豌豆花
07. 《一点午夜音乐》：第五首，咒语
08. 《一点午夜音乐》：第六首，重访玩偶黑人
09. 《一点午夜音乐》：第七首，夜之蓝调
10. 《一点午夜音乐》：第八首，带有钟声的华彩乐段
11. 《一点午夜音乐》：第九首，午夜的转变
12. 《夏日幻影》：夜曲
13. 《城市夜曲》
《失眠》讲述的是一段夜间旅程的故事，这段旅程既让人感到安心又令人不安，既充满神秘感又难以预测。它是一种从自我中逃离，遁入夜晚柔和氛围的过程，但最终又会将我们带回，甚至引领我们更深入地探寻自我内心。《失眠》是“无眠之人”漫无目的的徘徊，穿梭于在白昼刺眼光芒下隐藏着的内心世界与外部世界。《失眠》是五首献给夜晚的赞美诗，由五位美国作曲家在近100年的时间里创作而成。乍一看，它们在风格上可能差异很大，但当把它们放在一起时，这五部作品就成了日落后漫漫长夜之旅的完美配乐。
在这段旅程的核心是《一点午夜音乐》，这是乔治·克拉姆对塞隆尼斯·蒙克的爵士经典曲目《午夜时分》的改编版本。他带领着听众和演奏者，从20世纪40年代纽约爵士俱乐部的霓虹灯招牌旁走过，走进先锋派钢琴家那压抑的黑暗世界。布鲁斯·斯塔克的《无眠之夜》和《城市夜曲》不仅借鉴了爵士乐，而且是这位作曲家长期以来对即兴创作感兴趣的成果。在乔治·格什温的简短前奏曲中，我们几乎可以想象到酒吧打烊前最后时刻酒杯碰撞的声音。约翰·凯奇的《梦》和布莱恩·贝莱的《夏日幻影 - 夜曲》是这张专辑的核心之作，为夜晚时内心的逃避主义提供了两种截然不同的配乐。
把凯伊·舒马赫形容为“朋克钢琴家”或许有些夸张。
他那极具深度与思考的演奏风格模糊了古典先锋派与流行文化之间的界限，却又没有陷入那些过于常见的跨界路径。凯伊·舒马赫的独奏曲目重点之一是20世纪末至21世纪的美国钢琴音乐。他的首张专辑是对弗雷德里克·热夫斯基的宏伟变奏曲组曲《人民团结起来将永远不可战胜！》的演绎（2010年），被《唱片论坛》杂志赞誉为“一场钢琴界的轰动之作”。在他的第二张专辑《改编曲》（2013年）中，他大胆涉足自己年轻时喜爱的音乐英雄们的作品领域——比如暴力反抗机器乐队、涅槃乐队、杀手乐队等等，在他的钢琴混音作品中，将音乐会三角钢琴变成了一个具有强大力量的音色发生器、音效板或是一组调好音的打击乐器。
Artist: Kai Schumacher
Title: Insomnia
Year Of Release: 2015
Label: SWR Classic
Genre: Classical Piano
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 00:52:11
Total Size: 201 / 487 mb
WebSite: Album Preview
Kai Schumacher - Insomnia (2015) [Hi-Res]
Tracklist
01. Sleepless Night (Arr. K. Swift for Piano)
02. Dream
03. A Little Midnight Music: I. Nocturnal Theme
04. A Little Midnight Music: II. Charade
05. A Little Midnight Music: III. Premonition
06. A Little Midnight Music: IV. Cobweb and Peaseblossom
07. A Little Midnight Music: V. Incantation
08. A Little Midnight Music: VI. Golliwog Revisted
09. A Little Midnight Music: VII. Blues in the Night
10. A Little Midnight Music: VIII. Cadenza with Tolling Bells
11. A Little Midnight Music: IX. Midnight Transformation
12. Summer Phantoms: Nocturne
13. Urban Nocturnes
Insomnia is the story of a nocturnal journey, reassuring and disturbing at the same time, both mystical and unpredictable. An escape from ourselves into the soft focus the night, but then leading us back again at the end, taking us even deeper inside ourselves. Insomnia is the aimless wanderings of the Sleepless One, through inner and outer worlds which remains hidden during the harsh light of day. Insomnia is five Hymns to the Night, composed by five American composers over a period of nearly 100 years. While at first glance, they may seem stylistically very different, when taken together; these five works are the perfect soundtrack for a journey through the long hours after the sun has set.
At the center of this journey stands A Little Midnight Music, George Crumb's adaptation of the Thelonious Monk Jazz Standard 'Round Midnight. He leads his listeners and performers past the neon signs of the New York jazz clubs of the 1940s into the oppressive darkness of the avant-garde pianist. Sleepless Night and Urban Nocturnes by Bruce Stark not only reference jazz, and are the outgrowth of the composer’s long-standing interest in improvisation. In George Gershwin short Prelude we can almost imagine the clinking of glasses at last call. John Cage's Dream and Brian Belet‘s Summer Phantoms - Nocturne function as the album’s centerpieces and provide a pair of contrasting soundtracks for nightly inner escapism.
To describe Kai Schumacher as a “punk pianist” would be excessive.
His deeply thoughtful style of playing blurs the boundaries of the classical avant-garde and pop culture without getting stuck in all-toofamiliar crossover paths. One focus of Kai Schumacher's solo repertoire has been on American piano music of the late 20th and the 21st centuries. His debut album of Frederic Rzewski’s monumental variation cycle The people united will never be defeated! (2010) was celebrated by FonoForum magazine as "a pianistic sensation". With his second album Transcriptions (2013), he ventured into the musical heroes of his youth - Rage against the machine, Nirvana, Slayer, etc., transforming the concert grand in his piano remixes into a tone generator of monstrous proportions, sound effects board or a set of tuned percussion instruments.
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