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艺术家：本尼迪克特·克洛赫纳（Benedict Klockner）
作品名称：《大提琴协奏曲（改编曲）》
发行年份：2012年
厂牌：真音（Genuin）
音乐类型：古典音乐
音质：FLAC（分轨） / FLAC（分轨） 24比特/44.1千赫兹
总时长：0小时45分35秒
总大小：210.8兆字节 / 440.60兆字节
网站：专辑预览
曲目列表
[11分13秒] 01. 《A小调大提琴协奏曲》，作品129号：第一乐章，不要太快
[3分59秒] 02. 《A小调大提琴协奏曲》，作品129号：第二乐章，慢板
[7分39秒] 03. 《A小调大提琴协奏曲》，作品129号：第三乐章，非常活泼
[11分00秒] 04. 《A小调大提琴协奏曲》，作品129号：第一乐章，不要太快
[4分09秒] 05. 《A小调大提琴协奏曲》，作品129号：第二乐章，慢板
[7分34秒] 06. 《A小调大提琴协奏曲》，作品129号：第三乐章，非常活泼
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关于这张专辑
1张碟 - 6首曲目
总时长：0小时45分32秒
主要艺术家：本尼迪克特·克洛赫纳
作曲家：理查德·克莱姆（Richard Klemm）
厂牌：真音（Genuin）
音乐类型：古典音乐、音乐会音乐、大提琴协奏曲
高解析度 24比特 44.1千赫兹 - 立体声
2012年 真音厂牌
想要寻找罗伯特·舒曼《A小调大提琴协奏曲》（作品129号）录音的买家请注意：舒曼所创作的原版作品并未收录在这张专辑中。相反，这张专辑收录的是该作品的两个改编版本，都是当代的改编，而且很可能都不是舒曼本人会认可的改编。有人可能会问，鉴于《大提琴协奏曲》并非舒曼经常被编排演出的作品之一（甚至在他有生之年都未被演奏过），这样的改编是否真的有必要，实际上，将原版协奏曲与这里听到的两个改编版本中的第二个版本搭配在一起可能更有意义。第一个改编版本是为大提琴和弦乐团而作，而第二个在封面标注为“为弦乐四重奏而作”的版本，实际上是为四把大提琴而作。这无疑有些奇特，但它的可取之处在于，为人们理解这部相当有难度的作品提供了一种途径。改编者理查德·克莱姆是一位音乐学院教授，他还参与了柏林爱乐十二把大提琴乐团的创建。他改编这部作品的初衷是让学大提琴的学生们了解到大提琴独奏部分与管弦乐队之间复杂的关系（这正是克拉拉·舒曼在为这部协奏曲辩护，反驳早期批评者时所指出的特点）；可以说，每位大提琴演奏者都能对整部作品了如指掌。这个改编版本从根本上改变了听众的关注点，从关注独奏与合奏的对比，转变为关注将独奏与合奏联系在一起的复杂动机交互，因此，它为理解这部作品提供了一个有趣的视角。至于由弗洛里安·维根（Florian Vygen）和亚历山大·卡尔（Alexander Kahl）为大提琴和弦乐团所作的改编版本，CD的小册子中没有对其进行任何说明，这可能是因为很难找到进行这种改编的理由。尽管如此，大提琴演奏者本尼迪克特·克洛赫纳的演奏风格地道，这张专辑可能会吸引舒曼的忠实乐迷。
© TiVo
Artist: Benedict Klockner
Title: Cello Concerto (arrangements)
Year Of Release: 2012
Label: Genuin
Genre: Classical
Quality: FLAC (tracks) / FLAC (tracks) 24bit/44.1kHz
Total Time: 00:45:35
Total Size: 210.8 MB / 440,60 MB
WebSite: Album Preview
Tracklist:
[11:13] 01. Cello Concerto In A Minor, Op. 129: I. Nicht Zu Schnell
[3:59] 02. Cello Concerto In A Minor, Op. 129: Ii. Langsam
[7:39] 03. Cello Concerto In A Minor, Op. 129: Iii. Sehr Lebhaft
[11:00] 04. Cello Concerto In A Minor, Op. 129: I. Nicht Zu Schnell
[4:09] 05. Cello Concerto In A Minor, Op. 129: Ii. Langsam
[7:34] 06. Cello Concerto In A Minor, Op. 129: Iii. Sehr Lebhaft
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ABOUT THE ALBUM
1 disc(s) - 6 track(s)
Total length: 00:45:32
Main artist: Benedict Klockner
Composer: Richard Klemm
Label: Genuin
Genre: Klassiek Concertmuziek Concerten voor cello
Hi-Res 24-Bit 44.1 kHz - Stereo
2012 Genuin
Buyers in search of a recording of Schumann's Cello Concerto in A minor, Op. 129, should take note: the work as composed by Schumann does not appear on this album. Instead it features two arrangements of the work, both of them contemporary and neither one that Schumann would have been likely to recognize. One might ask why, given that the Cello Concerto is not one of Schumann's more frequently programmed works (it was not even performed during his lifetime), this was really necessary, and indeed a pairing of the original concerto with the second of the two arrangements heard here might have made more sense. The first arrangement is for cello and string orchestra, and the second, designated as "for string quartet" in the graphics, is actually for four cellos. This is undeniably odd, but its saving grace is that it provides a way into this rather difficult work. Arranger Richard Klemm was a conservatory professor who was also involved with the founding of the 12 Cellists of the Berlin Philharmonic. His arrangement was written with the intention of making student cellists aware of the intricate relationship between the solo cello part and the orchestra (the very quality to which Clara Schumann pointed in defending the concerto against its early detractors); each cellist would come to know the entire work inside out, so to speak. The arrangement radically reorients the listener's attention from the solo-ensemble contrast to the intricate motivic interplay that links solo and ensemble together, and as such it's an intriguing window on the work. As for the arrangement for cello and string orchestra by Florian Vygen and Alexander Kahl, the CD booklet has nothing to say about it, which may be because it's very hard to come up with any reason the effort should have been made. Nevertheless, the playing by cellist Benedict Klöckner is idiomatic, and this album may be of interest to hardcore Schumann buffs.
© TiVo
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