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艺术家：朱迪思·英戈尔夫松
专辑名称：《伊萨伊：六首小提琴独奏奏鸣曲，作品27号》
发行年份：2011年
厂牌：真音唱片（Genuin）
音乐类型：古典音乐
音质：FLAC（分轨）/ FLAC（分轨）24比特/44.1千赫兹 / 数字小册子
总时长：1小时14分52秒
总大小：377.6兆字节 / 755.2兆字节
网站：专辑预览
曲目列表：
[4分49秒] 01. 第一乐章，庄板
[5分07秒] 02. 第二乐章，赋格曲
[4分47秒] 03. 第三乐章，稍带诙谐的小快板
[3分08秒] 04. 第四乐章，有活力的终曲
[2分49秒] 05. 第一乐章，前奏曲，“执念”
[3分08秒] 06. 第二乐章，忧郁
[4分57秒] 07. 第三乐章，萨拉班德舞曲，“影子之舞”
[3分39秒] 08. 第四乐章，狂怒
[8分19秒] 09. D小调第三小提琴奏鸣曲，作品27号，第3首，“叙事曲”
[6分39秒] 10. 第一乐章，阿勒曼德舞曲
[3分42秒] 11. 第二乐章，萨拉班德舞曲，“影子之舞”
[4分02秒] 12. 第三乐章，终曲
[5分31秒] 13. 曙光
[6分05秒] 14. 乡村舞曲
[8分09秒] 15. E大调第六小提琴奏鸣曲，作品27号，第6首
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关于这张专辑
1张碟 - 15首曲目
总时长：1小时14分46秒
主要艺术家：朱迪思·英戈尔夫松
作曲家：欧仁·伊萨伊
厂牌：真音唱片（Genuin）
音乐类型：古典音乐
高解析度 24比特 44.1千赫兹 - 立体声
数字小册子
欧仁·伊萨伊的六首小提琴独奏奏鸣曲，作品27号，创作于1923年。在被冷落了几年之后，它们又重新受到了人们的喜爱。这些奏鸣曲在小提琴演奏家的作品文献中独树一帜。它们似乎受到了巴赫小提琴独奏作品的启发（其中第二奏鸣曲甚至引用了巴赫的一段音乐），在演奏技巧方面进行了大胆的实验，引入了诸如泛音、超过四个声部的和弦以及拨弦弹奏等创新元素。除此之外，这些奏鸣曲还向这位伟大的比利时小提琴家兼作曲家的朋友或对手的风格致敬（或者说是对其进行评价）；六首奏鸣曲中的每一首都献给了一位不同的小提琴家，并且风格各异，旨在唤起人们对受献者演奏风格的联想。整个创作理念极为独特，以至于许多小提琴家在演奏这些奏鸣曲时都全力以赴，力求达到最大的震撼效果。考虑到伊萨伊所处的晚期浪漫主义演奏家的时代背景，这种做法也并非不可取，但也存在更细腻的演绎方式，在不放弃任何高难度技巧的同时，适当降低戏剧性的表现。冰岛出生的小提琴家朱迪思·英戈尔夫松能够出色地演绎这些作品并不令人意外：她曾在费城柯蒂斯音乐学院跟随雅沙·布罗德斯基学习，而布罗德斯基的老师正是伊萨伊本人。伊萨伊的另一位弟子是希拉里·哈恩，英戈尔夫松的演奏风格在一定程度上与她相似；她的演奏并非格外激情四溢，而是在音色上无比精准，在高难度技巧的处理上坚如磐石，且非常优雅。这里的录音效果相当不错，能让听众强烈感受到演奏者的存在，且毫无刺耳之感。详细的曲目说明有英文和德文版本。
© 电视节目指南（TiVo）
Artist: Judith Ingolfsson
Title: Ysaye: 6 Sonatas for Violin Solo, Op. 27
Year Of Release: 2011
Label: Genuin
Genre: Classical
Quality: FLAC (tracks) / FLAC (tracks) 24bit/44.1kHz / Digital Booklet
Total Time: 01:14:52
Total Size: 377.6 MB / 755.2 MB
WebSite: Album Preview
Tracklist:
[4:49] 01. I. Grave
[5:07] 02. Ii. Fugato
[4:47] 03. Iii. Allegretto Poco Scherzoso
[3:08] 04. Iv. Finale Con Brio
[2:49] 05. I. Prelude, "Obsession"
[3:08] 06. Ii. Malinconia
[4:57] 07. Iii. Sarabande, "Danse Des Ombres"
[3:39] 08. Iv. Les Furies
[8:19] 09. Violin Sonata No. 3 In D Minor, Op. 27, No. 3, "Ballade"
[6:39] 10. I. Allemanda
[3:42] 11. Ii. Sarabande, "Danse Des Ombres"
[4:02] 12. Iii. Finale
[5:31] 13. L'aurore
[6:05] 14. Danse Rustique
[8:09] 15. Violin Sonata No. 6 In E Major, Op. 27, No. 6
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ABOUT THE ALBUM
1 disc(s) - 15 track(s)
Total length: 01:14:46
Main artist: Judith Ingolfsson
Composer: Eugène Ysaÿe
Label: Genuin
Genre: Klassiek
Hi-Res 24-Bit 44.1 kHz - Stereo
Digital booklet
The Six Sonatas for violin solo, Op. 27, of Eugène Ysaÿe were composed in 1923. After some years of neglect they have been enjoying a revival. They're unlike anything else in the virtuoso literature. Seemingly inspired by Bach's solo violin music (and the Sonata No. 2 is even built on a Bach quotation), they are wildly experimental in terms of technique, throwing in such novelties as overtones, chords with more than four parts, and pizzicato strums. On top of all this, they pay homage to (or comment on) the styles of the friends or rivals of this great Belgian violinist/composer; each of the six sonatas is dedicated to a different violinist, and all are different in style, designed to evoke the playing of the dedicatee. The whole concept is so far over the top that many violinists pull out all the stops in playing the sonatas, going for maximum shock value. Given the world of the late Romantic virtuoso in which Ysaÿe operated this isn't necessarily a bad idea, but there's room for subtler approaches that tamp down the drama a bit without losing any of the technical hoop-jumping. It's not surprising that Icelandic-born violinist Judith Ingolfsson plays this music well: she studied at the Curtis Institute in Philadelphia with Jascha Brodsky, whose teacher was Ysaÿe himself. Another violinist in the Ysaÿe line is Hilary Hahn, and Ingolfsson's playing somewhat resembles hers; it is not exceptionally fiery but is marvelously precise tonally, rock-solid in technical extremities, and just very elegant. The sound here is quite nice; it gives you a strong sense of the performer's presence without being in any way harsh. Detailed notes are in English and German.
© TiVo
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