01-慕尼黑爱乐乐团《贝多芬D大调小提琴协奏曲，作品61》（2020年）Hi-Res

史前青蛙

演奏者：丹尼尔·洛扎科维奇、慕尼黑爱乐乐团、瓦列里·捷杰耶夫
作品名称：《贝多芬：D大调小提琴协奏曲，作品61》
发行年份：2020年
厂牌：德意志留声机公司（DG）
音乐类型：古典音乐
音质：FLAC（分轨）/ 24比特-96千赫兹 FLAC（分轨+小册子）
总时长：48分08秒
总大小：223 / 929兆字节
网站：专辑预览

曲目列表：
1. 《D大调小提琴协奏曲，作品61》：第一乐章 不过分的快板（克莱斯勒华彩乐段）（24分35秒）
2. 《D大调小提琴协奏曲，作品61》：第二乐章 小广板（9分06秒）
3. 《D大调小提琴协奏曲，作品61》：第三乐章 回旋曲，快板（克莱斯勒华彩乐段）（10分00秒）
4. 《G小调第一小提琴独奏奏鸣曲，BWV 1001》：第一乐章 柔板（4分28秒）

2020年，全世界共同庆祝有史以来最伟大的作曲家之一路德维希·凡·贝多芬诞辰250周年！

丹尼尔·洛扎科维奇从八岁起就梦想着录制贝多芬的小提琴协奏曲。他在十三岁时首次在舞台上演奏这部作品，十五岁时受瓦列里·捷杰耶夫邀请，在莫斯科与他一起演奏这首协奏曲。短短几年后，他与导师捷杰耶夫再度合作，与慕尼黑爱乐乐团一起为德意志留声机公司录制贝多芬的这部作品。这张新的录音捕捉到了洛扎科维奇与俄罗斯指挥家瓦列里·捷杰耶夫之间紧密的艺术合作。洛扎科维奇从一开始就明确表示，这应该是一次现场录音：“现场音乐会有一种独特的魔力，” 他解释道，“观众营造出一种独特的氛围，在我看来，如果没有这种氛围，几乎不可能呈现出经得起时间考验的演出。”

贝多芬的作品61无疑是独一无二的。洛扎科维奇甚至称其为有史以来最伟大的协奏曲，这位19岁的青年很快澄清说，他指的不仅仅是最伟大的小提琴协奏曲：“不，它真的是有史以来最伟大的协奏曲。” 他指出这部作品有着令人难以置信的纯净度，强调其清晰性以及创作上并不复杂。然而，他补充道，这部作品也有着深厚的内涵：“它的主题之美几乎难以用言语形容。”


Artist: Daniel Lozakovich, Münchner Philharmoniker & Valery Gergiev
Title: Beethoven: Violin Concerto in D Major, Op. 61
Year Of Release: 2020
Label: Deutsche Grammophon (DG)
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 48:08
Total Size: 223 / 929 MB
WebSite: Album Preview

Tracklist:

1. Violin Concerto in D Major, Op. 61 : I. Allegro ma non troppo (Cadenza Kreisler) (24:35)
2. Violin Concerto in D Major, Op. 61 : II. Larghetto (9:06)
3. Violin Concerto in D Major, Op. 61 : III. Rondo. Allegro (Cadenza Kreisler) (10:00)
4. Sonata for Violin Solo No. 1 in G Minor, BWV 1001 : I. Adagio (4:28)

In 2020, the world celebrates the 250th anniversary of one of the greatest composers of all time: Ludwig van Beethoven!

Daniel Lozakovich has been dreaming about recording the Beethoven Violin Concerto since he was eight. He first performed it on stage when he was thirteen, and at fifteen was invited by Valery Gergiev to perform the concerto with him in Moscow. A few short years later, he has reunited with his mentor Gergiev to record the Beethoven with the Münchner Philharmoniker for Deutsche Grammophon The new recording captures Lozakovich’s close artistic partnership with Russian conductor Valery Gergiev Lozakovich was clear from the start that this should be a live recording: “There’s a particular magic about a live concert,” he explains. “The audience creates a unique atmosphere, without which, in my opinion, it’s almost impossible to produce a performance that will stand the test of time.”

Beethoven’s Opus 61 undeniably stands in a category by itself. Lozakovich goes as far as to call it the greatest concerto of all time and the nineteen year old is quick to clarify that he doesn’t just mean the greatest violin concerto: “No, it really is the greatest concerto ever written.” He points to the work’s incredible purity, underlining the clarity and lack of complexity with which it is written. And yet, as he adds, it has enormous depth as well: “ The beauty of its themes is almost impossible to put into words.”

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