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艺人：让-弗朗索瓦·帕亚尔
专辑名称：《奥涅格：第二弦乐交响曲 - 鲁塞尔：小交响曲 - 施密特：《雅妮安娜》（重新混音版）》
发行年份：2020年
厂牌：华纳古典
音乐类型：古典音乐
音质：FLAC（分轨）/ 24比特-192千赫兹 FLAC（分轨）
总时长：50分03秒
总大小：251兆字节 / 1.80吉字节
网站：专辑预览
曲目列表
01. D大调第二交响曲：第一乐章 非常中板（10分31秒）
02. D大调第二交响曲：第二乐章 哀伤的柔板（8分05秒）
03. D大调第二交响曲：第三乐章 活泼的，不过分（5分22秒）
04. 小交响曲，作品52：第一乐章 很快的快板（3分31秒）
05. 小交响曲，作品52：第二乐章 行板（2分47秒）
06. 小交响曲，作品52：第三乐章 快板（3分17秒）
07. 《雅妮安娜》，作品101：第一乐章 相当活跃（3分57秒）
08. 《雅妮安娜》，作品101：第二乐章 欢快的风笛曲（2分43秒）
09. 《雅妮安娜》，作品101：第三乐章 众赞歌。庄板（5分57秒）
10. 《雅妮安娜》，作品101：第四乐章 充满活力，不急促（3分56秒）
奥涅格：阿瑟·奥涅格的第二弦乐与小号交响曲是保罗·萨赫尔在1937年委托创作的，以纪念巴塞尔室内乐团成立十周年。然而，创作进程缓慢，部分原因是第二次世界大战的干扰。这部作品主要是为弦乐而作，充满动荡和不安，直到接近尾声时小号独奏加入，为这部主要是悲剧性的作品赋予了充满希望的结局。
鲁塞尔：1929年，在鲁塞尔六十岁生日之际，巴黎举办了三场专门演奏他音乐的音乐会。其中一场音乐会包含了一些受委托创作的钢琴作品《向阿尔贝·鲁塞尔致敬》，由雅克·伊贝尔、弗朗西斯·普朗克和阿瑟·奥涅格等几位著名作曲家创作。鲁塞尔认为这是一项非凡的荣誉，并将其列为他职业生涯的一个高光时刻。鲁塞尔从未获得与他同时代一些作曲家同等的赞誉和持久的人气，但他是一位重要的作曲家，在国际上享有声誉。他的许多作品至今仍在被演奏和欣赏，从未离开过保留曲目单。
施密特：《雅妮安娜》交响曲于1941年在施密特位于比利牛斯山脉高处阿蒂盖米的避暑别墅中创作。正如其标题所暗示的，这部交响曲是献给简·埃夫拉德的，她是法国第一位女性职业管弦乐团指挥，以及她的巴黎女子管弦乐团。这是由埃夫拉德女士于1930年创立的一个由25位女性音乐家组成的乐团，阿尔贝·鲁塞尔、让·里维耶、让-伊夫·丹尼尔-勒叙尔等其他法国作曲家也为该乐团创作过乐谱。
指挥家兼音乐学家让-弗朗索瓦·帕亚尔从20世纪60年代起就是巴洛克音乐在法国最具代表性的倡导者之一。帕亚尔在索邦大学获得了数学学位，但不久后他转向了音乐领域。他在巴黎音乐学院学习音乐学，并在音乐史方面获得一等奖；后来他在萨尔茨堡莫扎特音乐学院跟随伊戈尔·马尔凯维奇学习指挥。1952年，他组建了让-玛丽·勒克莱尔乐团，次年更名为让-弗朗索瓦·帕亚尔室内乐团。该乐团由十二位弦乐演奏者和一位羽管键琴演奏者组成，与博伊德·尼尔管弦乐团等小型英国乐团类似，演奏巴洛克时期的作品——尤其是法国的巴洛克作品——以及为弦乐团创作的当代作品。随着公众对巴洛克音乐兴趣的上升，该乐团的人气也在增长，并通过一系列覆盖数十个国家的国际巡演得到了进一步提升。该乐团在埃拉托唱片公司录制的唱片——其中包括巴赫的《勃兰登堡协奏曲》和《管弦乐组曲》等巴洛克标准曲目，以及库普兰和拉莫的作品——最初在欧洲更容易找到。但在20世纪70年代，当美国无线电公司（RCA Victor）接手埃拉托唱片公司的目录在美国发行时，帕亚尔的唱片被美国听众抢购一空。在那个十年后期，帕亚尔录制的约翰·帕赫贝尔的《D大调卡农》取得了巨大成功。帕亚尔的版本时长几乎是大多数其他版本的两倍，凭借其独特的缓慢节奏以及弦乐部分精心雕琢的拨弦和拉弦乐段而备受瞩目。当维克托唱片公司以全价发行这张唱片，并将其与法施的《小号协奏曲》配对，收录在一张名为《追求巴洛克》的平价合辑中时，帕亚尔进一步受益。《追求巴洛克》的销量比披头士乐队的专辑还要快。帕亚尔的演奏和录音还包括鲁塞尔和德彪西的作品。他曾与莫里斯·安德烈和让-皮埃尔·朗帕尔等著名独奏家合作。帕亚尔在法国赢得了众多唱片大奖，在荷兰获得过爱迪生奖，他录制的拉莫的《风流的印度》仍然是一张备受赞誉的唱片。在其职业生涯后期，帕亚尔更多地担任世界各地管弦乐团的客座指挥，并且他对科学也有着浓厚的兴趣。
让-弗朗索瓦·帕亚尔室内乐团
指挥：让-弗朗索瓦·帕亚尔
数字重新混音版
Artist: Jean-François Paillard
Title: Honegger: Symphonie No. 2 pour cordes - Roussel: Sinfonietta - Schmitt: Janiana (Remastered)
Year Of Release: 2020
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks)
Total Time: 50:03
Total Size: 251 MB / 1.80 GB
WebSite: Album Preview
Tracklist:
01. Symphony No. 2 in D Major: I. Molto moderato (10:31)
02. Symphony No. 2 in D Major: II. Adagio mesto (8:05)
03. Symphony No. 2 in D Major: III. Vivace, non troppo (5:22)
04. Sinfonietta, Op. 52: I. Allegro molto (3:31)
05. Sinfonietta, Op. 52: II. Andante (2:47)
06. Sinfonietta, Op. 52: III. Allegro (3:17)
07. Janiana, Op. 101: I. Assez animé (3:57)
08. Janiana, Op. 101: II. Musette d'allure joyeuse (2:43)
09. Janiana, Op. 101: III. Chorale. Grave (5:57)
10. Janiana, Op. 101: IV. Avec entrain, sans précipitation (3:56)
Honegger: The Symphony No. 2 for strings and trumpet by Arthur Honegger was commissioned in 1937 by Paul Sacher to mark the tenth anniversary of the chamber orchestra Basler Kammerorchester. Progress was slow, however, in part due to the interruption of the Second World War. The music is primarily for strings alone and is very turbulent and troubled until the trumpet soloist enters near the end of the music, giving this mostly tragic work a hopeful ending.
Roussel: For his sixtieth birthday in 1929, there was a festival in Paris of three concerts devoted to his music. One of the concerts included of a collection of commissioned piano pieces, Homage à Albert Roussel, written by several prominent composers, including Jacques Ibert, Francis Poulenc and Arthur Honegger. He considered this a singular honor and listed it as a highpoint of his career. Roussel never attained the acclaim and lasting popularity of some of his contemporaries, but he was an important composer, with an international reputation. A good deal of his music continues to be performed and enjoyed, never having left the repertoire.
Schmitt: The Janiana Symphony was composed in 1941 at Schmitt’s summer home in Artiguemy, high in the Pyrenees Mountains. As alluded to in its title, the symphony was dedicated to Jane Evrard, France’s first female professional orchestral conductor, and her Orchestre féminin de Paris. This was an ensemble of 25 women musicians Maestra Evrard founded in 1930, and for which other French composers such as Albert Roussel, Jean Rivier and Jean-Yves Daniel-Lesur also wrote scores.
Conductor and musicologist Jean-François Paillard was one of the most visible French exponents of Baroque music from the 1960s onward. Paillard earned a degree in mathematics from the Sorbonne, but he turned to music soon after. He attended the Paris Conservatory as a musicology student, where he won first prize in music history; he later studied conducting at the Salzburg Mozarteum with Igor Markevitch. He formed the Ensemble Jean-Marie Leclair in 1952, which was renamed the Jean-François Paillard Chamber Orchestra the following year. Comprised of a dozen string players and a harpsichord, the group paralleled such small-scale English ensembles as the Boyd Neel Orchestra in performing Baroque-era works -- especially those from France -- as well as contemporary works for string orchestra. As the public's interest in Baroque music rose, the orchestra's popularity grew and was aided by a series of international tours covering dozens of countries. The group's recordings on Erato -- which included the standard Baroque repertory such as Bach's Brandenburg Concertos and the Orchestral Suites, as well as pieces by Couperin and Rameau -- were initially easier to find in Europe. But when RCA Victor picked up the Erato catalog for U.S. distribution in the 1970s, Paillard's records were snapped up by American listeners. Lightning struck for Paillard late in the decade with his recording of the Canon in D by Johann Pachelbel. Paillard's ran nearly twice as long as most rival recordings, by virtue of its uniquely slow tempo and its finely delineated parts for the strings, both bowed and pizzicato. Paillard further benefited when Victor issued it on a full-priced LP and paired it with Fasch's Trumpet Concerto and grouped with various RCA artists on a budget-priced compilation LP called Go for Baroque. Sales of Go for Baroque moved faster than Beatles' albums were sold. Paillard's performances and recordings have also included works by Roussel and Debussy. He has worked with such celebrated soloists as Maurice André and Jean-Pierre Rampal. Paillard has won numerous Grand Prix du Disque awards in France and Prix Edison awards in Holland and his release of Rameau's Les Indes galantes remains a highly regarded recording. Later in his career, Paillard turned more to guest conducting orchestras around the world and his avid interest in the sciences.
Orchestre De Chambre Jean-François Paillard
Jean-François Paillard, conductor
Digitally remastered
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发表于 2025-5-16 08:21:26