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艺术家：扬·威廉·德·夫riend与海牙驻地管弦乐团（Jan Willem de Vriend & Residentie Orkest The Hague）
标题：舒伯特：交响曲全集第三卷：第九交响曲，D.944
发行年份：2020年
厂牌：Challenge Classics
类型：古典音乐
音质：FLAC（分轨）/ 24位-44.1kHz FLAC（分轨）
总时长：57分07秒
总大小：238 / 524兆字节
网站：专辑预览
曲目列表
01. 第九交响曲，D.944：I. 行板 — 不过分的快板 — 加快速度（14:54）
02. 第九交响曲，D.944：流动的行板（13:05）
03. 第九交响曲，D.944：III. 谐谑曲，活泼的快板 — 三声中部（14:00）
04. 第九交响曲，D.944：IV. 活泼的快板（15:09）
### 专辑解析
约150年间，人们一直认为舒伯特在1828年（即去世前不久）创作了《第九交响曲》，但随着音乐学术研究的推进，这一理论后来被推翻。20世纪末的研究发现，该作品大部分内容其实完成于三年前，并在1826年和1827年进行了修订。1825年，舒伯特在经历一段健康不佳的时期后，身体状况有所好转，经济状况也得到改善。
舒伯特从未亲耳聆听过自己许多作品的演出，包括这部伟大的交响曲。1827年，维也纳音乐之友协会排练此曲时，弦乐演奏者抱怨某些段落（尤其是终乐章中反复出现的节奏型）难以演奏。
1824年5月，舒伯特聆听了贝多芬《第九交响曲》的首演。贝多芬彻底革新了交响曲形式，极大拓展了其表达范围，尤其是他的《第九交响曲》，规模比以往任何交响曲都更为宏大。舒伯特是受贝多芬成就影响的众多作曲家之一。
许多学者探讨了舒伯特受贝多芬影响的不同方面，但舒伯特成熟作品最非凡之处在于其完全的独特性。这两位同时代作曲家的创作手法、调性与结构处理，以及管弦乐音色几乎毫无共同之处。在贝多芬对交响曲发展产生革命性深远影响的时代，舒伯特展现出的深刻原创性尤为引人注目。
Artist: Jan Willem de Vriend & Residentie Orkest The Hague
Title: Schubert: The Complete Symphonies Vol. 3: Symphony No.9, D.944
Year Of Release: 2020
Label: Challenge Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 57:07
Total Size: 238 / 524 MB
WebSite: Album Preview
Tracklist:
01. Symphony No. 9, D. 944: I. Andante — Allegro, ma non troppo — Più moto (14:54)
02. Symphony No. 9, D. 944: Andante con moto (13:05)
03. Symphony No. 9, D. 944: III. Scherzo. Allegro vivace — Trio (14:00)
04. Symphony No. 9, D. 944: IV. Allegro vivace (15:09)
For about 150 years it was believed that Schubert composed his Ninth Symphony in 1828, not long before his death but, musical scholarship being a continuous process, this theory was later disproved. It was discovered in the late 20th century that in fact he composed most of this work three years earlier and revised it in 1826 and 1827. Following a period of poor health, 1825 was a better year for Schubert, while his finances were also improved.
Schubert never heard a single performance of many of his works, including this great symphony. When it was rehearsed in 1827 at the Gesellschaft der Musikfreunde in Vienna, the string players complained that passages in which a rhythmic figure is obsessively repeated, especially in the finale, were unplayable.
In May 1824, Schubert attended the first performance of Beethoven’s Ninth Symphony. Beethoven revolutionised symphonic form, expanding its expressive range enormously, his Ninth Symphony in particular being conceived on a much grander scale than any previous symphony. Schubert was just one of many composers influenced by Beethoven’s achievements.
Many scholars have suggested the various ways in which Schubert was influenced by Beethoven, but the most extraordinary aspect of Schubert's mature music is its complete individuality. The compositional techniques, the handling of tonality and structure, and the orchestral sound of these two contemporaries have very little in common. Schubert’s own profound originality is all the more striking for its emergence at a time when Beethoven's impact on the development of the symphony was so revolutionary and far-reaching.
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发表于 2025-5-17 07:57:20