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04-约翰·塞巴斯蒂安·巴赫:无低音维奥尔琴独奏组曲(其二)2020 Hi-Res 24bits - 192.0kHz

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发表于 2025-5-18 08:18:34 | 显示全部楼层 |阅读模式
Sadao Udagawa - Johann Sebastian Bach Suites for viola da gamba solo without bas.jpg



艺术家: uda川贞夫(Sadao Udagawa)  
作品名称:约翰·塞巴斯蒂安·巴赫:无低音维奥尔琴独奏组曲(其二)  
发行年份:2020年  
厂牌:Waon Records  
流派:古典音乐  
音质:FLAC无损 / FLAC 24位-96.0kHz / FLAC 24位-192.0kHz  
总时长:01:11:41  
总大小:311兆字节 / 1.2千兆字节 / 1.9千兆字节  
网站:专辑预览  

曲目列表  
01. G大调第1大提琴组曲,BWV 1007:I. 前奏曲(改编为G大调维奥尔琴版)  
02. G大调第1大提琴组曲,BWV 1007:II. 阿勒曼德舞曲(改编为G大调维奥尔琴版)  
03. G大调第1大提琴组曲,BWV 1007:III. 库朗特舞曲(改编为G大调维奥尔琴版)  
04. G大调第1大提琴组曲,BWV 1007:IV. 萨拉班德舞曲(改编为G大调维奥尔琴版)  
05. G大调第1大提琴组曲,BWV 1007:V. 小步舞曲I & II(改编为G大调维奥尔琴版)  
06. G大调第1大提琴组曲,BWV 1007:VI. 吉格舞曲(改编为G大调维奥尔琴版)  
07. C大调第3大提琴组曲,BWV 1009:I. 前奏曲(改编为D大调维奥尔琴版)  
08. C大调第3大提琴组曲,BWV 1009:II. 阿勒曼德舞曲(改编为D大调维奥尔琴版)  
09. C大调第3大提琴组曲,BWV 1009:III. 库朗特舞曲(改编为D大调维奥尔琴版)  
10. C大调第3大提琴组曲,BWV 1009:IV. 萨拉班德舞曲(改编为D大调维奥尔琴版)  
11. C大调第3大提琴组曲,BWV 1009:V. 布雷舞曲I & II(改编为D大调维奥尔琴版)  
12. C大调第3大提琴组曲,BWV 1009:VI. 吉格舞曲(改编为D大调维奥尔琴版)  


专辑简介  
维奥尔琴以悠然姿态编织出时空经纬,静谧而炽热的乐音在丰沛声响中娓娓道来。专辑源于 uda川的大胆猜想:“巴赫或许曾为维奥尔琴创作过组曲,只是失传于音乐史长河中。”这一猜想孕育了这套巴赫作品改编系列的第二部。  

在首部作品(WAONCD-310)中,uda川将巴赫为鲁特琴改编的无伴奏大提琴组曲第2号与第5号(再经他本人改编)以维奥尔琴演绎。此次第二部则选取无伴奏大提琴组曲第1号与第3号进行改编。  

巴赫现存的维奥尔琴作品共13首,但uda川提出了充满想象力的假设:“巴赫曾为无伴奏维奥尔琴创作组曲,其乐谱由子卡尔·菲利普·埃马努埃尔·巴赫呈献给腓特烈·威廉二世国王,后由国王赠予沃尔克莱演奏,却可能在历史中失传。”他试图以法国洛可可风格重现这部“遗失之作”——这一创作理念在专辑内页文字中亦有阐述。  

曾于比利时布鲁塞尔皇家音乐学院追随维兰德·凯伊肯(Wieland Kuijken)研习维奥尔琴的 uda川贞夫,如今在全球展开多元演出活动。此专辑凝聚了他多年来对音乐本真之美的探寻,采用纯艺术唱片公司(Pure Art Records)的电流传输型麦克风进行双话筒立体声DSD录音,完整捕捉其饱含热忱的灵魂所绽放的每一缕乐音。

Artist: Sadao Udagawa
Title: Johann Sebastian Bach Suites for viola da gamba solo without bass (Ii)
Year Of Release: 2020
Label: Waon Records
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz / flac 24bits - 192.0kHz
Total Time: 01:11:41
Total Size: 311 mb / 1.2 / 1.9 gb
WebSite: Album Preview

Tracklist

01. Cello Suite No. 1 in G Major, Bwv 1007 I. Prelude (Arr. For Viola da gamba in G Major)
02. Cello Suite No. 1 in G Major, Bwv 1007 Ii. Allemande (Arr. For Viola da gamba in G Major)
03. Cello Suite No. 1 in G Major, Bwv 1007 Iii. Courante (Arr. For Viola da gamba in G Major)
04. Cello Suite No. 1 in G Major, Bwv 1007 Iv. Sarabande (Arr. For Viola da gamba in G Major)
05. Cello Suite No. 1 in G Major, Bwv 1007 V. Menuet I & Ii (Arr. For Viola da gamba in G Major)
06. Cello Suite No. 1 in G Major, Bwv 1007 Vi. Gigue (Arr. For Viola da gamba in G Major)
07. Cello Suite No. 3 in C Major, Bwv 1009 I. Prelude (Arr. For Viola da gamba in D Major)
08. Cello Suite No. 3 in C Major, Bwv 1009 Ii. Allemande (Arr. For Viola da gamba in D Major)
09. Cello Suite No. 3 in C Major, Bwv 1009 Iii. Courante (Arr. For Viola da gamba in D Major)
10. Cello Suite No. 3 in C Major, Bwv 1009 Iv. Sarabande (Arr. For Viola da gamba in D Major)
11. Cello Suite No. 3 in C Major, Bwv 1009 V. Bourree I & Ii (Arr. For Viola da gamba in D Major)
12. Cello Suite No. 3 in C Major, Bwv 1009 Vi. Gigue (Arr. For Viola da gamba in D Major)


A space-time that is spun out in a relaxed manner by Viola da Gamba. The music that speaks quietly and enthusiastically is captured with rich sounds. The epic story that Mr. Udagawa thinks, "JS Bach was actually writing works for Viola da Gamba, but they may have been lost in the history of music," was born. Introducing the second collection of Bach works.
In the first installment (WAONCD-310), unaccompanied cello suites Nos. 2 and 5 (arranged by Bach for lute and further arranged by Mr. Udagawa) will be performed by Viola da Gamba. In this second installment, unaccompanied cello suites Nos. 1 and 3 are arranged and played.
There are 13 existing works for Viola da Gamba written by J.S. Bach. However, in reality, "The score of the suite for unaccompanied Viola da Gamba arranged by Bach was presented to King Friedrich Wilhelm II by Bach's son Carl Philipp Emanuel Bach and provided by the King to Volkley. I would like to recreate the suite for unaccompanied Viola da Gamba, which may have been lost in the history of music as a result of the tremendous fantasy of being played and played, in a French Rococo style. " Is a word that the performer Udagawa sent to the liner note.
Sadao Udagawa, who studied at the Royal Conservatory of Music in Brussels, Belgium, studied Viola da Gamba under Wieland Kuijken, and is developing a variety of performance activities in various places, has warmed up for many years, the pleasure of music. This is one of the pieces. Pair microphone stereo DSD recording using a current transmission type microphone (manufactured by Pure Art Records) that captures all the music produced by his passionate soul.

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