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艺术家：安德鲁·利顿（Andrew Litton）与卑尔根爱乐乐团（Bergen Philharmonic Orchestra）
作品名称：普罗科菲耶夫：第六交响曲 - 基杰中尉组曲 - 三橘爱组曲
发行年份：2013年
厂牌：BIS
流派：古典音乐
音质：24位-96kHz FLAC（分轨+小册子）
总时长：01:19:00
总大小：810兆字节
网站：专辑预览
曲目列表
01. 降E小调第六交响曲，作品111号（1945–47）：I. 中板快板（14:26）
02. 降E小调第六交响曲，作品111号：II. 广板（15:59）
03. 降E小调第六交响曲，作品111号：III. 活泼的（12:11）
04. 《基杰中尉》交响组曲，作品60号（1933）：I. 基杰的诞生（4:22）
05. 《基杰中尉》交响组曲：II. 浪漫曲（4:08）
06. 《基杰中尉》交响组曲：III. 基杰的婚礼（2:47）
07. 《基杰中尉》交响组曲：IV. 三驾马车（2:52）
08. 《基杰中尉》交响组曲：V. 基杰的葬礼（5:46）
09. 《三橘爱》交响组曲，作品33b号（1921）：I. 小丑（3:00）
10. 《三橘爱》交响组曲：II. 魔术师切利奥与摩根娜玩牌（地狱场景）（3:41）
11. 《三橘爱》交响组曲：III. 进行曲（1:49）
12. 《三橘爱》交响组曲：IV. 谐谑曲（1:30）
13. 《三橘爱》交响组曲：V. 王子与公主（3:58）
14. 《三橘爱》交响组曲：VI. 逃亡（2:40）
专辑简介
安德鲁·利顿与卑尔根爱乐乐团以这套广受欢迎的曲目，呈现普罗科菲耶夫创作中相互对照的面向——既有深刻内省的第六交响曲，亦有充满戏剧色彩的电影配乐与歌剧组曲。
第六交响曲（1945–47）
这部作品与作曲家1945年洋溢胜利喜悦的第五交响曲形成强烈反差。尽管首演时观众反响热烈，却因“阴郁”特质遭苏联当局批判（1948年被定性为“反常”与“令人反感”）。事实上，其创作构思早于第五交响曲，萌芽于战争结局未定的灰暗时期。1945年初，普罗科菲耶夫经历严重健康危机，此后长期受头痛困扰，他曾自述：“如今我们为伟大胜利欢欣，但每个人都带着无法愈合的创伤。”交响曲中，第一乐章“中板快板”以紧张的弦乐震音与铜管号声勾勒焦虑氛围；第二乐章“广板”如泣如诉的木管独奏与葬礼进行曲节奏，暗喻战争创伤；末乐章“活泼的”则以机械性的节奏与尖锐和声，折射内心的挣扎。利顿的诠释深具洞察力，乐团以细腻的动态层次（如弱奏时的弦乐颤音）与精准的声部平衡，揭示了作品“哀悼与希望并存”的复杂肌理。
《基杰中尉》组曲（1933）
这部电影配乐改编的组曲以幽默讽刺见长，讲述虚构军官基杰的荒诞人生。亮点在于还原了原版中的声乐段落——第二乐章“浪漫曲”与第四乐章“三驾马车”特邀乌克兰男中音安德烈·邦达连科（Andrei Bondarenko）演唱，取代常见的萨克斯风版本。“三驾马车”中，歌声与弦乐的明快节奏交织，再现俄罗斯民谣的质朴活力；“葬礼”乐章则以木琴的冷色调与低音弦乐的挽歌旋律，形成黑色幽默式的悲喜剧张力。
《三橘爱》组曲（1921）
取材自普罗科菲耶夫的同名歌剧，以夸张的音乐语言描绘奇幻场景：“小丑”乐章的断奏钢琴与铜管滑音充满闹剧色彩；“地狱场景”中，不和谐和声与打击乐的狂躁节奏营造魔幻氛围；“进行曲”则以铜管的辉煌音色，戏谑模仿宫廷仪式的庄严感。利顿对节奏细节的精准把控（如谐谑曲的切分律动）与乐团的色彩表现力（如木管的尖锐音色模拟丑角尖叫），赋予这部作品鲜活的戏剧张力。
演绎与录音
卑尔根爱乐乐团在利顿十年执棒下展现成熟默契，弦乐声部的光泽感与铜管的爆发力兼具，尤以第六交响曲第二乐章的弱奏处理见长——单簧管的独奏线条在朦胧的弦乐背景中若隐若现，如同一缕哀思。BIS的录音以空间感与细节清晰度著称，Grieghallen音乐厅的声学特性使低音弦乐的共鸣与木管的泛音层次分明，战争场景的低频鼓点与歌剧片段的亮色音色形成鲜明对比。
乐评盛赞此版“为第六交响曲带来迄今最佳录音效果”（*MusicWeb International*），利顿的诠释“既注重细节雕琢，又不失整体叙事的推进力”，而乐团对普罗科菲耶夫“色彩与情绪光谱的极致呈现”，更使其成为兼具学术价值与聆听快感的典范录音。
Artist: Andrew Litton & Bergen Philharmonic Orchestra
Title: Prokofiev Symphony No. 6 - Lieutenant Kije Suite - The Love for Three Oranges Suite
Year Of Release: 2013
Label: BIS
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:19:00
Total Size: 810 MB
WebSite: Album Preview
Tracklist:
01. (Symphony No.6 in E flat minor, Op.111 (1945–47)) - I. Allegro moderato (14:26)
02. (Symphony No.6 in E flat minor, Op.111 (1945–47)) - II. Largo (15:59)
03. (Symphony No.6 in E flat minor, Op.111 (1945–47)) - III. Vivace (12:11)
04. (Lieutenant Kijé, Suite symphonique, Op.60 (1933)) - I. Naissance de Kijé (4:22)
05. (Lieutenant Kijé, Suite symphonique, Op.60 (1933)) - II. Romance (4:08)
06. (Lieutenant Kijé, Suite symphonique, Op.60 (1933)) - III. Noces de Kijé (2:47)
07. (Lieutenant Kijé, Suite symphonique, Op.60 (1933)) - IV. Troïka (2:52)
08. (Lieutenant Kijé, Suite symphonique, Op.60 (1933)) - V. L’Enterrement de Kijé (5:46)
09. (The Love for Three Oranges, Symphonic Suite, Op.33b (1921)) - I. The Clowns (3:00)
10. (The Love for Three Oranges, Symphonic Suite, Op.33b (1921)) - II. The Magician Celio and Fata Morgana Play Cards (Infernal Scene) (3:41)
11. (The Love for Three Oranges, Symphonic Suite, Op.33b (1921)) - III. March (1:49)
12. (The Love for Three Oranges, Symphonic Suite, Op.33b (1921)) - IV. Scherzo (1:30)
13. (The Love for Three Oranges, Symphonic Suite, Op.33b (1921)) - V. The Prince and Princess (3:58)
14. (The Love for Three Oranges, Symphonic Suite, Op.33b (1921)) - VI. Flight (2:40)
A popular programme of works including the orchestral suite for the film score of Lieutenant Kijé. The original film score contains two songs which are often performed by solo saxophone and orchestra but are recorded here in their original (but seldom heard) version for baritone voice.
With acclaimed previous recordings of music by Prokofiev, as well as Stravinsky, Mendelssohn and most recently Rachmaninov, Andrew Litton and his Bergen Philharmonic Orchestra are a tried-and-tested team in this repertoire. They make the most of the enormous palette of colours and moods provided by these three scores.
Premièred in January 1945, Sergei Prokofiev’s optimistic and heroic Fifth Symphony had seemed to herald the victorious end of World War Two. In stark contrast to this, his Symphony No.6, which received its first performance in 1947, is one of his deepest and most personal works. Although it was greeted with enthusiasm by the audience, the Soviet authorities were critical of the work and in 1948 a Party resolution singled it out as ‘abnormal’ and ‘repellent’. In fact, the first ideas for the symphony preceded those for the Fifth, and date from a period when the issue of the war was still uncertain.
Early in 1945 the composer had suffered a collapse, from which he never completely recovered and which forced him to live the life of an invalid with almost constant headaches. In regard to the work, Prokofiev himself stated: ‘Now we are rejoicing in our great victory, but each of us has wounds that cannot be healed.’ This haunted symphony is here coupled with two works which illustrate a very different side of the composer, his gift for creating vivid musical images that can sum up a scene in a few bold strokes. These are the ever-popular suites from The Love for Three Oranges, the tragic-comical opera from 1921, and from the film score to Lieutenant Kijé, a light-hearted satire from 1934.
The original film score included two songs, which form the second and fourth movements of the concert suite. Often performed in a version for solo saxophone and orchestra, these are heard in this recording in their original vocal form, performed by the Ukranian baritone Andrei Bondarenko. With acclaimed previous recordings of music by Prokofiev, as well as by Stravinsky and Rachmaninov, Andrew Litton and his Bergen Philharmonic Orchestra are a tried-and-tested team in this repertoire, and once again make the most of the enormous palette of colours and moods provided by these three scores.
“Melancholy and menace...Litton shows profound sympathy for both of them...The orchestra seems to have flourished durings its decade under Litton: its sheen is seductive, balances and ensemble are expert, dynamics are artfully shaded and the solo parts are delivered with sensitivity and colour...an auspicious release.” (International Record Review)
„This is the best recorded sound this symphony has received to date...Litton knows exactly how to make the most of it, when to dwell on detail and when to propel the argument forward...Litton directs the symphonic suite with a close eye on the rhythmic subtleties of Prokofiev's score.” (MusicWeb International)
Bergen Philharmonic Orchestra
Andrew Litton, conductor
January 2012 at Grieghallen, Bergen, Norway
Engineered: Hans Kipfer
Editing: Elisabeth Kemper
Mixing: Ingo Petry
Producer: Ingo Petry
Executive Producer: Robert Suff
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发表于 2025-5-18 08:29:56