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艺术家:西蒙妮·瓦莱罗通达(Simone Vallerotonda)
标题:《永恒罗马:时光回溯之旅》(Roma Eterna. A Journey Back in Time)
发行年份:2025年
厂牌:Arcana
流派:古典音乐
音质:FLAC(分轨)/24位-96kHz FLAC(分轨+小册子)
总时长:52分20秒
总大小:212 / 939兆字节
网站:专辑预览
曲目列表
1. 达尔阿尔贝罗:《海洋奏鸣曲:无限的祈祷》(5分15秒)
2. 莫里康内:《贫穷》(选自电影《美国往事》,赛尔乔·莱昂内,1984)[西蒙妮·瓦莱罗通达改编为鲁特琴版](1分36秒)
3. 莫里康内:《帕萨卡利亚》(选自电影《camélie夫人的真实故事》,毛罗·博洛尼尼,1981)[西蒙妮·瓦莱罗通达改编为鲁特琴版](2分47秒)
4. 卡塞拉:《十一首儿童小品》,作品35:第8首,小步舞曲(西蒙妮·瓦莱罗通达改编为鲁特琴版)(2分04秒)
5. 卡塞拉:《十一首儿童小品》,作品35:第6首,西西里舞曲(西蒙妮·瓦莱罗通达改编为鲁特琴版)(2分12秒)
6. 佩罗西:《五旬节庆典四声部进台经、奉献经、圣餐经》:进台经(1分46秒)
7. 马里诺:《妮娜,你睡了吗》(西蒙妮·瓦莱罗通达改编为鲁特琴版)(1分35秒)
8. 克莱门蒂:《帕纳苏斯山进阶》,作品44,第二册:忧郁的行板(西蒙妮·瓦莱罗通达改编为鲁特琴版)(2分41秒)
9. 赞博尼:《鲁特琴奏鸣曲集》:第10号奏鸣曲:I. 阿勒曼德舞曲(3分53秒)
10. 赞博尼:《鲁特琴奏鸣曲集》:第10号奏鸣曲:II. 库兰特舞曲(2分28秒)
11. 赞博尼:《鲁特琴奏鸣曲集》:第10号奏鸣曲:III. 萨拉班德舞曲(2分44秒)
12. 赞博尼:《鲁特琴奏鸣曲集》:第10号奏鸣曲:IV. 布雷舞曲(0分41秒)
13. 阿莱格里:《垂怜经》(西蒙妮·瓦莱罗通达改编为鲁特琴版)(3分18秒)
14. 卡普斯贝格:《鲁特琴第一曲集》:库兰特舞曲I(2分17秒)
15. 特拉切蒂:《和声宝库》:幻想曲(1分17秒)
16. 特拉切蒂:《罗马尼斯卡舞曲》(1分55秒)
17. 特拉切蒂:《鲁特琴课程变奏曲》:幻想曲(3分04秒)
18. 特拉切蒂:《和声宝库》:罗马骑士加亚尔德舞曲(2分17秒)
19. 特拉切蒂:《和声宝库》:尽管离别(3分53秒)
20. 佚名:《布朗莱舞曲》(1分20秒)
21. 帕莱斯特里纳:《五声部经文歌第五卷》:《你的双手》(西蒙妮·瓦莱罗通达改编为鲁特琴版)(3分24秒)
**专辑简介**
这场音乐之旅旨在从当代回溯至文艺复兴时期,重构五个世纪以来“罗马乐派”以对位严谨、旋律魅力和民间根源为标志的音乐脉络。许多音乐家曾以“romano”(罗马的)署名,彰显其对这一独特风格的归属。2025年正值圣年,罗马作为全球数百万朝圣者的目的地,成为这场时光之旅的背景——无论宗教或世俗作品,永恒之城的音乐始终能触动、愉悦并滋养人类的灵魂。
西蒙妮·瓦莱罗通达在继探索乔瓦尼·赞博尼(《最后的罗马人》,2016)和法国曲目(《沉思》,2022)后,于第三张个人专辑中融合古今,以自信与新意拓宽鲁特琴的表达边界:既有莫里康内电影配乐的改编,也有帕莱斯特里纳、阿莱格里的神圣之声,更不乏赞博尼、特拉切蒂等作曲家的世俗舞曲。通过鲁特琴的细腻音色,听众得以聆听罗马跨越时空的音乐记忆,感受其永恒的艺术生命力。
Artist: Simone Vallerotonda
Title: Roma Eterna. A Journey Back in Time
Year Of Release: 2025
Label: Arcana
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 52:20
Total Size: 212 / 939 MB
WebSite: Album Preview
Tracklist:
1. Dall’Albero: Sonata Mare Nostrum: Preghiera senza confini (5:15)
2. Morricone: Poverty (From "Once Upon a Time in America", Sergio Leone 1984) [Arr. for Lute by Simone Vallerotonda] (1:36)
3. Morricone: Passacaglia (From "La storia vera della signora dalle camelie", Mauro Bolognini, 1981) [Arr. for Lute by Simone Vallerotonda] (2:47)
4. Casella: Undici pezzi infantili, Op. 35: No. 8, Minuetto (Arr. for Lute by Simone Vallerotonda) (2:04)
5. Casella: Undici pezzi infantili, Op. 35: No. 6, Siciliana (Arr. for Lute by Simone Vallerotonda) (2:12)
6. Perosi: Introito, offertorio, communio a 4 voci per la festa di Pentecoste: Introito (1:46)
7. Marino: Nina sì voi dormite (Arr. for Lute by Simone Vallerotonda) (1:35)
8. Clementi: Gradus ad Parnassum, Op. 44, Livre 2: Andante malinconico (Arr. for Lute by Simone Vallerotonda) (2:41)
9. Zamboni: Sonate d’intavolatura di leuto: Sonata No. 10: I. Alemanda (3:53)
10. Zamboni: Sonate d’intavolatura di leuto: Sonata No. 10: II. Current (2:28)
11. Zamboni: Sonate d’intavolatura di leuto: Sonata No. 10: III. Sarabanda (2:44)
12. Zamboni: Sonate d’intavolatura di leuto: Sonata No. 10: IV. Burre (0:41)
13. Allegri: Miserere (Transcr. for Lute by Simone Vallerotonda) (3:18)
14. Kapsberger: Libro primo d’intavolatura di lauto: Corrente I (2:17)
15. Tracetti: Thesaurus harmonicus: Fantasia (1:17)
16. Tracetti: Romanesca (1:55)
17. Tracetti: Varietie of Lute Lessons: Fantasia (3:04)
18. Tracetti: Thesaurus harmonicus: Galliarda equitis romanis (2:17)
19. Tracetti: Thesaurus harmonicus: Anchor che col partire (3:53)
20. Anonymous: Branle (1:20)
21. Palestrina: Mottettorum quinque vocibus, Liber Quintus: Manus tuae (Transcr. for Lute by Simone Vallerotonda) (3:24)
The aim of this musical tour - an expedition that travels backwards, from today to the Renaissance - is to reconstruct the overarching strands that comprise and unite five centuries of music of a "Roman school" famed for its contrapuntal rigour, melodic flair and popular roots. The label "romano", which many a musician of bygone eras proudly displayed after their name, is a sure sign of belonging to a school, to a special style. The backdrop for this excursion back in time is Rome, which in this same Jubilee Year of 2025 is the destination for millions of pilgrims on the march from every part of the world, each with their own history and culture. And the various stops on the journey present the music of the eternal city, a music that - no matter whether sacred or secular or whatever the type of work - is as capable today as then of moving, delighting and nourishing the soul of any human being. After exploring the personality of Giovanni Zamboni (L'ultimo romano, 2016) and the refinements of the French repertoire (Meditation, 2022), in this, his third solo album for Arcana, Simone Vallerotonda engages with contemporary and ancient music, broadening the horizons of the lute with a confidence and sense of novelty that fascinate and surprise.
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