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艺术家:阿沃·帕特(Arvo Pärt)
标题:阿沃·帕特《寂静》(Silentium)
发行年份:2025年
厂牌:密西西比唱片公司(Mississippi Records)
流派:古典音乐
音质:FLAC(分轨)/24位FLAC(96千赫兹/分轨)
总时长:37分33秒
总大小:149/219兆字节
网站:专辑预览
曲目列表:
01. 《我们的父》(为长号与弦乐合奏改编版)(Vater Unser (Arr. for trombone & string ensemble))
02. 《为阿利努什卡康复而作的变奏曲》(Variationen zur Gesundung von Arinuschka)
03. 《兄弟》弦乐与打击乐版(Fratres for Strings and Percussion)
04. 《寂静》(Silentium)
爱沙尼亚作曲家阿沃·帕特(发音为p-air-t)的神圣极简主义音乐常在姑息治疗机构中播放,其具有令人无法抗拒的迷人与安抚力量。作曲家此前曾宣称:“我无话可说”,并补充说文字实际上可能会扼杀他的音乐。任何不幸肩负起撰写其音乐评论任务的评论家都应牢记这一警告……
本张专辑围绕《寂静》(Silentium)此前未发行的极慢版本展开,该曲是《空白之页》(Tabula Rasa)的第二乐章,由小提琴家阿列克谢·肯尼(Alexei Kenney)和斯特凡·雅基夫(Stefan Jackiw)与波士顿乐团“远方的呼喊”(A Far Cry)共同演奏。以这种方式演绎时,这首作品时长超过20分钟,如同无比脆弱的宇宙音乐,空灵地悬浮于空中,消除了所有时间概念。
专辑的其余曲目包括《我们的父》(Vater Unser (Our Father))——为长号与弦乐诱人改编的版本、《为阿利努什卡康复而作的变奏曲》(Variationen zur Gesundung von Arinuschka (Variations for the Healing of Arinushka))——由马塞尔·沃姆(Marcel Worm)演奏的一首简短钢琴曲,其中包含帕特极为珍视的“钟声旋律”(Tintinnabuli):以单一简单主题展开的六个变奏,在小调与大调之间交替。这一著名概念也在《兄弟》(Fratres)中得到体现,该曲的九个不同和弦序列均由一个打击乐动机隔开。由于其众多乐器版本,这首作品是他最广为人知的作品之一,匈牙利国家歌剧院管弦乐团在此以极强的浪漫主义和表现力演绎了该曲。
Artist: Arvo Pärt
Title: Silentium
Year Of Release: 2025
Label: Mississippi Records
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (96 KHz / tracks)
Total Time: 37:33 min
Total Size: 149 / 219 MB
WebSite: Album Preview
Tracklist:
01. Vater Unser (Arr. for trombone & string ensemble)
02. Variationen zur Gesundung von Arinuschka
03. Fratres for Strings and Percussion
04. Silentium
Often played in palliative care facilities, the sacred minimalist music of Estonian composer Arvo Pärt (pronounced p-air-t) has the undeniable power to mesmerize and calm. “I have nothing to say,” the composer has previously declared, adding how words could in fact kill his music. Any critics who are given the unfortunate task of writing about his music should keep this warning in mind…
The present album revolves around a previously unreleased, extremely slow version of “Silentium,” the second movement of “Tabula Rasa,” played by violinists Alexei Kenney and Stefan Jackiw alongside Bostonian ensemble A Far Cry. Performed in this way, the piece exceeds 20 minutes, abolishing all notion of time like impossibly fragile musica universalis, ethereally suspended in mid-air.
The remainder of the program consists of a compilation including “Vater Unser (Our Father),” enticingly arranged for trombone and strings, the “Variationen zur Gesundung von Arinuschka (Variations for the Healing of Arinushka),” a short piano piece (Marcel Worm) comprising the “Tintinnabuli” so near and dear to Pärt: six variations on a single, simple theme, alternating between minor and major keys. This famous concept is also illustrated by “Fratres,” whose nine different chord sequences are each separated by a percussion motif. The piece is one of his most universally known on account of its numerous instrumental versions, and the Hungarian State Opera Orchestra performs it here with tremendous romanticism and expressiveness.
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