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15-塞拉芬交响乐团 奥利弗·塔尼:《圣母颂歌》 (2015) [Hi-Res]

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十二生肖之羊

发表于 2025-5-20 07:58:45 | 显示全部楼层 |阅读模式
Serafine Sinfonia, Manvinder Rattan - Oliver Tarney Magnificat (2015).jpg



艺术家:凯蒂·汤普森 克莱尔·塔斯克 保罗·本特利-安杰尔 汤姆·赫林 塞拉芬室内合唱团 塞拉芬交响乐团 曼温德·拉坦  
作品名称:塞拉芬交响乐团 奥利弗·塔尼:《圣母颂歌》  
发行年份:2015年  
厂牌:Convivium Records  
音乐类型:古典乐  
音质:无损FLAC / 24位-96.0kHz FLAC  
总时长:54分19秒  
总大小:210兆字节 / 838兆字节  
网站:专辑预览  

曲目列表  
01. 圣母颂歌:I. 我的灵魂赞美主  
02. 圣母颂歌:II. 我心因主喜乐  
03. 圣母颂歌:III. 因他垂顾  
04. 圣母颂歌:IV. 看哪  
05. 圣母颂歌:V. 因他行了大事  
06. 圣母颂歌:VI. 怜悯  
07. 圣母颂歌:VII. 他彰显大能  
08. 圣母颂歌:VIII. 使有权柄者失位  
09. 圣母颂歌:IX. 饥者得饱美食  
10. 圣母颂歌:X. 他眷顾以色列  
11. 圣母颂歌:XI. 正如他所说  
12. 圣母颂歌:XII. 荣耀归于圣父  

“我的灵魂赞美主”通常会引发最著名作曲家们最为欢欣的音乐回应。然而,这部作品却提供了一种更具人性的表达,以一种非凡的方式触及灵魂。试想:玛丽年仅16岁,生活在古代犹太。塔尼认为,这位少女得知自己将未婚孕育神子的消息,未必会立刻满心喜悦。在这部新委约的12乐章作品中,塔尼将《路加福音》的传统文本与伪经、旧约经文,以及《古兰经》中玛丽姆的章节交织在一起。这种更完整的叙事彻底改变了我们对这一重要圣经故事的认知,而塔尼以令人难忘的精妙音乐色彩为其谱曲,毫不逊色于任何经典。在这个因宗教分歧而分裂与暴力频现的世界里,这部作品提醒我们:若用心探寻,便可发现彼此的共通之处。  
塔尼的《圣母颂歌》由弦乐团、合唱团、弦乐四重奏与独唱者共同演绎,2014年作为“歌唱愉悦”(Sing for Pleasure)金禧暑期学校的一部分,在基尔大学礼拜堂首演,并将于2015年秋季由该机构出版。  

奥利弗·塔尼现任汉普郡温彻斯特公学作曲与声乐系主任,同时在该校礼拜堂合唱团、温彻斯特大教堂合唱团及塞拉芬合唱团担任演唱。作为合唱指挥与作曲家,他的日程始终繁忙。目前,塔尼专注于合唱作品创作,近期作品包括为Sansara室内合唱团创作的《奇切斯特的圣理查德祷文》、为奇切斯特大教堂合唱团创作的《男声应答》,以及为圣恩代利昂复活节音乐节创作的《天堂如此美好》。
Artist: Katy Thompson, Claire Tasker, Paul Bentley-Angell, Tom Herring, Serafine Chamber Choir, Serafine Sinfonia, Manvinder Rattan
Title: Oliver Tarney: Magnificat
Year Of Release: 2015
Label: Convivium Records
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 00:54:19
Total Size: 210 / 838 mb
WebSite: Album Preview

Tracklist

01. Magnificat: I. Magnificat
02. Magnificat: II. Et Exultavit
03. Magnificat: III. Quia Respexit
04. Magnificat: IV. Ecce Enim
05. Magnificat: V. Quia Fecit
06. Magnificat: VI. Et Misericordia
07. Magnificat: VII. Fecit Potentiam
08. Magnificat: VIII. Deposuit
09. Magnificat: IX. Esurientes
10. Magnificat: X. Suscepit Israel
11. Magnificat: XI. Sicut Locutus Est
12. Magnificat: XII. Gloria Patri


'My soul doth magnify the Lord' usually elicits the most exultant of musical reactions from the most noted composers. This one, however, offers a more human response and in a style which touches one's soul in an exceptional manner. Picture this: Mary is 16 and living in ancient Judea. Tarney is not convinced that the news that she was to be the mother of God, conceived out of conventional wedlock, would have necessarily made her heart leap with joy in the first instance. In this newly-commissioned work in 12 movements, Tarney has interpolated the conventional text from the Gospel of Luke with apocryphal and old Testament texts as well as extracts from the Book of Maryam from the Qur'an. The fuller picture this paints completely changes the way we think of this important bible story and Tarney sets the whole with memorably exquisite musical colours which bow to no one. In a world riven with division and violence based on religious lines, this piece reminds us of what we could have in common if we looked a little harder. Scored for string orchestra, choir, string quartet and soloists, Tarney’s 'Magnificat' was premiered in the chapel of Keele University, as part of Sing for Pleasure’s Golden Anniversary Summer School in 2014 and is to be published by Sing for Pleasure this autumn (2015).

Oliver Tarney is currently head of Composition and Singing at Winchester College in Hampshire. He sings with the College Chapel Choir, Winchester Cathedral Choir and with Serafine. He also keeps up a busy schedule as a choral director and composer. Oliver now specialises in choral writing and has most recently written works for Sansara chamber choir (Prayer of St Richard of Chichester), Chichester Cathedral Choir (Men’s voices responses) and for the St Endellion Easter festival (Fair is the Heaven).


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