06-弗雷德里克·汉德：奥德赛(2016) [Hi-Res]

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艺术家：弗雷德里克·汉德（Frederic Hand）  
标题：弗雷德里克·汉德：奥德赛（Odyssey）  
发行年份：2016年  
厂牌：全景录音（Panoramic Recordings）  
流派：古典吉他  
音质：flac无损格式 / 24位-96.0千赫兹 + 小册子  
总时长：00:57:17  
总大小：234 / 932兆字节  
网站：专辑预览  

曲目列表  
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01. 圣玛利亚坎蒂加  
02. 祈祷（吉他独奏版）  
03. 塞法迪歌曲：第一首，引子-我是一个牧羊人  
04. 塞法迪歌曲：第二首，啊，新郎不贪财  
05. 塞法迪歌曲：第三首，睡吧，睡吧  
06. 塞法迪歌曲：第四首，我出生那一天  
07. 辽阔的水域（弗雷德里克·汉德改编为吉他曲）  
08. 奥德赛  
09. 索菲亚的旅程  
10. 致朱利安  
11. 感恩诗篇  
12. 奥菲欧与尤丽狄茜，Wq. 30：芭蕾与祝福精灵之舞（弗雷德里克·汉德改编为吉他曲）  

作为大都会歌剧院资深吉他与鲁特琴演奏家、多才多艺的获奖作曲家，以及几代吉他手的导师和教师，弗雷德里克·汉德在多个领域均成就斐然。他的最新专辑《奥德赛》展现了其标志性的作曲风格与流畅深情的演奏。在“演奏家兼作曲家”这一身份重新引发广泛讨论的时代，汉德堪称数十年来成功践行这一角色的典范。他的作品难以被简单归类——融合了早期音乐、爱尔兰音乐、新纪元音乐、当代创作及爵士乐等多种风格。  

汉德多元的风格范畴与其从多元灵感源泉中汲取养分的能力相得益彰。《圣玛利亚坎蒂加》取材于13世纪的一组歌曲集，他被其中的调式旋律与不规则节拍所吸引，以现代和声手法为基础，在持续低音之上突出音乐素材的表现力。深情的《祈祷》最初为吉他二重奏而作，2014年由吉他巨星约翰·威廉姆斯录制独奏版后广为人知。受巴赫对位法启发，汉德在这首动人的作品中通过不同声部编织出优雅的旋律线条。  

他的《四首塞法迪歌曲》源自犹太离散群体在伊比利亚半岛存续数世纪的永恒歌谣。汉德从这一丰富资源中为多种乐器编配了大量歌曲，此次专辑收录了他最钟爱的四首吉他独奏版本。  

汉德曾与纽约爱乐乐团、维也纳爱乐乐团、莫扎特音乐节、马尔伯勒音乐节及圣卢克管弦乐团在卡拉莫尔音乐节等合作演出。因与长笛演奏家保拉·罗宾逊（Paula Robison）的录音及演出，他荣获古典录音基金会“塞缪尔·桑德斯奖”。

Artist: Frederic Hand
Title: Frederic Hand: Odyssey
Year Of Release: 2016
Label: Panoramic Recordings
Genre: Classical Guitar
Quality: flac lossless / flac 24bits - 96.0kHz +booklet
Total Time: 00:57:17
Total Size: 234 / 932 mb
WebSite: Album Preview

Tracklist
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01. Cantiga de Santa Maria
02. Prayer (Version for Guitar Solo)
03. Sephardic Songs: No. 1, Introduction-Una Pastora Yo Amí
04. Sephardic Songs: No. 2, Ah, El Novio No Quere Dinero
05. Sephardic Songs: No. 3, Durme, Durme
06. Sephardic Songs: No. 4, La Una Yo Nací
07. The Water Is Wide (Arr. F. Hand for Guitar)
08. Odyssey
09. Sophia's Journey
10. For Julian
11. A Psalm of Thanksgiving
12. Orfeo ed Euridice, Wq. 30: Ballet & Dance of the Blessed Spirits (Arr. F. Hand for Guitar)

Longtime Metropolitan Opera guitarist and lutenist, versatile and award winning composer, and mentor and teacher to generations of guitarists, Frederic Hand has enjoyed an impressive and impactful career on many levels. His latest release, Odyssey, features his signature brand of compositions and his fluid, expressive playing. In an era where the performer/composer has been making a much written about comeback, Hand represents someone who has been occupying this role with great success steadily for decades. His compositions defy easy categorization – they draw from various styles including early music, Irish music, new age, contemporary composition, and jazz.

Hand’s eclectic stylistic range is matched by his appetite for drawing from diverse sources of inspiration. Cantiga de Santa Maria is based on a collection of songs from the 13th century. Hand was attracted to the modal melodies and irregular meters, and created a modern harmonic setting highlighting material over a droning pedal point. The poignant Prayer was originally written as a guitar duo, and was popularized when superstar guitarist John Williams released a solo recording of it in 2014. Inspired by Bachian counterpoint, Hand weaves an elegant melodic line through different voices in this touching composition.

His Four Sephardic Songs are based on timeless songs from the strain of the Jewish diaspora that existed for centuries in the Iberian Peninsula. Hand has arranged many more songs from this rich source for various instrumentations, and includes four of his favorites here for solo guitar.

Guest appearances include the New York Philharmonic, Vienna Philharmonic, Mostly Mozart Festival, Marlboro Music Festival and the Caramoor Festival with the Orchestra of St. Lukes. For his recording and performances with flutist Paula Robison, he won the Classical Recording Foundation’s “Samuel Sanders Award.”

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