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艺术家：和谐之音合唱团（Armoniosoincanto）、佛朗哥·拉迪奇亚（Franco Radicchia）
曲目：蒙特威尔第：三声部短歌集，威尼斯1584年版
发行年份：2016年
厂牌：辉煌古典唱片公司（Brilliant Classics）
音乐类型：古典音乐
音质：无损FLAC格式/24比特-44.1千赫兹（含小册子）
总时长：1小时11分09秒
总大小：385兆字节/721兆字节
网站：专辑预览
曲目列表
01. 三声部短歌集，SV 1-21：第1首 谁能诉说，SV 1
02. 三声部短歌集，SV 1-21：第2首 爱情短歌，SV 2
03. 三声部短歌集，SV 1-21：第3首 热闹的景象，SV 3
04. 三声部短歌集，SV 1-21：第4首 光芒啊，我的爱人何在，SV 4
05. 三声部短歌集，SV 1-21：第5首 我灵魂的生命，SV 5
06. 三声部短歌集，SV 1-21：第6首 我的折磨者，SV 6
07. 三声部短歌集，SV 1-21：第7首 这些卷曲的发丝，SV 7
08. 三声部短歌集，SV 1-21：第8首 我曾生活，SV 8
09. 三声部短歌集，SV 1-21：第9首 起来，起来，SV 9
10. 三声部短歌集，SV 1-21：第10首 当我期待时，SV 10
11. 三声部短歌集，SV 1-21：第11首 我该怎么办，我的心，SV 11
12. 三声部短歌集，SV 1-21：第12首 奔向死亡，SV 12
13. 三声部短歌集，SV 1-21：第13首 你是否总在笑，SV 13
14. 三声部短歌集，SV 1-21：第14首 谁想见识冬天，SV 14
15. 三声部短歌集，SV 1-21：第15首 我曾以为，SV 15
16. 三声部短歌集，SV 1-21：第16首 尽情享受美丽的胸膛吧，SV 16
17. 三声部短歌集，SV 1-21：第17首 在那胸膛之下，SV 17
18. 三声部短歌集，SV 1-21：第18首 正如生长，SV 18
19. 三声部短歌集，SV 1-21：第19首 我是凤凰，SV 19
20. 三声部短歌集，SV 1-21：第20首 谁想看见一片森林，SV 20
21. 三声部短歌集，SV 1-21：第21首 现在，可爱的短歌们，SV 21
和谐之音合唱团与佛朗哥·拉迪奇亚演绎的《蒙特威尔第：三声部短歌集，威尼斯1584年版》（2016年高解析度录音）
蒙特威尔第的牧歌以文本与音乐的复杂融合著称，在密集织体的声乐室内乐形式中，不遗余力地描绘爱情的得与失。而短歌（Canzonette）则更为简洁，无论演唱还是欣赏都更易接近，却也不乏独特趣味。尽管唱片市场长期青睐完整牧歌集而忽视短歌，这张新录音或将重新唤起人们对其价值的关注。
蒙特威尔第的这部短歌集以一首致敬“彼得罗·安布罗西尼先生”的诗作开篇（该版本献予此人），以正式的告别与致谢收尾，中间收录19首歌曲。这种体裁由奥拉齐奥·韦基首创，考虑到其简洁特质，或许初衷是为业余音乐家与家庭场景而作。然而蒙特威尔第在音乐上比韦基更具突破性：尽管大体遵循体裁规定的主调式文本宣叙，却也根据诗歌情感（无论因爱欢笑或哭泣），加入奔放的装饰音与叹息般的回声段落。
和谐之音合唱团（Armoniosoincanto）是一支以女声为主的乐团，活跃于舞台与录音界近20年，这是他们为辉煌古典录制的第三张专辑（此前分别是轮廓优美的库普兰《教区与修道院弥撒》BC94333，及较冷门的中世纪《科尔托纳赞美诗集》BC94872）。乐团扎根意大利中部的翁布里亚与托斯卡纳地区，此次录音选址翁布里亚的阿西西镇。录音中，他们与一支混合古乐器乐团合作，编制包括长笛、中提琴、西奥伯琴与羽管键琴。
“短歌”作为牧歌的轻量级体裁，采用三声部织体，风格戏谑通俗，基于分节诗形式（3至4节，含叠句）的世俗诗歌创作。蒙特威尔第17岁时创作此《三声部短歌集》，旨在扩大影响力，而这些作品后来成为他迈向更严肃复杂创作（如牧歌与歌剧）的完美铺垫。和谐之音合唱团在佛朗哥·拉迪奇亚的指挥下，以轻盈的情绪与戏剧张力演绎作品，伴奏乐团使用长笛、臂提中提琴、维奥尔琴、西奥伯琴、巴洛克吉他与羽管键琴，营造出丰富的通奏低音效果。
随附小册子包含学术性文字注释与艺术家传记，以意大利语与英语双语呈现。
Artist: Armoniosoincanto, Franco Radicchia
Title: Monteverdi: Canzonette a tre voci, Venice 1584
Year Of Release: 2016
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 01:11:09
Total Size: 385 mb / 721 mb
WebSite: Album Preview
Tracklist
01. Canzonette a tre voci, SV 1-21: I. Qual si può dir, SV 1
02. Canzonette a tre voci, SV 1-21: II. Canzonette d'amore, SV 2
03. Canzonette a tre voci, SV 1-21: III. La fiera vista, SV 3
04. Canzonette a tre voci, SV 1-21: IV. Raggi dov'è il mio ben, SV 4
05. Canzonette a tre voci, SV 1-21: V. Vita de l'alma mia, SV 5
06. Canzonette a tre voci, SV 1-21: VI. Il mio martir, SV 6
07. Canzonette a tre voci, SV 1-21: VII. Son questi i crespi crini, SV 7
08. Canzonette a tre voci, SV 1-21: VIII. Io Mi vivea, SV 8
09. Canzonette a tre voci, SV 1-21: IX. Su su su, SV 9
10. Canzonette a tre voci, SV 1-21: X. Quando sperai, SV 10
11. Canzonette a tre voci, SV 1-21: XI. Come farò cuor mio, SV 11
12. Canzonette a tre voci, SV 1-21: XII. Corse alla morte, SV 12
13. Canzonette a tre voci, SV 1-21: XIII. Tu ridi sempre mai, SV 13
14. Canzonette a tre voci, SV 1-21: XIV. Chi vuol veder d'inverno, SV 14
15. Canzonette a tre voci, SV 1-21: XV. Già Mi credea, SV 15
16. Canzonette a tre voci, SV 1-21: XVI. Godi pur del bel sen, SV 16
17. Canzonette a tre voci, SV 1-21: XVII. Giù li a quel petto, SV 17
18. Canzonette a tre voci, SV 1-21: XVIII. Si come crescon, SV 18
19. Canzonette a tre voci, SV 1-21: XIX. Io son Fenice, SV 19
20. Canzonette a tre voci, SV 1-21: XX. Chi vuol vedere un bosco, SV 20
21. Canzonette a tre voci, SV 1-21: XXI. Hor care canzonette, SV 21
Armoniosoincanto, Franco Radicchia - Monteverdi: Canzonette a tre voci, Venice 1584 (2016) [Hi-Res]
The madrigals of Monteverdi are famously complex marriages of text and music in which no effort is spared to illustrate the expression of love lost and found within the given form of densely textured vocal chamber music. The canzonettas are rather simpler, both to sing and to appreciate, though not without many of their own pleasures. They have been overlooked on record in favour of complete madrigal collections, but this new recording should help to reassess their value.
Monteverdi’s collection begins with a text in homage to ‘il signor Pietro Ambrosini’, to whom the publication was dedicated. It concludes with a formal expression of farewell and thanks to his listeners. In between are another 19 songs, derived from a form first devised by Orazio Vecchi, perhaps with amateur musicians and domestic settings in mind given their less elaborate qualities. Monteverdi is prepared to be musically more radical than Vecchi, however, and while largely respecting the homophonic declamation of text which is prescribed by the genre, there are passages of exuberant ornamentation and sighing echoes according to the nature of the poetic expression, whether laughing or crying from love.
Armoniosoincanto is an ensemble of largely female voices which has been performing and recording for almost 20 years; this is their third recording for Brilliant Classics, after beautifully contoured discs of Couperin (the Masses for the Parishes and Convents, BC94333) and the rather less familiar Laudario di Cortona (BC94872), a chant-book from the Middle Ages. They are based in the regions of Umbria and Tuscany, in the heart of Italy, and made this recording in the Umbrian town of Assisi. For
this recording they were joined by a mixed period-instrument ensemble of flutes, violas, theorbo and harpsichord.
The genre “canzonette” is the light version of the madrigal: using only 3 voices it is playful and popular in character, based on secular poems in a strophic form of 3 or 4 verses with ritornello.
Monteverdi composed his “Canzonette a tre voci” when he was 17, in order to gain recognition with a wider audience, and they have proven to be a perfect preparation for the more serious and complex works he later embarked on, such as the madrigals and the operas.
Performed with the right light hearted mood and dramatic impact by Armoniosoincanto, conducted by Franco Radicchia, using a rich continuo ensemble consisting of flutes, viola da braccia, viola da gamba, theorbo, baroque guitar and harpsichord.
The booklet contains scholarly written liner notes and biography, both in Italian and English.
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发表于 2025-5-22 07:57:54