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艺术家:斯捷潘·西蒙尼安
专辑名称:斯捷潘·西蒙尼安《环绕巴赫》
发行年份:2020年
厂牌:CAvi-music
音乐类型:古典乐
音质:FLAC无损 / 24位-96.0kHz FLAC(含手册)
总时长:01:07:38
总大小:236 MB / 1.03 GB
官网:专辑预览
曲目列表
01. 维瓦尔第D小调小提琴协奏曲RV.813改编:B小调钢琴独奏协奏曲,BWV 979 I.(柔板)快板(48kHz)
02. 维瓦尔第D小调小提琴协奏曲RV.813改编:B小调钢琴独奏协奏曲,BWV 979 II. 柔板
03. 维瓦尔第D小调小提琴协奏曲RV.813改编:B小调钢琴独奏协奏曲,BWV 979 III. 快板(庄板)
04. 维瓦尔第D小调小提琴协奏曲RV.813改编:B小调钢琴独奏协奏曲,BWV 979 IV. 行板
05. 维瓦尔第D小调小提琴协奏曲RV.813改编:B小调钢琴独奏协奏曲,BWV 979 V.(柔板)
06. 维瓦尔第D小调小提琴协奏曲RV.813改编:B小调钢琴独奏协奏曲,BWV 979 VI. 快板
07. F大调意大利协奏曲,BWV 971 I.(快板)
08. F大调意大利协奏曲,BWV 971 II. 行板
09. F大调意大利协奏曲,BWV 971 III. 急板
10. 十首众赞歌前奏曲,BV B 27 第9首:在你之中有喜乐,BWV 665(钢琴独奏改编)
11. G小调幻想曲与赋格,BWV 542 S. 463 幻想曲(弗朗茨·李斯特改编)
12. G小调幻想曲与赋格,BWV 542 S. 463 赋格(弗朗茨·李斯特改编)
13. 十首众赞歌前奏曲,BV B 27 第4首:现在 rejoice,亲爱的基督徒们,BWN 734
14. B-A-C-H主题幻想曲与赋格,S. 5922
15. 十首众赞歌前奏曲,BV B 27 第10首:耶稣基督,我们的救主,BWV 615(钢琴独奏改编)
16. 前奏曲、赋格与变奏曲,作品18号(萨克斯管与钢琴改编)
17. 康塔塔《上帝的时刻是最美好的时刻》,BWV 106,G.库塔格改编 I. 小奏鸣曲(四手联弹改编)
斯捷潘·西蒙尼安 - 环绕巴赫(2020)[高解析度]
“改编、释义、移植——在音乐世界中,这些术语指向同一范畴,其存在或许与艺术本身同样悠久。何为改编?
它是对原作的复刻,还是独立的新作品?改编者可在多大程度上偏离原作?谁才是真正的作者:原作曲家,还是改编者?即便从法律角度,这个问题仍复杂得难以界定。
巴赫一生常改编他人作品,也不断重写自己的创作。对他而言,这是自然之事,在其所处的时代亦不足为奇。许多键盘作品甚至无法确定最初是为羽管键琴、管风琴,还是击弦古钢琴而作。作为钢琴家,我始终认为这一议题至关重要:若选择现代三角钢琴演绎这些作品,便已是在以‘改编’形式呈现巴赫。”
Artist: Stepan Simonian
Title: All Around Bach
Year Of Release: 2020
Label: CAvi-music
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:07:38
Total Size: 236 mb / 1.03 gb
WebSite: Album Preview
Tracklist
01. Concerto for Piano solo in B Minor, BWV 979 after Violin Concerto in D Minor, RV. 813 by Antonio Vivaldi I. (Adagio). Allegro (48kHz)
02. Concerto for Piano solo in B Minor, BWV 979 after Violin Concerto in D Minor, RV. 813 by Antonio Vivaldi II. Adagio
03. Concerto for Piano solo in B Minor, BWV 979 after Violin Concerto in D Minor, RV. 813 by Antonio Vivaldi III. Allegro (Grave)
04. Concerto for Piano solo in B Minor, BWV 979 after Violin Concerto in D Minor, RV. 813 by Antonio Vivaldi IV. Andante
05. Concerto for Piano solo in B Minor, BWV 979 after Violin Concerto in D Minor, RV. 813 by Antonio Vivaldi V. (Adagio)
06. Concerto for Piano solo in B Minor, BWV 979 after Violin Concerto in D Minor, RV. 813 by Antonio Vivaldi VI. Allegro
07. Italian Concerto in F Major, BWV 971 I. (Allegro)
08. Italian Concerto in F Major, BWV 971 II. Andante
09. Italian Concerto in F Major, BWV 971 III. Presto
10. 10 Chorale Preludes, BV B 27 No. 9. In dir ist Freude, BWV 665 (Arr. for piano solo)
11. Phantasy and Fugue in G Minor, BWV 542 S. 463 Phantasy (Arr.by Franz Liszt)
12. Phantasy and Fugue in G Minor, BWV 542 S. 463 Fugue (Arr.by Franz Liszt)
13. 10 Chorale Preludes, BV B 27 No. 4. Nun freut euch, lieben Christen g'mein BWN 734
14. Phantasy and Fugue in B-A-C-H, S. 5922
15. 10 Chorale Preludes, BV B 27 No. 10. Jesus Christus, unser Heiland, BWV 615 (Arr. for piano solo)
16. Prelude, Fugue et Variation, Op. 18 (Arr. for saxophone & piano)
17. Cantata Gottes Zeit ist die allerbeste Zeit, BWV 106, arr. By G. Kurtag I. Sonatina (Arr. for four hands)
Stepan Simonian - All Around Bach (2020) [Hi-Res]
“Arrangements, paraphrases, copies – in the music world, these are just a few of the terms that designate the same genre, which has probably existed as long as art itself. What is an arrangement?
Is it more or less a copy of the original, or is it an independent work in its own right? How far can the arranger stray from the original? Who is the main author: the composer or the arranger? Even from a legal point of view, this subject is so complex that no clear answer has yet been found.
Throughout his life, Bach often arranged works by other composers and continually rearranged his own. This was something he found natural, and in his day and age it was nothing unusual. In the case of a great number of his works for keyboard, we are not sure whether they were intended for harpsichord, organ, or even clavichord. I have always found this subject of great importance: as a pianist, if one chooses the modern grand as the medium for these pieces, one is performing Bach exclusively in “arrangement” form.
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