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艺术家：苏西·勒布朗，君士坦丁堡乐团
专辑名称：君士坦丁堡乐团《变形记—巴洛克印象》
发行年份：2015年
厂牌：Groupe Analekta, Inc
音乐类型：古典乐
音质：FLAC无损 / 24位-96.0kHz FLAC（含手册）
总时长：00:52:45
总大小：291 MB / 1.05 GB
官网：专辑预览
曲目列表
01. 忘恩负义者的舞会（选段）
02. 甜蜜的折磨
03. 贝加马斯克舞曲
04. 第五交响曲（选段）
05. 多情的赫拉克利特
06. 卡波纳恰空舞曲
07. 请听一首小曲
08. 琶音托卡塔
09. 卡普斯贝格
10. 玛丽利德，快来
11. 碰撞
12. 加那利舞曲
13. 何必再拉紧弓弦
14. 帕萨卡利亚舞曲
15. 沉睡的爱神
苏西·勒布朗，君士坦丁堡乐团 - 《变形记——巴洛克印象》（2014）[高解析度]
“这种属于多个时空的感知，对我们而言如同呼吸与灵感般根本。”这几乎概括了君士坦丁堡乐团开放且具凝聚力的音乐项目理念。这是该乐团在Analekta厂牌下的又一力作：《变形记——巴洛克印象》。作为第十三张专辑，乐团延续了前作《早期梦想》设定的路线。
君士坦丁堡乐团再次构思了一场“多面”邂逅，邀请巴洛克小提琴家米伦·泽贝里奥与当代最受追捧的早期音乐女高音之一苏西·勒布朗，共同探索和重新诠释新曲目。这些曲目选自意大利作曲家的作品——他们虽不为大众所熟知，却是16世纪下半叶至17世纪初最杰出的作曲家：克劳迪奥·蒙特威尔第（1567-1643）、乔瓦尼·吉罗拉莫·卡普斯贝格（1580-1651）、马尔科·乌切利尼（1603-1680）、萨洛莫内·罗西（1570-1630）、塔尔奎尼奥·梅鲁拉（1595-1665）、斯特凡诺·兰迪（1587-1639），以及歌唱家兼作曲家芭芭拉·斯特罗齐（1619-1677）和安德烈亚·法尔科内里（1585-1656）。他们共同呈现了属于自己的“巴洛克印象”，同时在时间与空间两个维度间构建了交汇点。
在这个新的音乐场域中，诗歌与音乐由轻盈与大胆承载。“我们乐于打破文化与记忆的界限，使其最终汇聚融合。”君士坦丁堡乐团的音乐家们如此说道。乐团由基亚·塔巴西安（西塔琴、人声与艺术指导）和齐亚·塔巴西安（通巴克鼓与打击乐）于1998年创立，2008年迎来维奥尔琴演奏家皮埃尔-伊夫·马特尔的加入。“我们将文化的迁徙与融合视为自己的领域。”他们表示。从中世纪手稿到当代美学，从地中海欧洲到东方再到新大陆的巴洛克，乐团的项目日益丰富：过去十年间，乐团创作了35部新作品，足迹遍及22个国家的约120座城市（法国、摩洛哥、罗马尼亚、希腊、墨西哥、德国、葡萄牙、土耳其、黎巴嫩、伊朗、美国、加拿大等）。这支卓越的乐团持续吸引着各地观众，备受评论界与公众的赞誉。加拿大广播公司（Radio-Canada和CBC）从始至终关注着他们的旅程，录制并播出了乐团的大部分音乐会。
Artist: Suzie LeBlanc, Ensemble Constantinople
Title: Metamorfosi - Baroque Impressions
Year Of Release: 2015
Label: Groupe Analekta, Inc
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 00:52:45
Total Size: 291 mb / 1.05 gb
WebSite: Album Preview
Tracklist
01. Il ballo delle ingrate (Excerpt)
02. Si dolce e il tormento
03. Bergamasca
04. Sinfonia quinta (Excerpt)
05. L’Eraclito amoroso
06. Capona Ciaconna
07. Sentirete una canzonetta
08. Toccata arpeggiata
09. Kapsberger
10. Marillide deh vieni
11. Colasione
12. Canario
13. A che piu l’arc tendere
14. Passacaglia
15. Amor dormiglione
Suzie LeBlanc, Ensemble Constantinople - Metamorfosi - Baroque Impressions (2014) [Hi-Res]
“This awareness of belonging to several space-times is as basic to us as respiration, as inspiration.” That pretty much sums up Ensemble Constantinople's open and unifying musical projects. Here is yet another one, under the Analekta label: Metamorfosi – Impressions Baroques. With this thirteenth album, the group follows the course set by their previous album, Early Dreams.
Once again, Constantinople conceived of a “multif aceted” encounter, inviting Baroque violinist Miren Zeberio and singer Suzie LeBlanc , one of the most sought-after early music sopranos of her generation, to explore and revisit new tracks. Thes e tracks are taken from the repertoire of Italian composers, relatively unknown to the general public, yet some of the finest composers of the second half of the 16th and early 17th century: Claudio Monteverdi (1567-1643), Giovanni Girolamo Kapsberger (1580-1651), Marco Uccellini (1603- 1680), Salomone Rossi (1570-1630), Tarquinio Merula (1595-1665), Stefano Landi (1587-1639), as well as singers and composers Barbara Strozzi (1619-1677) and Andrea Falconieri (1585-1656). Together, they deliver their own “Baroque impressions”, creating at the same time a junction point bet ween two dimensions: time and place.
Poetry and music are carried by lightness and boldness on this new playing field. “We like to shift the lines of cultures and memories so that they finally converge”, say the musicians of Constantinople. Founded in 1998 by Kiya Tabassian (setar, voice and artistic direction) and Ziya Tabassian (tombak and percussion), the Ensemble welcomed viola da gamba player Pierre-Yves Martel to its ranks in 2008. “We have made migration and the mixing of cultures our terri tory”, they state. From medieval manuscripts to con temporary aesthetics, from Mediterranean Europe to the East to New World Baroque, the ensemble has a growing portfolio of projects: over the past decade, the group has devel oped 35 new works and have travelled to some 120 cities in 22 countries (France, Morocco, Romania, Greece, Mexico , Germany, Portugal, Turkey, Lebanon, Iran, the Uni ted States, Canada, etc.). This exceptional ensemble keeps on captivating audiences everywhere, and it is welcomed and praised by the critics as well as by the general public. Radio-Canada and CBC have been following their journey from the beginning, recording and broadcasting most of the ensemble's concerts.
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发表于 2025-5-23 07:51:19