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艺术家:雅纳切克三重奏组,奥里加弦乐四重奏
标题:雅纳切克三重奏组《影子舞者》
发行年份:2019年
厂牌:Navona
类型:古典音乐
音质:FLAC(分轨文件)/24位-96千赫兹FLAC(分轨文件)
总时长:01小时18分29秒
总容量:301兆字节/0.97吉字节
网站:专辑预览
曲目列表
01. 影子舞者:IV. 与梦的影子共舞(4分59秒)
02. 第8号弦乐四重奏:III. 激烈地(96kHz)(11分07秒)
03. 一封说我爱你并道别的信(10分04秒)
04. 影子舞者:V. 与永恒之爱共舞(6分08秒)
05. 影子舞者:I. 与灿烂阳光共舞(10分40秒)
06. 影子舞者:VI. 沿着无限边缘共舞(2分16秒)
07. 第8号弦乐四重奏:I. 坚决地(96kHz)(7分26秒)
08. 影子舞者:II. 与柔和月光共舞(8分16秒)
09. 第8号弦乐四重奏:II. 沉思地(96kHz)(11分35秒)
10. 影子舞者:III. 与星光的影子共舞(6分04秒)
埃利奥特·迈尔斯·麦金利(Elliott Miles McKinley)长期以来在美国当代音乐界颇具影响力。这位获奖音乐教授的新专辑《影子舞者》呈现了多首近期创作的室内乐作品,所有作品都围绕一个共同主题:爱的记忆。
毋庸置疑,所有作品都饱含情感。当不同情绪出现时,很容易就能辨识出来:例如,第8号弦乐四重奏中刺耳的不和谐音所传达的痛苦;重复出现的思绪、自发解决中透出的一线希望、碎片化的形式组合,以及类似夜曲中的最终缓和。还有为大提琴与钢琴而作的《一封说我爱你并道别的信》,其标题恰如其分,充满了十足的戏剧性和毫不掩饰的眷恋之情。
麦金利的首部钢琴三重奏《影子舞者》(也是专辑同名作品)拥有不少于六个乐章,每个乐章都以“在……的影子中跳舞”为题。这些“影子”如同其背后的作品一样多样:我们能看到灿烂阳光的影子、柔和月光的影子、闪烁星光的影子(前三乐章),还有希望的影子、梦的影子和无限的影子。当然,这些作品本身也名副其实,充满幻想。
所有这些创作都由技艺高超的室内乐音乐家演绎:知名的奥里加弦乐四重奏,加上大提琴独奏家帕特里克·欧文、钢琴家萨拉·鲍勃,以及备受赞誉的雅纳切克三重奏组。麦金利的作品不易诠释:它们充满了炫技的复杂细节和技术难点,但演奏者们却能优雅地驾驭。《影子舞者》无疑是一次协作的成果。音乐家们对音乐理念的默契理解,呼应了专辑主题的核心——爱的动机:如果爱不是让某人感到被理解,那它又是什么呢?《影子舞者》无需言语,便回答了这个问题。
Artist: Janáček Trio, Auriga String Quartet
Title: Shadow Dancer
Year Of Release: 2019
Label: Navona
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:18:29
Total Size: 301 MB / 0.97 GB
WebSite: Album Preview
Tracklist:
01. Shadow Dancer: IV. Dancing with the Shadows of Dreams (4:59)
02. String Quartet No. 8: III. Feroce (96kHz) (11:07)
03. A Letter to Say I Love You and Goodbye (10:04)
04. Shadow Dancer: V. Dancing with the Love of an Eternity (6:08)
05. Shadow Dancer: I. Dancing with Brilliant Sunlight (10:40)
06. Shadow Dancer: VI. Dancing Along the Edge of Infinity (2:16)
07. String Quartet No. 8: I. Risoluto (96kHz) (7:26)
08. Shadow Dancer: II. Dancing with Soft Moonlight (8:16)
09. String Quartet No. 8: II. Pensive (96kHz) (11:35)
10. Shadow Dancer: III. Dancing with the Shadows of Starlight (6:04)
Elliott Miles McKinley has long been an influential figure in the American contemporary music scene. The award-winning music professor's new album THE SHADOW DANCER presents several recent chamber works, all centered on a common theme: memories of love.
Indubitably, there is a lot of sentiment in all the pieces. It is easy to recognize the different moods when they appear: the agony in the jarring dissonances of String Quartet No. 8, for instance; the repetitive, recurring thoughts, a ray of hope in spontaneous resolution, an assortment of fragmented formalities, and the final subduement in a nocturne of sorts. But there is also the downright drama and unabashed wistfulness of A Letter to Say I Love You, and Goodbye, a piece for cello and piano, whose title was chosen most fittingly.
The Shadow Dancer, McKinley's first piano trio and the album's namesake, boasts no less than six movements, all titled Dancing In The Shadows of.... And these shadows are as multifarious as the pieces behind them: we find Shadows of Brilliant Sunlight, of Soft Moonlight, of Shimmering Starlight (the opening three movements), but also of Hope, of Dreams, and Infinity. Fanciful, certainly, and the pieces themselves follow suit in living up to their titles.
All of these creations are brought to life by highly accomplished chamber musicians: the well-known Auriga String Quartet, further solo cellist Patrick Owen, pianist Sarah Bob and finally the acclaimed Janáček Trio. McKinley's works aren't easy to interpret: they are full of virtuosic intricacies and technical pitfalls, but the performers navigate them most gracefully. THE SHADOW DANCER is a collaborative effort, no doubt. The musicians' Platonic understanding of the musical ideas mimics the essence of this album's theme, the motive of love: for what is love, if it isn't making someone feel understood? THE SHADOW DANCER answers this question without words.
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