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艺术家：乔纳森·比斯
标题：贝多芬：钢琴奏鸣曲，第六卷（第9、13及29号“槌子键琴”）
发行年份：2017年
厂牌：JB Recording
类型：古典音乐，钢琴
音质：无损FLAC / 24位-96.0千赫兹FLAC
总时长：01小时08分47秒
总容量：192兆字节 / 1.1吉字节
网站：专辑预览
曲目列表
01. E大调第9号钢琴奏鸣曲，作品14号第1首：I. 快板
02. E大调第9号钢琴奏鸣曲，作品14号第1首：II. 小快板
03. E大调第9号钢琴奏鸣曲，作品14号第1首：III. 回旋曲 舒适的快板
04. 降E大调第13号钢琴奏鸣曲，作品27号第1首“近似幻想曲的奏鸣曲”：I. 行板
05. 降E大调第13号钢琴奏鸣曲，作品27号第1首“近似幻想曲的奏鸣曲”：II. 十分活泼的快板
06. 降E大调第13号钢琴奏鸣曲，作品27号第1首“近似幻想曲的奏鸣曲”：III. 富有表现力的柔板
07. 降E大调第13号钢琴奏鸣曲，作品27号第1首“近似幻想曲的奏鸣曲”：IV. 活泼的快板
08. 降B大调第29号钢琴奏鸣曲，作品106号“槌子键琴”：I. 快板
09. 降B大调第29号钢琴奏鸣曲，作品106号“槌子键琴”：II. 谐谑曲 十分活泼的
10. 降B大调第29号钢琴奏鸣曲，作品106号“槌子键琴”：III. 绵延的柔板
11. 降B大调第29号钢琴奏鸣曲，作品106号“槌子键琴”：IV. 广板—坚决的快板
美国钢琴家乔纳森·比斯（Jonathan Biss）于20世纪90年代末开启职业生涯，曾与巴尔的摩交响乐团及其他多个美国知名乐团合作担任独奏家。2000年，他在纽约的演出为其事业带来突破性进展：同年，他在艾弗里·费舍尔大厅与库尔特·马苏尔指挥的纽约爱乐乐团首次合作担任独奏，并在92街Y的 Tisch中心举办独奏会首演，其演奏在两个场馆均赢得热烈好评。尽管他通常偏爱古典标准曲目，但也曾涉足当代音乐领域，演绎约翰·科里利亚诺、莱昂·基尔希纳等人的作品。
比斯于1980年9月18日出生于印第安纳州布卢明顿。有趣的是，他来自一个杰出的弦乐演奏家家庭：祖母是 Raya Garbousova——启发塞缪尔·巴伯创作《大提琴协奏曲》的大提琴家；母亲是著名小提琴家米里亚姆·弗里德，父亲是小提琴家/中提琴家保罗·比斯。小乔纳森6岁时从教师凯伦·泰勒处开始学习钢琴，11岁起在印第安纳大学跟随伊芙琳·布兰卡学习，三年后（1994年）赢得印第安纳波利斯和布卢明顿交响乐团举办的协奏曲比赛，并与这两个乐团合作演出门德尔松G小调钢琴协奏曲。1997年，比斯结束与布兰卡的学习，开始在费城柯蒂斯音乐学院跟随莱昂·弗莱舍学习。同年，他在沃尔夫陷阱音乐节与艾萨克·斯特恩合作，并获颁肖斯新人艺术家奖。次年，比斯开始与多个美国重要乐团合作担任独奏，包括巴尔的摩交响乐团、西雅图交响乐团、布法罗爱乐乐团和罗切斯特爱乐乐团。1999年，他获得艾弗里·费舍尔职业大奖，2000年上述突破性演出后，他受邀重返纽约，在包括纽约爱乐乐团在内的著名音乐场馆参与更多演出。在接下来的几年里，他与美国大多数顶尖乐团合作，包括费城、匹兹堡、波士顿、芝加哥和旧金山的乐团，还与柏林国家歌剧院管弦乐团（丹尼尔·巴伦博伊姆指挥）和埃森爱乐乐团等众多海外乐团合作。比斯的首张录音于2005年由EMI发行，收录了贝多芬和舒曼的作品。
Artist: Jonathan Biss
Title: Beethoven: Piano Sonatas, Vol. 6 (Nos. 9, 13 & 29 "Hammerklavier")
Year Of Release: 2017
Label: JB Recording
Genre: Classical, Piano
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:08:47
Total Size: 192 mb / 1.1 gb
WebSite: Album Preview
Tracklist
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01. Piano Sonata No.9 in E Major, Op. 14 No.1: I. Allegro
02. Piano Sonata No.9 in E Major, Op. 14 No.1: II. Allegretto
03. Piano Sonata No.9 in E Major, Op. 14 No.1: III. Rondo. Allegro comodo
04. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": I. Andante
05. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": II. Allegro molto e vivace
06. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": III. Adagio con espressione
07. Piano Sonata No.13 in E-Flat Major, Op. 27 No.1 "Sonata quasi una fantasia": IV. Allegro vivace
08. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": I. Allegro
09. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace
10. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": III. Adagio sostenuto
11. Piano Sonata No.29 in B-Flat Major, Op. 106 "Hammerklavier": IV. Largo. Allegro risoluto
American pianist Jonathan Biss launched his career in the late '90s, appearances as a soloist with the Baltimore Symphony and several other prominent national ensembles. He achieved career-boosting triumphs with his New York appearances in 2000: that year he debuted as soloist with Kurt Masur and the New York Philharmonic at Avery Fisher Hall and also gave his recital debut at Tisch Center at the 92nd Street Y, his pianism drawing enthusiastic critical response at both venues. While he has generally favored standard-repertory works, he has ventured onto contemporary turf with compositions by John Corigliano, Leon Kirchner, and others. Biss was born on September 18, 1980, in Bloomington, IN. Ironically, he comes from a distinguished family of string players: his grandmother was Raya Garbousova, the cellist who inspired Samuel Barber to compose his Cello Concerto; his mother is the well-known violinist Miriam Fried and his father the violinist/violist Paul Biss. Young Jonathan took his first piano lessons at the age of 6 from teacher Karen Taylor. At 11 he began studies at Indiana University with Evelyne Brancart, and then three years later (1994) won the concerto competitions held by the Indianapolis and Bloomington symphony orchestras, two ensembles with whom Biss then appeared in performances of the Mendelssohn G minor Piano Concerto. In 1997 Biss concluded his instruction with Brancart and began studying with Leon Fleisher at the Curtis Institute of Music in Philadelphia. Biss appeared that same year at Wolf Trap with Isaac Stern and there accepted the Shouse Debut Artist Award from him. The following year Biss began appearing as soloist with several of the more important American orchestras, including the Baltimore and Seattle symphony orchestras, and the Buffalo and Rochester philharmonic orchestras. In 1999 Biss was presented with an Avery Fisher career grant, and after the aforementioned triumphs in 2000, he was invited to return to New York for further engagements at prominent concert venues, including with the New York Philharmonic. Over the next few years he appeared with most of the leading American orchestras, including those in Philadelphia, Pittsburgh, Boston, Chicago, and San Francisco, and also played with numerous orchestras abroad, including the Staatskapelle Berlin (under Daniel Barenboim) and the Essen Philharmonic. Biss' first recording was released in 2005 on EMI and included works by Beethoven and Schumann.
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发表于 2025-5-26 07:59:35