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艺术家：瑞士罗曼德管弦乐团，特雷莎·贝尔甘扎，欧内斯特·安塞美
标题：法雅：三角帽（重新母带处理版）
发行年份：1961年
厂牌：迪卡音乐集团有限公司
类型：古典音乐
音质：FLAC（分轨文件）/24位-88.2千赫兹FLAC（分轨文件）
总时长：44分02秒
总容量：213/863兆字节
网站：专辑预览
曲目列表
01. 曼努埃尔·德·法雅·马瑟乌：《三角帽》/第一部分：引子（1分37秒）
02. 曼努埃尔·德·法雅·马瑟乌：《三角帽》/第一部分：下午（12分51秒）
03. 曼努埃尔·德·法雅·马瑟乌：《三角帽》/第二部分：邻居的舞蹈（3分14秒）
04. 曼努埃尔·德·法雅·马瑟乌：《三角帽》/第二部分：磨坊主的舞蹈（12分59秒）
05. 曼努埃尔·德·法雅·马瑟乌：《三角帽》/第二部分：终曲舞蹈（6分16秒）
06. 曼努埃尔·德·法雅·马瑟乌：《短暂的生命》：间奏曲-西班牙舞曲第一号（7分09秒）
战争期间，法雅根据佩德罗·安东尼奥·德·阿拉尔孔的中篇小说创作了哑剧芭蕾《法官与磨坊主的妻子》。俄罗斯芭蕾舞团创始人谢尔盖·佳吉列夫观看了1917年的首演，对其颇为欣赏，并认为这部芭蕾舞剧经修改后非常适合他当时已成立八年的舞团。法雅接受了委托，新芭蕾舞剧《三角帽》于1919年在伦敦首演。佳吉列夫本打算让法雅亲自指挥，但作曲家很快意识到自己不胜任，于是指挥重任交给了35岁的瑞士指挥家欧内斯特·安塞美，他自1915年起便为俄罗斯芭蕾舞团执棒。
此次再版对录音进行了出色的重新母带处理，并搭配德彪西极具画面感的三联画《意象集》。这延续了迪卡备受赞誉的“安塞美遗产”系列，该系列系统地从迪卡档案中挖掘珍贵资料进行再版，其中一些作品是首次以CD形式发行。
《企鹅指南》评价：“聆听安塞美20世纪60年代初版的《三角帽》，你会明白为何他的录音深受音响爱好者珍视：音质璀璨明亮且饱满。演奏充满个性，展现出指挥家与乐团的巅峰状态……《短暂的生命》中的间奏曲和舞曲在此尤其生动。”
“（AMG乐评人詹姆斯·曼海姆）：‘呈现二战后音响工程师最佳成果的音响ophile再版，也在许多情况下保留了难以超越的演奏。RCA的“活立体声”系列重新焕发了几张顶级专辑的活力，现在又有了这张1961年欧内斯特·安塞美指挥瑞士罗曼德管弦乐团、女中音特雷莎·贝尔甘扎演唱女声段落的法雅《三角帽》录音。精美的包装保留了大部分原始 liner 文字，还以另一种方式唤起了那个时代——其中有对重新母带处理技术的讨论，包括线路图等。音响迷会很高兴。普通听众也会喜欢——这是那个时代的音响盛宴之一，至今仍能与当今最佳录音媲美。《三角帽》以其丰富多彩的乐器音色序列，穿插大量西班牙打击乐器，是音响工程师有史以来最好的调色板之一。安塞美在1919年指挥了这部芭蕾舞剧的首演，当时舞台设计由毕加索完成，舞者来自著名的俄罗斯芭蕾舞团。他比任何其他指挥家都更了解这部作品，而灌录到黑胶唱片上的是一场色彩的狂欢——铜管、木管、打击乐和人声‘奥利！’的呼喊。原始录音的一些独特效果——贝尔甘扎和几位乐手被安排在离麦克风有一定距离的位置，以营造宽敞的准现场效果——在这一非凡的再版中得以充分展现。《短暂的生命》中著名的‘间奏曲’和‘舞曲’构成了激动人心的终曲。无论是音响爱好者还是使用普通设备的听众，都能从中获得极大享受。’”
特雷莎·贝尔甘扎，次女高音
瑞士罗曼德管弦乐团
欧内斯特·安塞美，指挥
1961年2月12日及17日录制于瑞士日内瓦维多利亚音乐厅
制作人：詹姆斯·沃克
数字重新母带处理
Artist: L'Orchestre de la Suisse Romande, Teresa Berganza, Ernest Ansermet
Title: Falla: The Three Cornered Hat (Remastered)
Year Of Release: 1961
Label: Decca Music Group Ltd.
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks)
Total Time: 44:02
Total Size: 213 / 863 MB
WebSite: Album Preview
Tracklist:
01. Manuel de Falla Matheu: El sombrero de tres picos / Pt. 1: Introduction (1:37)
02. Manuel de Falla Matheu: El sombrero de tres picos / Pt. 1: Pt.1 - Afternoon (12:51)
03. Manuel de Falla Matheu: El sombrero de tres picos / Pt. 2: Dance of the neighbours (3:14)
04. Manuel de Falla Matheu: El sombrero de tres picos / Pt. 2: Pt.2 - The Miller's Dance (12:59)
05. Manuel de Falla Matheu: El sombrero de tres picos / Pt. 2: Final dance (6:16)
06. Manuel de Falla Matheu: La vida breve: Interlude - Spanish Dance No.1 (7:09)
During the war, Falla wrote a pantomime ballet titled El Corregidor y la Molinera (‘The Magistrate and the Miller’s Wife’) based on a novella by Pedro Antonio de Alarcón. Sergei Diaghilev, founder of the Ballets Russes, was at the 1917 premiere. Liking what he saw, Diaghilev imagined that the ballet, with modifications, would be perfect for his then eight-year-old company. Falla accepted the commission, and the new ballet, now called El sombrero de tres picos (‘The Three-Cornered Hat’) was premiered in London in 1919. Diaghilev had intended to have Falla himself conduct the ballet, but the composer quickly realized that he was not up to the task, and so the responsibility went to 35-year-old Swiss conductor Ernest Ansermet, who had conducted the Ballets Russes since 1915.
It has been stunningly re-mastered for this reissue and is coupled with Debussy’s highly picturesque triptych “Images”. This continues the much-lauded Ansermet Legacy on Decca which has systematically mined the Decca archive for re-issues of much valuable material, some of it released on CD for the first time.
“Listening to Ansermet’s early 1960s version of The Three-Cornered Hat, you understand why his recordings are cherished by audiophiles: the sound is glitteringly brilliant and full. The performance has lots of character and shows the conductor and his orchestra on top form […] the Interlude and Dance from La vida breve is especially vivid here.” (Penguin Guide)
„Audiophile reissues presenting the best efforts of post-World War II sound engineers have also in several cases preserved performances that would simply be hard to improve upon. RCA's Living Stereo series has revivified several top-notch albums, and now comes this 1961 recording of Falla's The Three-Cornered Hat with Ernest Ansermet conducting l'Orchestre de la Suisse Romande, and the soprano passages from Teresa Berganza. The handsome packaging preserves much of the original liner text and also evokes that era in another way -- there is a discussion of the technology involved in the remastering, complete with wiring diagrams and the like. Sound nerds will be delighted. But so will ordinary listeners -- this is one of those period sonic extravaganzas that can still stand up to the best recordings made today. And The Three-Cornered Hat, with its kaleidoscopic sequence of instrumental colors, interspersed with a large battery of Spanish percussion, is one of the best palettes ever devised for the sound engineer. Ansermet conducted the ballet's premiere in 1919, with sets by Picasso and dancers from the celebrated Ballets Russes. He knew the work better than any other conductor, and what emerged onto vinyl was a riot of color -- brass, winds, percussion, and vocal "olé!" exclamations. Some unique effects of the original recording -- Berganza and a few of the instrumentalists are placed at some distance from the microphones in order to create a spacious, quasi-live effect -- come through in full color on this remarkable reissue. The famed "Interlude" and "Dance" from La vida breve make for a rousing finale. Thoroughly enjoyable for audiophiles and owners of ordinary equipment.“ (James Manheim, AMG)
Teresa Berganza, mezzo-soprano
L'Orchestre de la Suisse Romande
Ernest Ansermet, conductor
Recorded on 12th & 17th February 1961 at Victoria Hall, Geneva, Switzerland
Produced by James Walker
Digitally remastered
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发表于 2025-5-26 08:06:09