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艺术家:矢野康代
标题:舒伯特:钢琴奏鸣曲,D.894与845
发行年份:2020年
厂牌:IBS古典
类型:古典音乐
音质:无损FLAC / 24位-96.0千赫兹FLAC+手册
总时长:01小时16分27秒
总容量:295兆字节 / 1.16吉字节
网站:专辑预览
曲目列表
01. G大调钢琴奏鸣曲,作品78号,D.894“幻想曲”:I. 十分中板且如歌
02. G大调钢琴奏鸣曲,作品78号,D.894“幻想曲”:II. 行板
03. G大调钢琴奏鸣曲,作品78号,D.894“幻想曲”:III. 小步舞曲. 中庸的快板
04. G大调钢琴奏鸣曲,作品78号,D.894“幻想曲”:IV. 小快板
05. A小调钢琴奏鸣曲,作品42号,D.845:I. 中板
06. A小调钢琴奏鸣曲,作品42号,D.845:II. 稍动的行板
07. A小调钢琴奏鸣曲,作品42号,D.845:III. 谐谑曲. 活泼的快板
08. A小调钢琴奏鸣曲,作品42号,D.845:IV. 回旋曲. 活泼的快板
矢野康代 - 舒伯特:钢琴奏鸣曲,D.894与845(2020年)[高解析度]
从欢欣的梦境到苦涩的现实:若要恰当演绎弗朗茨·舒伯特的音乐——其情感表达范围极广,涵盖所有中间色调——首选乐器必须是弱强钢琴(Fortepiano),仅因其与舒伯特生前使用的钢琴相似。本次录音使用的型号基于维也纳制琴大师康拉德·格拉夫的三角钢琴,舒伯特本人曾拥有该型号乐器。其六个踏板可使舒伯特的音乐呈现出多面的柔韧性与深度。现代钢琴的踏板已缩减至两到三个,而熟练运用这六个踏板,能开拓出众多声音面向,如同打开通向多个房间的门,每个房间都以独特的方式与风格装饰。
Artist: Yasuyo Yano
Title: Schubert: Piano Sonatas, D. 894 & 845
Year Of Release: 2020
Label: IBS Classical
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:16:27
Total Size: 295 mb / 1.16 gb
WebSite: Album Preview
Tracklist
01. Piano Sonata in G Major, Op. 78, D. 894 "Fantasie": I. Molto moderato e cantabile
02. Piano Sonata in G Major, Op. 78, D. 894 "Fantasie": II. Andante
03. Piano Sonata in G Major, Op. 78, D. 894 "Fantasie": III. Menuetto. Allegro moderato
04. Piano Sonata in G Major, Op. 78, D. 894 "Fantasie": IV. Allegretto
05. Piano Sonata in A Minor, Op. 42, D. 845: I. Moderato
06. Piano Sonata in A Minor, Op. 42, D. 845: II. Andante poco moto
07. Piano Sonata in A Minor, Op. 42, D. 845: III. Scherzo. Allegro vivace
08. Piano Sonata in A Minor, Op. 42, D. 845: IV. Rondo. Allegro vivace
Yasuyo Yano - Schubert: Piano Sonatas, D. 894 & 845 (2020) [Hi-Res]
From the elated dream to the bitter reality: to provide a proper rendering of Franz Schubert’s music, with its enormous range of expressions including all the intermediate tones, the instrument of choice must be the Fortepiano, if only for its similitude to the pianos used during Schubert’s lifetime. The model used in the present recording is based on the grand piano of the Viennese master Conrad Graf, an instrument that Schubert himself owned. Its six pedals allow Schubert’s music to be played with multifaceted pliancy and depth. The skillful use of all these pedals, which in modern instruments have been reduced to two or three, opens up a multitude of sound facettes, similar to doors that open up to a multitude of rooms, each decorated in its own particular way and with its own particular style.
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