03-[2025] 舒伯特：小提琴与弱音钢琴奏鸣曲 [24B-96kHz]

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艺术家：彼得·汉森，安德鲁·阿瑟  
标题：舒伯特：小提琴与弱音钢琴奏鸣曲  
发行年份：2025年  
厂牌：Resonus Classics唱片公司  
流派：古典音乐  
音质：FLAC（音轨）/24位-96千赫兹FLAC（音轨）  
总时长：01小时02分32秒  
总大小：263兆字节/1.14吉字节  
网站：专辑预览  

曲目列表  
1. D大调第1小提琴奏鸣曲，D.384：I. 很快的快板（5:01）  
2. D大调第1小提琴奏鸣曲，D.384：II. 行板（4:41）  
3. D大调第1小提琴奏鸣曲，D.384：III. 活泼的快板（4:34）  
4. a小调第2小提琴奏鸣曲，D.385：I. 中板快板（10:05）  
5. a小调第2小提琴奏鸣曲，D.385：II. 行板（7:39）  
6. a小调第2小提琴奏鸣曲，D.385：III. 小步舞曲与三声中部（2:36）  
7. a小调第2小提琴奏鸣曲，D.385：IV. 快板（5:25）  
8. g小调第3小提琴奏鸣曲，D.408：I. 适当的快板（7:48）  
9. g小调第3小提琴奏鸣曲，D.408：II. 行板（5:39）  
10. g小调第3小提琴奏鸣曲，D.408：III. 小步舞曲与三声中部（2:52）  
11. g小调第3小提琴奏鸣曲，D.408：IV. 中板快板（6:16）  

舒伯特的三首《小提琴与弱音钢琴奏鸣曲》（作品137）虽在细腻度上可窥见莫扎特的影子，但其精神内核深深植根于早期浪漫主义的想象之中。这些创作于1816年的作品，仿佛栖居于艺术歌曲的私密世界，其中如歌曲般的旋律与小提琴和钢琴间富有表现力的对话占据核心地位。小提琴家彼得·汉森与弱音钢琴家安德鲁·阿瑟以仿古乐器演绎这些作品，揭示了现代钢琴常掩盖的微妙织体与细腻交互。汉森的乐句处理呼应了舒伯特声乐创作中富有表现力的抒情性，而阿瑟使用的弱音钢琴（以19世纪早期沃尔特父子公司的乐器为原型）则为奏鸣曲细腻多变的音色增添了光彩。这张录音邀请我们将舒伯特的奏鸣曲作为一个整体来体验，如同在维也纳沙龙中聆听：从迷人到忧郁，从纯真到沉思，所有情感都被歌曲般的短暂之美所塑造。

Artist: Peter Hanson, Andrew Arthur
Title: Schubert: Sonatas for Violin & Fortepiano
Year Of Release: 2025
Label: Resonus Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:02:32
Total Size: 263 MB / 1.14 GB
WebSite: Album Preview

Tracklist:

1. Violin Sonata No. 1 in D Major, D. 384: I. Allegro molto (5:01)
2. Violin Sonata No. 1 in D Major, D. 384: II. Andante (4:41)
3. Violin Sonata No. 1 in D Major, D. 384: III. Allegro vivace (4:34)
4. Violin Sonata No. 2 in A Minor, D. 385: I. Allegro moderato (10:05)
5. Violin Sonata No. 2 in A Minor, D. 385: II. Andante (7:39)
6. Violin Sonata No. 2 in A Minor, D. 385: III. Menuetto & Trio (2:36)
7. Violin Sonata No. 2 in A Minor, D. 385: IV. Allegro (5:25)
8. Violin Sonata No. 3 in G Minor, D. 408: I. Allegro giusto (7:48)
9. Violin Sonata No. 3 in G Minor, D. 408: II. Andante (5:39)
10. Violin Sonata No. 3 in G Minor, D. 408: III. Menuetto & Trio (2:52)
11. Violin Sonata No. 3 in G Minor, D. 408: IV. Allegro moderato (6:16)

Schubert's three Sonatas for Violin and Fortepiano, Op 137, may nod to Mozart in their delicacy, but their spirit is firmly rooted in the early Romantic imagination. Written in 1816, they seem to inhabit the intimate world of Lieder, where song-like melodies and expressive dialogues between violin and piano take centre stage. Violinist Peter Hanson and fortepianist Andrew Arthur bring these works to life on period instruments, revealing the subtle textures and nuanced interplay that modern pianos often obscure. Hanson's phrasing echoes the expressive lyricism of Schubert's vocal writing, while Arthur's fortepiano-- modelled on an early 19th-century Walther & Sohn-- illuminates the sonatas' delicate, shifting colours . This recording invites us to experience Schubert's Sonatas as a cycle, as they may have been heard in a Viennese salon: a journey from charm to melancholy, from innocence to reflection, all shaped by the ephemeral beauty of song.

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