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艺术家:彼得·谢泼德·斯凯尔韦德,克鲁采弦乐四重奏组
标题:萨克斯顿:第3与第4弦乐四重奏;小提琴独奏奏鸣曲《时间里的沉思》
发行年份:2025年
厂牌:Métier唱片公司
流派:古典音乐
音质:FLAC(音轨)/24位-192千赫兹FLAC(音轨+小册子)
总时长:01小时13分16秒
总大小:330兆字节/2.61吉字节
网站:专辑预览
曲目列表
1. 萨克斯顿:第3弦乐四重奏:I. 出发与回归(3:21)
2. 萨克斯顿:第3弦乐四重奏:II. 冬日之光(3:58)
3. 萨克斯顿:第3弦乐四重奏:III. 舞曲(3:44)
4. 萨克斯顿:第3弦乐四重奏:IV. 海边土地(4:32)
5. 萨克斯顿:第3弦乐四重奏:V. 持续的旅程(3:09)
6. 萨克斯顿:小提琴独奏奏鸣曲《时间里的沉思》:I.(5:14)
7. 萨克斯顿:小提琴独奏奏鸣曲《时间里的沉思》:II.(4:08)
8. 萨克斯顿:小提琴独奏奏鸣曲《时间里的沉思》:III.(4:01)
9. 萨克斯顿:小提琴独奏奏鸣曲《时间里的沉思》:IV.(4:38)
10. 萨克斯顿:小提琴独奏奏鸣曲《时间里的沉思》V.(7:32)
11. 萨克斯顿:第4弦乐四重奏:I. 破浪(2:36)
12. 萨克斯顿:第4弦乐四重奏:II. 时间螺旋:帕萨卡利亚舞曲(4:39)
13. 萨克斯顿:第4弦乐四重奏:III. 夜景(3:59)
14. 萨克斯顿:第4弦乐四重奏:IV. ……舞蹈永远不会停止……(6:20)
15. 萨克斯顿:第4弦乐四重奏:V. ……在旋转世界的静止点……(3:53)
16. 萨克斯顿:第4弦乐四重奏:VI. 赞美诗(3:11)
17. 萨克斯顿:第4弦乐四重奏:VII. 破晓(4:28)
《时间里的沉思》汇集了罗伯特·萨克斯顿的三部重要作品,这些作品突破了弦乐四重奏和小提琴独奏的表现力与结构边界。由著名的克鲁采弦乐四重奏组和小提琴家彼得·谢泼德·斯凯尔韦德演绎,这张专辑完美展现了萨克斯顿将理性严谨与深情的音乐叙事相融合的能力。第3弦乐四重奏(2009年)在五个错综复杂的乐章中展开,穿越循环形式和不断变化的调式风景。这部作品充满对比,从《冬日之光》的沉思冷峻转向《舞曲》的强劲活力,最后以《持续的旅程》收尾,该乐章逐渐融入自身开始时的共鸣。
小提琴独奏奏鸣曲《时间里的沉思》(2023年)由斯凯尔韦德的艺术作品启发并为其而作,深刻探索了对称、记忆与蜕变。萨克斯顿构建了一个声音世界,其中旋律姿态相互映射和折射,捕捉到时间流动性的本质。作品结构让人联想到巴赫和贝尔格的回文形式,挑战了对音乐运动的感知,在声音与视觉艺术之间建立了有机联系。第4弦乐四重奏(2023年)是对创造与更新的沉思,通过七个乐章描绘了一段上升旅程,每个乐章都与一个象征性的音高循环相关联。
从开篇《破浪》唤起声音与运动的诞生,到最后乐章《破晓》回响着之前所有乐章的余韵,这部四重奏体现了一段广阔的时间与和声之旅。其中央乐章《……舞蹈永远不会停止……》是一段急切而不安的舞蹈,周围环绕着沉思时间流逝和人类经验的内省乐章。萨克斯顿的音乐以其精湛的工艺和哲学深度为特点。在《时间里的沉思》中,他与克鲁采弦乐四重奏组和谢泼德·斯凯尔韦德的长期合作达到了新的高度,呈现出既精准又充满激情的演奏。这张唱片为当代弦乐作品增添了重要一笔,吸引着那些关注现代室内音乐在理性与情感层面可能性的听众。
Artist: Peter Sheppard Skærved, Kreutzer Quartet
Title: Saxton: String Quartets Nos. 3 & 4; Sonata for Solo Violin "Reflections in Time"
Year Of Release: 2025
Label: Métier
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 01:13:16
Total Size: 330 MB / 2.61 GB
WebSite: Album Preview
Tracklist:
1. Saxton: String Quartet No. 3: I. Departure and Return (3:21)
2. Saxton: String Quartet No. 3: II. Winter Light (3:58)
3. Saxton: String Quartet No. 3: III. Dance (3:44)
4. Saxton: String Quartet No. 3: IV. Sea Ground (4:32)
5. Saxton: String Quartet No. 3: V. Continuing Journey (3:09)
6. Saxton: Sonata for Solo Violin "Reflections in Time": I. (5:14)
7. Saxton: Sonata for Solo Violin "Reflections in Time": II. (4:08)
8. Saxton: Sonata for Solo Violin "Reflections in Time": III. (4:01)
9. Saxton: Sonata for Solo Violin "Reflections in Time": IV. (4:38)
10. Saxton: Sonata for Solo Violin "Reflections in Time" V. (7:32)
11. Saxton: String Quartet No. 4: I. Wavebreak (2:36)
12. Saxton: String Quartet No. 4: II. Time Spiral. Passacaglia (4:39)
13. Saxton: String Quartet No. 4: III. Nightscape (3:59)
14. Saxton: String Quartet No. 4: IV. …the dancing will never be done… (6:20)
15. Saxton: String Quartet No. 4: V. …at the still point of the turning world… (3:53)
16. Saxton: String Quartet No. 4: VI. Hymn (3:11)
17. Saxton: String Quartet No. 4: VII. Daybreak (4:28)
Reflections in Time brings together three major works by Robert Saxton which push the expressive and structural boundaries of the string quartet and solo violin. Performed by the renowned Kreutzer Quartet and violinist Peter Sheppard Skærved, this album beautifully illustrates Saxton’s ability to fuse intellectual rigor with deeply evocative musical storytelling. String Quartet No. 3 (2009) unfolds in five intricately woven movements, charting a course through cyclical forms and shifting modal landscapes. A work of compelling contrast, it moves from the meditative austerity of Winter Light to the driving energy of Dance, before closing with Continuing Journey, a movement that dissolves into the very resonance of its own beginning.
The Sonata for Solo Violin, Reflections in Time (2023), written for and inspired by Skærved’s artwork, is a profound exploration of symmetry, memory, and transformation. Saxton constructs a sonic world where melodic gestures mirror and refract, capturing the essence of time’s fluidity. With a structure reminiscent of the palindromic forms found in Bach and Berg, the work challenges perceptions of musical motion, forging an organic connection between sound and visual art. String Quartet No. 4 (2023) is a meditation on creation and renewal, mapping an ascent through seven movements, each tied to a symbolic pitch cycle.
From the opening Wavebreak, evoking the birth of sound and motion, to the final movement, Daybreak, which resonates with echoes of all that preceded it, the quartet embodies a vast temporal and harmonic journey. Its centerpiece, “...the dancing will never be done...,” is an urgent and restless dance, framed by introspective movements that contemplate the passage of time and human experience. Saxton’s music is defined by its meticulous craftsmanship and philosophical depth. In Reflections in Time, his long-standing collaboration with the Kreutzer Quartet and Sheppard Skærved reaches new heights, producing performances that are as precise as they are impassioned. This recording offers a vital addition to the contemporary string repertoire, appealing to listeners attuned to the intellectual and emotional possibilities of modern chamber music.
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