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艺术家：帕沃尔·布雷斯利克，慕尼黑广播管弦乐团，帕特里克·兰格
标题：莫扎特：歌剧咏叹调 慕尼黑广播管弦乐团
发行年份：2016年
厂牌：俄耳甫斯
类型：古典音乐
音质：无损弗拉科格式/24比特-44.1千赫兹弗拉科格式
总时长：00:55:33
总大小：278/542兆字节
网站：专辑预览
曲目单
01.《伊多梅纽》，K.366：第一幕：我无罪
02.《伊多梅纽》，K.366：第二幕：出海
03.《唐璜》，K.527：第一幕：自从她的倩影
04.《唐璜》，K.527：第二幕：我的宝贝如今
05.《女人心》，K.588：第一幕：爱情的气息
06.《后宫诱逃》，K.384：第一幕：康斯坦茨，再次见到你
07.《后宫诱逃》，K.384：第三幕：我完全信赖你的力量
08.《魔笛》，K.620：第一幕：这肖像迷人地美丽
09.《魔笛》，K.620：第一幕：这少年的智慧教诲
10.《魔笛》，K.620：第一幕：你的魔音多么强大！
11.《可怜人！哦，梦境……归来吧，温柔的微风》，K.431
在俄耳甫斯的最新发行中，不断拓展曲目的艺术家帕沃尔·布雷斯利克回归莫扎特——这位令他声名远扬的作曲家：“当我从饰演伦斯基或美声角色的其他曲目回归莫扎特，感觉塔米诺就像我的家，我知道自己做了正确的选择。”这位1979年生于斯洛伐克的年轻艺术家，21岁时在布拉格——《唐璜》的首演地——以极具挑战性的唐·奥塔维奥一角开启职业演唱生涯。此后，他在全球众多顶尖舞台上塑造了更多此类角色：2008年萨尔茨堡（克劳斯·古特执导）、2009年慕尼黑制作、2011年维也纳国家歌剧院、康斯坦丁·卡里季斯执棒的伦敦演出、2012年杜达梅尔执棒的洛杉矶演出，以及2013年作为常驻艺术家的苏黎世演出。
帕沃尔·布雷斯利克在另一个莫扎特作品首演地也大获成功：2008年慕尼黑居维利埃剧院重新开放时，他在迪特尔· Dorn执导的新版《伊多梅纽》中饰演伊达曼特，该角色的父亲——祭司伊多梅纽的著名咏叹调《出海》也收录于此。值得一提的是，在这首咏叹调中，歌手挑战了原版的炫技装饰音，而莫扎特在作品首演时为照顾年长的独唱者省去了这些段落。
《后宫诱逃》中贝尔蒙特的四首咏叹调里，收录了最重要的两首：《康斯坦茨，再次见到你》和《我完全信赖你的力量》（又称“建筑师咏叹调”，常因音域宽广、难度高且篇幅长而被删减）。布雷斯利克曾于2010年在纽约大都会歌剧院和伦敦饰演《女人心》中的费兰多，但因声带发炎不得不临时退出迪特尔· Dorn在慕尼黑的制作。此次收录的《爱情的气息》是后期录制版本。
如今，布雷斯利克将塔米诺视为自己在莫扎特角色中的代表作：他早年在故乡布拉迪斯拉发演唱过该角色；在柏林菩提树下大街国家歌剧院的驻团时期就开始演绎；2006年在巴伐利亚国家歌剧院首演；最近还在西蒙·拉特尔执棒的巴登-巴登制作中塑造了这一形象。由于该角色仅有一首真正的咏叹调，其后紧接着魔笛的 enchantment 场景（魔法笛音场景）和与朗诵者的对手戏，此处朗诵者由资深艺术家何塞·范·达姆担任。
Artist: Pavol Breslik, Münchner Rundfunkorchester, Patrick Lange
Title: Mozart: Opera Arias
Year Of Release: 2016
Label: Orfeo
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz
Total Time: 00:55:33
Total Size: 278 / 542 mb
WebSite: Album Preview
Tracklist
01. Idomeneo, K. 366: Act I: Non ho colpa
02. Idomeneo, K. 366: Act II: Fuor del mar
03. Don Giovanni, K. 527: Act I: Dalla sua pace
04. Don Giovanni, K. 527: Act II: Il mio tesoro intanto
05. Cosi fan tutte, K. 588: Act I: Un aura amorosa
06. Die Entfuhrung aus dem Serail, K. 384: Act I: Konstanze, dich wiederzusehen
07. Die Entfuhrung aus dem Serail, K. 384: Act III: Ich baue ganz auf deine Stärke
08. Die Zauberflöte, K. 620: Act I: Dies Bildnis ist bezaubernd schön
09. Die Zauberflöte, K. 620: Act I: Die Weisheitslehre dieser Knaben
10. Die Zauberflöte, K. 620: Act I: Wie stark ist nicht dein Zauberton!
11. Misero! o sogno ... Aura che intorni spiri, K. 431
In this latest release from Orfeo, Pavol Breslik an artist progressively adding to his repertoire returns to Mozart, a composer for which he has become renowned: 'When I go back to Mozart after excursions into other repertoire like Lensky or bel canto and feel at home with Tamino, I know I have done the right thing.' Born in Slovakia in 1979, the young artist made his professional singing debut at the age of twenty-one in the challenging role of Don Ottavio, in the very city where Don Giovanni was premiered: Prague. Since then, he has added to his tally of such roles on many of the world's leading stages: Salzburg in 2008 (staged by Claus Guth), the Munich production of 2009, Vienna Staatsoper in 2011, London under Constantin Carydis and Los Angeles under Dudamel in 2012 and at last in 2013 Zurich, where the artist is resident. Pavol Breslik enjoyed great success at another Mozart premiere location, in Dieter Dorn's new staging of Idomeneo at the 2008 reopening of the Cuvilliés Theatre in Munich, in the role of Idamante. Also to be heard here is the great 'Fuor del mar' aria of the title role, sung by the priest Idomeneo, Idamante's father. In this latter aria, needless to say, the singer rises to the challenge of the original version's virtuoso ornaments, which Mozart spared his elderly soloist at the work's first performance. Of Belmonte's four arias in Die Entführung, the two most important are included here, 'Konstanze, dich wieder zu sehen' and 'Ich baue ganz auf deine Stärke', known as the 'master builder's aria' and often dropped on account of its wide vocal range, challenges and length. Having sung the role of Ferrando in Così fan tutte in 2010 at the New York Met and in London, Pavol Breslik was regrettably obliged to withdraw at short notice from Dieter Dorn's Munich production on account of an inflammation of the vocal cords. The present 'Un' aura amorosa' is a later recording. Breslik now treats Tamino almost as his showpiece among Mozart roles: he sang it at an early age in his home city of Bratislava; he has been singing it at Berlin's Staatsoper Unter den Linden ever since his ensemble years there; he made his 2006 debut with it at the Bavarian Staatsoper; and only lately he embodied the part in the Baden-Baden production under Simon Rattle. As the role contains just one real aria, it is followed by the enchantment scene with the magic flute and a scene with the reciter, here played by the venerable José van Dam.
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发表于 2025-5-29 08:15:22