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艺术家:柏林古乐学院
标题:泰勒曼:多种乐器协奏曲(2017)
发行年份:2017年
厂牌:世界和谐
流派:古典音乐
音质:24位-96千赫兹FLAC(分轨)
总时长:1小时12分05秒
总大小:1.33千兆字节
网站:专辑预览
曲目列表
格奥尔格·菲利普·泰勒曼(1681-1767)
D大调三小号与定音鼓协奏曲,TWV 54 3
1 I. 入场曲-庄板 02:10
2 II. 快板 02:30
3 III. 广板 02:25
4 IV. 活泼的快板 02:47
B小调双长笛与卡尔喀冬琴协奏曲,TWV 53:h1
5 I. 庄板 03:45
6 II. 活泼的快板 02:34
7 III. 柔板 02:48
8 IV. 快板 02:54
降B大调三双簧管、三小提琴与通奏低音协奏曲,TWV 44:43
9 I. 快板 02:32
10 II. 广板 02:30
11 III. 快板 02:46
F小调双小提琴、中提琴、大提琴与通奏低音奏鸣曲,TWV 44:32
12 I. [柔板] 01:16
13 II. [快板] 01:52
14 III. 广板 01:50
15 IV. 急板 02:06
F大调曼陀林、扬琴、竖琴与通奏低音协奏曲,TWV 53:F1
16 I. 快板 05:32
17 II. 广板 06:24
18 III. 活泼的快板 03:27
D小调双双簧管、低音提琴与通奏低音协奏曲,TWV 53:d1
19 I. 庄板 02:48
20 II. 快板 01:58
21 III. 深情的快板 01:56
22 IV. 活泼的快板 02:17
D大调三圆号与小提琴协奏曲,TWV 54 2
23 I. 活泼的快板 03:41
24 II. 庄板-柔板-庄板 03:27
25 III. 急板 02:21
G大调双小提琴、双中提琴与通奏低音四重奏,TWV 43:G5
26 I. 柔板 01:29
柏林古乐学院演绎泰勒曼的《多种乐器协奏曲》选集——这些作品以奇特美妙的乐器组合与丰富多样的风格为特色。若想探寻巴赫《勃兰登堡协奏曲》的灵感源头,泰勒曼的协奏曲便是答案。
有人说维瓦尔第将同一首协奏曲写了300次,但谁能对泰勒曼下此断言?此处选录的作品不仅包含各类奇异美妙的乐器组合(如四把小号、三支圆号、双长笛与卡尔喀冬琴,甚至曼陀林、竖琴与扬琴),更展现了从维瓦尔第式的热情洋溢,到法国旧王朝优雅舞曲,再到严谨的德国对位法等多元风格。除《餐桌音乐》中的协奏曲外,本专辑收录作品的创作时间约在1710至1720年间。
柏林古乐学院(Akamus)成立于1982年,如今已成为世界顶尖的古乐器室内乐团之一,拥有无与伦比的成功历程。自1994年起,其录音仅由世界和谐唱片发行,并斩获留声机奖、爱迪生奖、年度金音叉奖及德国唱片评论年度奖等重要古典录音奖项。2006年,乐团获颁马格德堡泰勒曼奖;2014年,又分别摘得巴赫奖章与回声古典音乐奖。
Artist: Akademie für Alte Musik Berlin
Title: Telemann: Concerti per molti stromenti (2017)
Year Of Release: 2017
Label: Harmonia Mundi
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks)
Total Time: 01:12:05
Total Size: 1.33 GB
WebSite: Album Preview
Tracklist:
Georg Philipp Telemann (1681-1767)
Concerto for 3 Trumpets and Timpani in D Major, TWV 54 3
1 I. Intrada-Grave 02:10
2 II. Allegro 02:30
3 III. Largo 02:25
4 IV. Vivace 02:47
Concerto for 2 Flutes and Calchedon in B Minor, TWV 53:h1
5 I. Grave 03:45
6 II. Vivace 02:34
7 III. Dolce 02:48
8 IV. Allegro 02:54
Concerto for 3 Oboes, 3 Violins and Continuo in B-Flat Major, TWV 44:43
9 I. Allegro 02:32
10 II. Largo 02:30
11 III. Allegro 02:46
Sonata for 2 Violins, 2 Violas, cello and Continuo in F Minor, TWV 44:32
12 I. [Adagio] 01:16
13 II. [Allegro] 01:52
14 III. Largo 01:50
15 IV. Presto 02:06
Concerto for Mandolin, Hammered Dulcimer, Harp and Continuo in F Major, TWV 53:F1
16 I. Allegro 05:32
17 II. Largo 06:24
18 II. Vivace 03:27
Concerto for 2 Oboes, Bass and Continuo in D minor, TWV 53:d1
19 I. Grave 02:48
20 II. Allegro 01:58
21 III. Affettuoso 01:56
22 IV. Vivace 02:17
Concerto for 3 Horns and Violin in D Major, TWV 54 2
23 I. Vivace 03:41
24 II. Grave - Adagio- Grave 03:27
25 III. Presto 02:21
Quartet for 2 Violins, 2 Violas and Continuo in G major, TWV 43:G5
26 I. Adagio 01:29
Akademie für Alte Musik Berlin perform a selection of Telemann's Concerti per molti stromenti - works that feature many unusual and wonderful instrumental combination, and an amazing variety of styles. If you ever wondered where Bach got the idea for the Brandenburg Concertos, look no further than the concertos of Telemann.
It has been said that Vivaldi wrote the same concerto 300 times. Could anyone possibly say that of Telemann? Not only do the examples here feature every kind of weird and wonderful instrumental combination – four trumpets, three horns, two flutes and calchedon, and even mandolin, harp and dulcimer; they also display the most amazing variety of styles, from Vivaldian exuberance to elegant Ancien Régime dances by way of learned German counterpoint. The works on this recording, with the exception of the concerto from the Tafelmusik, were probably written between approximately 1710 and 1720.
The Akademie für Alte Musik Berlin (Akamus) was founded in 1982 in Berlin. Since then, it has become one of the world’s leading chamber orchestras on period instruments and can look back on an unprecedented history of success. Since 1994, their recordings have been produced exclusively for harmonia mundi and have won all the important awards for classical recordings, including Gramophone, Edison, Choc de l’année as well as the Jahrespreis der Deutschen Schallplattenkritik. In 2006, Akamus received the Telemann prize of Magdeburg and in 2014 both the Bach Medal and Echo Klassik.
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