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艺术家:安吉拉·布朗里奇
标题:肖邦:四首叙事曲
发行年份:2017年
厂牌:Challenge Classics
流派:古典音乐
音质:24位-96千赫兹FLAC(分轨)
总时长:1小时07分05秒
总大小:1.0千兆字节
网站:专辑预览
曲目列表
弗雷德里克·肖邦(1810-1849)
01. 第二钢琴奏鸣曲,作品35号:庄板. 双重乐章
02. 第二钢琴奏鸣曲,作品35号:谐谑曲
03. 第二钢琴奏鸣曲,作品35号:葬礼进行曲:慢板
04. 第二钢琴奏鸣曲,作品35号:终曲. 急板. 弱声且连奏
05. 第一叙事曲,作品23号
06. 第二叙事曲,作品38号
07. 第三叙事曲,作品47号
08. 第四叙事曲,作品52号
09. 幻想曲,作品49号
英国钢琴家安吉拉·布朗里奇在Challenge Classics发行的三部曲专辑中,继贝多芬钢琴奏鸣曲之后,带来肖邦创作的核心作品——四首叙事曲、第二钢琴奏鸣曲及《幻想曲》作品49号。
乐评人布莱斯·莫里森在 liner notes 中写道:“如今难以想象肖邦音乐对首批听众的震撼。他融合斯拉夫的激情与高卢的精准(其父有法国血统),构建了充满想象力的大胆世界,让听众沉醉、困惑又迷茫。肖邦始终对解读保持疏离,任由想象丰富的人得出主观结论。如同后来的福雷,肖邦不屑于已出版的‘诱导性’注释。务实而言,第二钢琴奏鸣曲是肖邦最阴郁的大型杰作,堪称其巅峰创作之一,全曲虽新颖却拥有惊人的连贯性。四首叙事曲延续了这种‘新意冲击’,最后是F小调《幻想曲》。
“值得补充的是,有人因肖邦未创作歌剧、交响曲或清唱剧而质疑其地位,但这位‘在陌生之地的梦想家’的回应是:他已为钢琴写出了所有这些体裁。正如他所言:‘钢琴是我的坚实根基,我在其上站立得最稳。’”
安吉拉·布朗里奇的演出足迹遍及伦敦所有主要音乐厅及英国、欧洲、美国、加拿大、远东和澳大利亚,曾与诸多顶尖乐团及指挥家合作,参演的音乐节包括巴斯、爱丁堡、沃里克、罗德岛纽波特、布拉迪斯拉发、布尔诺、香港和马斯特里赫特。她的录音曲目广泛,涵盖巴伯、格什温、肯尼思·莱顿的完整钢琴作品,以及圣-桑的全套钢琴协奏曲等首次录制的作品集。
Artist: Angela Brownridge
Title: Chopin: The Four Ballades
Year Of Release: 2017
Label: Challenge Classics
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks)
Total Time: 01:07:05
Total Size: 1.0 GB
WebSite: Album Preview
Tracklist:
Frédéric Chopin (1810-1849)
01. Piano Sonata No. 2, Op. 35: Grave. Doppio movimento
02. Piano Sonata No. 2, Op. 35: Scherzo
03. Piano Sonata No. 2, Op. 35: Marche funèbre: Lento
04. Piano Sonata No. 2, Op. 35: Finale. Presto. Sotto voce e legato
05. Ballade No. 1, Op. 23
06. Ballade No. 2, Op. 38
07. Ballade No. 3, Op. 47
08. Ballade No. 4, Op. 52
09. Fantaisie, Op. 49
British pianist Angela Brownridge presents the second of three Challenge Classics recordings exploring classical and romantic masterpieces. Following a disc of Beethoven Pianos Sonatas, here she performs some of the cornerstones of Chopin's creative output - the Four Ballades, the Second Piano Sonata and Fantasie, Op.49.
In his liner notes Bryce Morrison says: "Today it is difficult to appreciate the impact Chopin's music had on his first listeners. His mix of Slavonic passion and Gallic precision (his father was of French ancestry) created a world of such imaginative daring that it left his audiences bewitched, bothered and bewildered. Enigmatic to the last Chopin held aloof from such comments and left the more fancifully inclined to draw their own subjective conclusions. Like Fauré after him, Chopin disdained his published tempting tell-tale additions. More pragmatically, Piano Sonata No.2 is Chopin's darkest, large-scale masterpiece, ranking among the composer's supreme creations. Remarkably you are left with a work of an astonishing, if wholly novel coherence. The shock of the new continues with the Four Ballades. Finally, the F minor Fantaisie.
"I should add that Chopin's stature is sometimes questioned by those who claim he composed no operas, symphonies or oratorios. But the answer by this 'dreamer in strange places' is that he wrote all of these, but for the piano. As he himself put it, 'the piano is my solid ground, on that I stand the strongest.'"
Angela Brownridge has performed extensively in all the major London concert halls and throughout the UK as well as Europe, the USA, Canada, the Far East and Australia. She has been a soloist with many leading orchestras and conductors, and Festival engagements include Bath, Edinburgh, Warwick, Newport Rhode Island, Bratislava, Brno, Hong Kong, and Maastricht. Her recorded repertoire is very varied, including some first ever collections of the complete piano music of Barber, Gershwin, Kenneth Leighton and the complete piano concertos of Saint-Saëns.
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