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艺术家:哈雷乐团,马克·埃尔德爵士,尼尔·戴维斯
标题:沃恩·威廉斯:《约伯》与《旅行之歌》
发行年份:2020年
厂牌:哈雷音乐会协会
流派:古典音乐
音质:24位44.1千赫兹FLAC+小册子
总时长:1小时10分16秒
总大小:582兆字节
网站:专辑预览
曲目列表
01. 《旅行之歌》:I. 流浪者(拉尔夫·沃恩·威廉斯配器)
02. 《旅行之歌》:II. 让美苏醒(罗伊·道格拉斯配器)
03. 《旅行之歌》:III. 路边的火(拉尔夫·沃恩·威廉斯配器)
04. 《旅行之歌》:IV. 青春与爱情(罗伊·道格拉斯配器)
05. 《旅行之歌》:V. 在梦中(拉尔夫·沃恩·威廉斯配器)
06. 《旅行之歌》:VI. 璀璨无垠的天堂(罗伊·道格拉斯配器)
07. 《旅行之歌》:VII. 我该漂泊向何方?(罗伊·道格拉斯配器)
08. 《旅行之歌》:VIII. 言语的光环如此明亮(拉尔夫·沃恩·威廉斯配器)
09. 《旅行之歌》:IX. 我曾跋涉过上坡与下坡(罗伊·道格拉斯配器)
10. 《约伯》:场景I. 引子
11. 《约伯》:场景I. 众子的萨拉班德舞曲
12. 《约伯》:场景II. 撒旦的胜利之舞
13. 《约伯》:场景III. 约伯子女与儿媳的小步舞曲
14. 《约伯》:场景IV. 约伯的梦
15. 《约伯》:场景V. 三位使者的舞蹈
16. 《约伯》:场景VI. 约伯安慰者的舞蹈
17. 《约伯》:场景VII. 以利户的青春与美丽之舞
18. 《约伯》:场景VII. 晨星之子的帕凡舞曲
19. 《约伯》:场景VIII. 晨星之子的加亚尔德舞曲
20. 《约伯》:场景VIII. 祭坛之舞与天国帕凡舞曲
21. 《约伯》:场景IX. 尾声(绵延的广板)
作品背景与赏析
哈雷乐团最新发行的沃恩·威廉斯作品专辑,收录了两部具有里程碑意义的代表作:
一、《旅行之歌》(*Songs of Travel*)
创作背景:作于1901至1904年,歌词源自罗伯特·路易斯·史蒂文森的诗歌,最初为声乐与钢琴而作,部分由作曲家本人配器,部分由罗伊·道格拉斯完成。这部作品标志着沃恩·威廉斯个人风格的形成,融合了他对英国民歌的热爱与细腻的抒情性。
音乐特点:
九首歌曲如同一部“声音的游记”,从《流浪者》的不羁洒脱到《在梦中》的朦胧诗意,再到《璀璨无垠的天堂》的庄严辽阔,展现了从喜悦到忧郁的多元情感。
配器富有画面感,例如《路边的火》中弦乐的颤动模拟火焰跳动,《言语的光环如此明亮》以木管的轻盈音色呼应歌词的灵动。
演唱亮点:尼尔·戴维斯(Neal Davies)的嗓音兼具戏剧性与细腻度,曾获1991年卡迪夫世界歌手大赛艺术歌曲奖,其演绎精准捕捉了歌词中的流浪情怀与哲思。
二、《约伯》(*Job: A Masque for Dancing*)
创作背景:受威廉·布莱克的版画启发,作于1927至1930年,以《圣经·约伯记》为蓝本,探讨苦难与神性正义的关系。古斯塔夫·霍尔斯特称其为“杰作”,沃恩·威廉斯通过传统民间舞曲构建了独特的英国舞蹈风格。
音乐结构:
全曲分为九个场景,以大型管弦乐为骨架,融合多种舞曲形式:
萨拉班德舞曲(场景I):庄重的旋律象征“众子”的虔诚;
撒旦的胜利之舞(场景II):以不协和音与急促节奏刻画邪恶的狂欢;
帕凡舞曲与加亚尔德舞曲(场景VIIVIII):前者典雅,后者活泼,对比展现“青春之美”与“天国秩序”。
尾声《绵延的广板》以弦乐的绵长线条收尾,如同对苦难的最终和解,充满哲思的宁静。
乐团演绎:马克·埃尔德爵士(Sir Mark Elder)指挥哈雷乐团,精准把握作品的戏剧张力与抒情深度,尤其是在舞蹈场景中,管弦乐的色彩变化如同视觉画面般生动。
专辑价值
此专辑不仅呈现了沃恩·威廉斯对英国民间音乐传统的继承与创新,更通过《约伯》展现了他将宗教叙事转化为音乐戏剧的想象力。尼尔·戴维斯的歌声与哈雷乐团的默契协作,为这两部二十世纪英国古典音乐的巅峰之作注入了鲜活的生命力。
Artist: Hallé, Sir Mark Elder, Neal Davies
Title: Vaughan Williams: Job & Songs of Travel
Year Of Release: 2020
Label: Halle Concerts Society
Genre: Classical
Quality: flac 24bits 44.1kHz +Booklet
Total Time: 01:10:16
Total Size: 582 mb
WebSite: Album Preview
Tracklist
01. Songs of Travel: I. The Vagabond (Orch. Ralph Vaughan Williams)
02. Songs of Travel: II. Let Beauty Awake (Orch. Roy Douglas)
03. Songs of Travel: III. The Roadside Fire (Orch. Ralph Vaughan Williams)
04. Songs of Travel: IV. Youth and Love (Orch. Roy Douglas)
05. Songs of Travel: V. In Dreams (Orch. Ralph Vaughan Williams)
06. Songs of Travel: VI. The Infinite Shining Heavens (Orch. Roy Douglas)
07. Songs of Travel: VII. Whither Must I Wander? (Orch. Roy Douglas)
08. Songs of Travel: VIII. Bright Is the Ring of Words (Orch. Ralph Vaughan Williams)
09. Songs of Travel: IX. I Have Trod the Upward and the Downward Slope (Orch. Roy Douglas)
10. Job: Scene I. Introduction
11. Job: Scene I.Saraband of the Sons of God
12. Job: Scene II. Satan’s Dance of Triumph
13. Job: Scene III. Minuet of the Sons of Job and Their Wives
14. Job: Scene IV. Job’s Dream
15. Job: Scene V. Dance of the Three Messengers
16. Job: Scene VI. Dance of Job’s Comforters
17. Job: Scene VII. Elihu’s Dance of Youth and Beauty
18. Job: Scene VII. Pavane of the Sons of the Morning
19. Job: Scene VIII. Galliard of the Sons of the Morning
20. Job: Scene VIII. Altar Dance and Heavenly Pavane
21. Job: Scene IX. Epilogue (Largo sostenuto)
Hallé, Sir Mark Elder & Neal Davies Vaughan Williams: Job & Songs of Travel (2020) [HiRes]
The Hallé announces the latest release in their series of works by Vaughan Williams, with two landmark pieces which are pinnacles of the composers output. Composed between 1901 and 1904, the Songs of Travel, settings of Robert Louis Stevenson for voice and piano (some orchestrated by the composer and some by composer and arranger Roy Douglas), proved a significant landmark in the emergence of Vaughan Willamss personal voice. The work reflects the composers interest in folk song and is characterized by highly evocative orchestrations, ardent melodic lines, wide ranging expressions of emotion from joy to melancholy and highly effective word setting. Winner of the Lieder Prize at the 1991 Cardiff Singer of the World Competition, Neal Davies has sung with the worlds leading orchestras, conductors and opera companies and received much critical praise for performances in concert, on stage and in recordings. Ralph Vaughan Williamss masque for dancing, Job, is one of his supreme achievements and was considered by Gustav Holst to be a masterpiece. Scored for large orchestra, the work was written between 1927 and 1930 and shows the composers imagination at its most vivid. Inspired by William Blakes dramatic engravings, interpreting a Biblical narrative which examines human suffering in relation to a deity of justice, Vaughan Williams deploys traditional folk dances as a means of creating an idiomatic English dance style.
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